Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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¡A, de la región de luces! (Araujo)
¡A, del cielo! (Araujo)
¡Salga el torillo hosquillo! (Salazar)
¡Salga el torillo hosquillo! 'Guadalupe Juegete' (Salazar/Araujo)
¡Viva Ignacio! ¡Viva! (Fernandes)
A Bellman's Song (Ravenscroft)
A bonny, bonny bird I have (Wilson)
A chi spera, o luci amate
A Despairing Lover (Lawes)
A Dialogue (Lawes)
A Dreame (Lawes)
A Fool's Preferment, or The Three Dukes of Dunstable, Z571 (Purcell/Britten)
A fox may steal your hens, sir (Peachum)
A health to the northern lass (Lawes)
A mirarvi io son intento (Handel)
A Pastoral Elegie to the memory of deare Brother, William Lawes (Lawes)
A song on the victory obtain'd over the rebels by His Royal Highness the Duke of Cumberland, HWV228/9 (Handel)
A Tale out of Anacreon (Lawes)
A thousand sev'ral ways I tried, Z359 (Purcell)
A thousand, thousand ways
A trionfar mi chiama (Enea)
Ab aeterno ordinata sum, SV262 (Monteverdi)
Accordez vos sons et vos pas
Acis and Galatea, HWV49a (Handel)
Adelaide (Orlandini)
Adieu bergère pour jamais (Guédron)
Adieu, bergère
Admeto, Re di Tessaglia, HWV22 (Handel)
Adriano in Siria (Bach)
Adriano in Siria (Ristori)
Affetto gioia e riso (Gualtiero)
Ah che dissi! (Enea)
Ah dear heart (Gibbons)
Ah me, how scanty is my store!
Ah nò, mia cara Elvira
Ah silly soul (Byrd)
Ah! che morir vorrei
Ah! cruel nymph!, Z352 (Purcell)
Ah! non turbi il mio riposo (Telemaco)
Ah! quand reviendront nos beaux jours?
Ah! Ruggiero crudel, tu non mi amasti! (Alcina)
Ah! spietato! e non ti muove (Melissa)
Ah! what avails the sprightly morn of life (Linley Sr.)
Ah, come mi balza il cor (Emirena)
Ah, crudel (Armida)
Ah, how pleasant 'tis to love, Z353 (Purcell)
Ah, how sweet it is to love
Ah, how sweet it is to love
Air gracieux – L'Amour, le seul Amour
Airs de cour (Besard)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 16 (Boësset)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 5 (Boësset)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 9 (Boësset)
Airs de cour Book 1 (Moulinié)
Airs de cour Book 4 (Moulinié)
Airs de cour eet de différents auteurs Book 5 (Boësset)
Airs de cour, Book 3 (Moulinié)
Al lampo dell'armi (Cesare)
Al mare invitano (tutti)
Al mormorar de liquidi cristalli (Gastoldi)
Alack, when I look back (Byrd)
Alas, from the day my poor heart (Linley Sr.)
Alcina, HWV34 (Handel)
Alessandro, HWV21 (Handel)
Alexander Balus (Handel)
Alfred (Arne)
All as a sea (Byrd)
All' aura, al cielo, ai venti
All creatures now (Bennet)
All fancy sick (De Fesch)
All looks be pale (Campion)
All through the night 'The Widow's Lament' (Haydn)
All ye whom Love or Fortune hath betrayed (Dowland)
Alla caccia, HWV79 (Handel/Bennett)
Alla sua gabbia d'oro (Rossane)
Allegrezza, mio core
Alleluia, ZS14 (Weldon/Purcell/Britten)
Alles mit Gott und nichts ohn' ihn, BWV1127 (Bach)
Altra volta incatenarmi
Altri canti d'Amor, SV146 (Monteverdi)
Amadigi di Gaula, HWV11 (Handel)
Amarillis, by a spring (Lawes)
Amid a thousand racking Woes (Arbaces)
Amidst the myrtles as I walk
Amidst the shades and cool refreshing streams, Z355 (Purcell)
Aminta e Fillide 'Arresta il passo', HWV83 (Handel)
Amintas, to my grief I see, Z356 (Purcell)
Amintor, heedless of his flocks, Z357 (Purcell)
Amintor's Welladay (Lawes)
Among the men, coquets we find (Polly/Lucy)
Amor, non dormir più (Strozzi)
Amore è bandito (Strozzi)
Amour, lance tes traits
Amphitryon, or The Two Sosias, Z572 (Purcell)
An aged dame (Byrd)
An earthly tree (Byrd)
An Epithalamium (Wedding Song)
An Ode on the Death of Mr Henry Purcell (Blow)
An Ode upon dedicating a building to Shakespeare (Arne)
And is it night? Are they thine eyes that shine? (Jones)
Arianna a Naxos, Hob XXVIb:2 (Haydn)
Arianna in Creta, HWV32 (Handel)
Ariodante (Pollarolo)
Ariodante, HWV33 (Handel)
Arise, my muse, Z320 (Purcell)
Arise, ye subterranean Winds (Reggio)
Arm, arm! the scouts are come in (Johnson)
Artaxerxes (Arne)
As Amoret and Thyrsis lay
As I walked forth, or The Deceased Maiden Lover (Johnson)
As steals the morn upon the night (Il Moderato)
As Vesta was from Latmos hill descending (Weelkes)
Ascanio (Lotti)
Ask me to love no more, Z358 (Purcell)
At dead low ebb of night
At Winchester was a wedding
Auch die sprödeste der Schönen, Hob XXVIa:18 (Haydn)
Augelletti, voi col canto
Aure, fonti, ombre gradite (Rossane)
Aureng-Zebe, Z573 (Purcell)
Author of Light (Campion)
Aux langueurs d'Apollon
Awake, awake, my Lyre! 'A Supplication' (Blow)
Awake, my lyre (Linley Sr.)
Awake, sweet love, thou art returned (Dowland)
Away with these self-loving lads (Dowland)
Away, my herd, under the green oak (Haydn)
Bacchus is a pow'r divine, Z360 (Purcell)
Barbara! io ben lo so
Barbaro, partirò (Polinessa)
Be still O ye winds and attentive ye Swains
Be welcome then, great Sir, to constant vows
Beauty, since you so much desire (Campion)
Beaux yeux
Behold a wonder here (Dowland)
Behold, O mightiest of Gods
Bel tempo per me se n'andò (Carissimi)
Belinda (Eccles)
Belise starb, und sprach im Scheiden (Benda)
Beneath a dark and melancholy grove, Z461 (Purcell)
Beneath a poplar's shadow lay me
Berenice (Bach)
Berenice, che fai?
Berenice, ove sei? (Berenice)
Berenice, Regina d'Egitto, HWV38 (Handel)
Beware, poor shepherds 'The Caution', Z361 (Purcell)
Bid the Virtues, bid the Graces
Blame not my cheeks (Campion)
Blest be this morn, blest be the hand –
Blind Cupid hath made my heart for to bleed (Wife/Simpkin)
Bonduca, or The British Heroine, Z574 (Purcell)
Break now, my heart, and die (Campion)
Bring away this sacred tree (Lanier)
Britain, thou now art great, art great indeed!
Burst forth, my tears (Dowland)
But here comes a Druid and we must retire –
But in the close of night –
By beauteous softness mixed with majesty
By beauteous softness mixed with majesty, Z332/7
Caio Fabbricio, HWVA9 (Handel)
Caio Fabbricio, HWVA9 (Handel/Albinoni)
Caio Fabbricio, HWVA9 (Handel/Ciampi)
Caio Fabbricio, HWVA9 (Handel/Courcelle)
Caio Fabbricio, HWVA9 (Handel/Hasse)
Caio Fabbricio, HWVA9 (Handel/Leo)
Caio Fabbricio, HWVA9 (Handel/Pollarolo)
Caio Fabbricio, HWVA9 (Handel/Sellito)
Caio Fabbricio, HWVA9 (Handel/Vinci)
Can doleful notes? (Danyel)
Can life be a blessing? (Eccles)
Can she excuse my wrongs? (Dowland)
Cangia i gemiti in baci, e più non brama
Canon and Gigue in D (Pachelbel/Brody/Reynolds)
Captaine Digorie Piper his Pavan (Dowland)
Cara la dolce fiamma (Farnaspe)
Cara speme, questo core (Sesto)
Cara sposa (Rinaldo)
Cara, deh serbami (Vologeso)
Care-charming sleep (Johnson)
Caro mio bene, addio (Ezio)
Caro padre, a me non dei
Carters, now cast down (Farnaby)
Castor et Pollux (Rameau)
Castor et Pollux (Rameau/Aareskjold/Bennett)
Cavalilly Man
Cease you jolly shepherds
Cease your funning
Cease, anxious world, your fruitless pain, Z362 (Purcell)
Cease, ruler of the day, to rise (Dejanira)
Cease, warring thoughts (Lawes)
Celebrate this Festival, Z321 (Purcell)
Celestial music did the gods inspire, Z322 (Purcell)
Celia has a thousand charms
Celia the Fair (Monro)
Celia's fond, too long I've lov'd her, Z364 (Purcell)
Cephalus und Aurore (Benda)
Cessés mortels de soupirer (Guédron)
C'est malheur
C'est trop soupirer
Ch'ave overcome my voes (Wat/Company)
Che faro? … Privarmi io deggio (Lucio Vero)
Che tirannia d'amor! (Lisaura)
Chi m'insegna il caro padre?
Chi t'intende? o cieca instabile! (Berenice)
Chloe found Amyntas lying all in tears 'Rondelay' (Blow)
Chloris now thou art fled away
Clori, mia bella Clori, HWV92 (Handel)
Colin and Phoebe 'A Pastoral' (Arne)
Colin's description of Vauxhall 'Green-Wood Hall' (Gladwin)
Combattimento di Tancredi e Clorinda, SV153 (Monteverdi)
Come again, sweet love doth now invite (Dowland)
Come all ye songsters
Come ashore, merry mates (Coprario)
Come away, come sweet love (Dowland)
Come away, Hecate (Johnson)
Come every shepherd with his love
Come if you dare, our trumpets sound
Come to me, grief, for ever (Byrd)
Come unto these yellow sands (Banister)
Come unto these yellow sands, Z631
Come ye sons of Art, away, Z323 (Purcell)
Come ye sons of Art, away, Z323 (Purcell/Britten)
Come, cheerful day (Campion)
Come, cheerful day, part of my life to me (Campion)
Come, come along for a dance and a song (Clarke)
Come, gentle swains (Cavendish)
Come, heavy Sleep (Dowland)
Come, let us leave the town
Come, my Daphne, come away (Lawes)
Come, sable night (Ward)
Come, sad Turtle, mateless moaning
Come, shepherds, lead up a lively measure
Come, sweetest composer of grief and pain
Come, you pretty false-eyed wanton (Campion)
Comus, HWV44 (Handel)
Con che soavità (Monteverdi)
Con l'ali di costanza (Ariodante)
Confusa, smarrita (Berenice)
Conservate, raddoppiate (Handel)
Constant Penelope (Byrd)
Contemplar almen chi l'ama
Contentatevi, o fidi pensieri
Cor di padre, e cor d' amante (Asteria)
Corinna is divinely fair, Z365 (Purcell)
Correa nel seno amato (Scarlatti)
Correte pur a fiumi, amare lacrime
Corydon and Miranda (Boyce)
Così fiera procella
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Coy Daphne fled (Danyel)
Crede sol che a nuovi ardori (Flavio)
Credimi pur che t'amo (Porpora)
Crudeli, ahimè, che fate? (Sofonisba)
Crudeltà nè lontananza
Crudo Amor (Pelio)
Cruel Madame (Vautor)
Cruel unkind (Ward)
Cuopre tal volta il cielo
Cupid, make your virgins tender (Purcell)
Cupid, the slyest rogue alive, Z367 (Purcell)
Cur, quaeso, crudelis es factus?
Cymon and Iphigenia (Arne)
Da tempeste il legno infranto (Cleopatra)
Da torbido nembo (Aristeo)
Dal povero mio cor (Porpora)
Dalla guerra amorosa, HWV102a (Handel)
Dall'ondoso periglio – Aure, deh, per pietà (Cesare)
Damon and Clora (Harington)
Dance for Chinese Man and Woman
Daphnis et Alcimadure (Mondonville)
Darà la notte il sol lume alla terra
Dardanus (Rameau)
Das Andenken (Benda)
Das Leben ist ein Traum, Hob XXVIa:21 (Haydn)
Dauntless sons of Celtic sires
David of the White Rock 'The Dying Poet to his Harp' (Haydn/Owen)
De' miei desiri ormai (Lucio Vero)
Dear, if you change, I'll never choose again (Dowland)
Deh lascia, o ciel pietoso (Emirena)
Deidamia, HWV42 (Handel)
Demetrio (Giacomelli)
Der Greis, Hob XXVc:5 (Haydn)
Descende caelo cincta sororibus 'The Oxford Ode' (Locke)
Despair, Hob XXVIa:28 (Haydn)
Destatevi, o pastori (Porpora)
Desterò dall' empia Dite (Melissa)
Dic mihi saeve puer (Clerk)
Dica il falso, dica il vero (Rossane)
Dido and Aeneas, Z626 (Purcell)
Didone abbandonata (Hasse)
Die ihr aus dunkeln Grüften, HWV208 (Handel)
Die Lüfte deckte noch der dunkle Flor der Nacht
Die not, fond man (Ward)
Die Turteltaube lässt sich hören (Knüpfer)
Die Welt wird wieder neu
Dime, amor (Araujo)
Dissembling, false, perfidious Hercules!
Dite almeno, astri crudeli
Dite pace, e fulminate (Elmira)
Ditelo, o fiumi, e voi ch'udiste Glauco
Divine Amaryllis (Boësset)
Do not repine, fair sun (Gibbons)
Doch, haltet ein, ihr muntern Saiten
Dolce sogno (Gualtiero)
Dopo l'orrore (Ottone)
Dopo notte (Ariodante)
Dost thou withdraw thy grace? (Danyel)
Dove sei, amato bene? (Bertarido)
Dove sei, mio bel tesoro?
Dove, m'ascondo (Marc’Antonio)
Draw near you country girls
Draw near, you lovers, Z462 (Purcell)
Draw on, sweet night (Wilbye)
Dread Sir, the Prince of Light (Blow)
Drey Sommer grünet mir bereits
Drop not, mine eyes
Drum sucht auch Amor sein Vergnügen
Dry those eyes which are o'erflowing (Banister)
Dry those eyes which are o'erflowing (Weldon)
Du fehlest mir, wie einsam und wie stille (Benda)
Du pouvoir de l'Amour
Du, klein Blondine, bezauberst ja schon! (Benda)
Dulcibella, when e'er I sue for a kiss, Z485 (Purcell/Britten)
Dunque annoda pur, ben mio
Dunque, amate reliquie, un mar di pianto
È tale Otton? – Falsa imagine (Teofane)
E vibrando in un baleno
E vivo ancora? E senza il ferro?
Echo dance of Furies
Écoutons … D'un doux frémissement
Ei l'armi cinse, e su destrier alato
Ein trunkner Dichter leerte (Benda)
Elisa che ricerchi – Voglio amore (Elisa)
Elvira, anima mia
En fin la beauté que j'adore
Enchanting harmonist (Harington)
Enfin la beauté que j'adore (Moulinié)
Entro l’orrida mole – Se per te lieto, mi lice (Ercole/Teseo)
Erbauliche Gedanken eines Tobackrauchers, BWV515a (Bach)
Ercole in Tebe (Boretti)
Ercole in Tebe (Melani)
Esther, HWV50a (Handel)
Eternal source of light divine
Eumene (Giay)
Eyes, look no more (Danyel)
Ezio (Bach)
Ezio (Pescetti)
Ezio, HWV29 (Handel)
Fain would I wed (Campion)
Fair Iris and her swain
Fair Oriana, seeming to wink at folly (Jones)
Fair, if you expect admiring (Campion)
Fairest isle
Fairest isle, all isles excelling
Fairest work of happy nature (Blow)
Far from this throbbing bosom haste
Far from triumphing court (Dowland)
Farewel dear Scenes of gay Delight
Farewell Despairing Hopes, I'll love no more
Farewell to Locaber (Anon/Bach)
Farewell, all joys, Z368 (Purcell)
Farewell, fond youth (Jones)
Farewell, ye rocks, ye seas and sands, Z463 (Purcell)
Faulheit, itzo will ich dir (Benda)
Fetonte (Jommelli)
Fidelity, Hob XXVIa:30 (Haydn)
Fill up the bowl (Poet/Fairies/chorus)
Fine knacks for ladies (Dowland)
Fire, fire, fire! (Campion)
Flammende Rose, Zierde der Erden, HWV210 (Handel)
Flavia grown old (Blow)
Flora, goddess sweetly blooming
Flow not so fast, ye fountains (Dowland)
Flow, my tears, fall from your springs (Dowland)
Flow, O my tears (Dowland)
Fly swift, ye hours, Z369 (Purcell)
Fly to my aid, O mighty Love (Linley Sr.)
Fly, bold rebellion, Z324 (Purcell)
Fonti amiche, aure leggiere (Seleuce)
For folded flocks (Three Shepherds)
Formons les plus brillants concerts
Four Songs (Purcell/Adès)
Four Songs (Purcell/Adès)
Fra le pupille
Fra l'orror d'atra foresta (Eumene)
Frolic and free (Arne)
From hardy Climes and dangerous Toils of War, Z325 (Purcell)
From scourging Rebellion, and baffling proud France
From silent night (Dowland)
From silent shades and the Elysian groves
From silent shades and the Elysian groves
From silent shades 'Bess of Bedlam', Z370 (Purcell)
From the heav'ns now I fly (Lawes)
From those serene and rapturous joys, Z326 (Purcell)
Fronda leggiera e mobile (Handel)
Full fathom five (Banister)
Full fathom five (Johnson)
Full fathom five (Smith)
Full fathom five, Z631
Gasouillats auzeléts
Gather your rosebuds (Lawes)
Gather your rosebuds while you may (Lawes)
Gather your rosebuds while you may (Lawes)
Gelido in ogni vena (Cosroe)
Gelobet sei Gott und der Vater
Gelosia, spietata Aletto (Alceste)
Gentle shepherds, you that know 'Pastoral Elegy on the Death of Mr John Playford', Z464 (Purcell)
Get you hence (Johnson)
Già la notte s'avvicina 'La pesca' (Porpora)
Già lusingato appieno (Scarlatti)
Gite, o giorni dolenti (Strozzi)
Giulio Cesare in Egitto, HWV17 (Handel)
Giustino, HWV37 (Handel)
Give me my lute (Banister)
Gloria e Imeneo, RV687 (Vivaldi)
Gloria Patri, qui creavit nos (Blow)
Go from my window (Anon/Dowland)
Go nightly cares (Dowland)
Go, crystal tears (Dowland)
Go, happy man (Coprario)
Go, passions, to the cruel fair (Ford)
Go, perjur'd man, and if thou ere return 'The Curse' (Blow)
Go, rose! my Chloe's bosom grace (Greene)
Go, tell Amynta, gentle swain, Z489 (Purcell)
Good morrow fellow Filcher (Nim/Filcher)
Grant me, ye gods (Blow)
Great Love, I know thee now (Cold Genius)
Great Parent, Hail to Thee!, Z327 (Purcell)
Grief keep within
Grief of my best love's absenting (Jones)
Großer Gönner, dein Vergnügen
Guitar's chaconne
Ha scogli e rie procelle
Hail! Great parent of us all
Happy, happy, happy plains!
Hark how all things with one sound rejoice (2nd Woman)
Hark how the hounds and horn (Theseus)
Hark how the songsters
Hark how the wild musicians sing, Z542 (Purcell)
Hark the ech'ing air!
Hark the echoing air a triumph sings (1st Woman/chorus)
Hark! all ye lovely saints (Weelkes)
Hark! hark! he strikes the golden lyre (Cleopatra)
Hark! hark! the lark (Johnson)
Hark! Hark, what I tell to thee
Hark! Wot ye what? (Jones)
Hark, Damon, hark, Z541 (Purcell)
Hark, hark, the lark (Chilcot)
Hark, shepherd swains (Lawes)
Have all our passions?
He himself courts his own ruin, Z372 (Purcell)
He that will not love
He who could first two gentle hearts unbind (Linley Sr.)
He whose desires are still abroad (Danyel)
He whose desires are still abroad (Danyel)
Hears not my Phillis how the birds
Hears not my Phillis how the birds 'The Knotting Song', Z371 (Purcell)
Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham' (Blow)
Hence stars, too dim of light (East)
Hence, all ye vain delights (Jr.)
Hence, fond deceiver 'Love and despair', Z492 (Purcell)
Hence, ye profane, far hence, away!
Her rosy cheeks, her ever smiling eyes (Campion)
Hercules, HWV60 (Handel)
Here the Deities approve
Here's the Summer (Summer)
Heureux qui nuit et jour (Guédron)
High on a throne of glitt'ring ore, Z465 (Purcell)
High on the giddy bending mast
Hin ist alle meine Kraft!
Hippolyte et Aricie (Rameau)
His golden locks Time hath to silver turned (Dowland)
Hither this way
Hochteurer Mann, so fahre ferner fort
Honneur à la Folie – Aimables jeux
Honour, riches, marriage-blessing (Arne)
Hope of my heart (Ward)
How art thou fall'n from thy height! (Haman)
How blest are shepherds
How blest are shepherds (Shepherd/chorus)
How blyth was I each morn to see
How can I stay, when love invites? (Assuerus)
How cruel are the traitors (Lucy/Macheath)
How delightful's the life of an innocent swain, Z373 (Purcell)
How happy the lover
How I sigh when I think of the charms of my swain, Z374 (Purcell)
How pleasant is this flowery plain and grove!, Z543 (Purcell)
How severe is my fate (Croft)
How vain the toils (Byrd)
Humour, say what mak'st thou here (Dowland)
Hush, no more (Sleep/chorus)
Hymn to God the Father (Humfrey/Tippett/Bergmann)
I am come to lock all fast (Mystery)
I attempt from love's sickness to fly
I attempt from love's sickness to fly
I call you all to Woden's hall
I came, I saw, and was undone 'The Thraldom', Z375 (Purcell)
I can dance and I can sing (Moll Medlar/Wat)
I care not for these ladies (Campion)
I die whenas I do not see (Danyel)
I gaze upon those mountains, that mingle with the sky
I have entreated (Ward)
I laid me down upon a pillow soft
I love and I must 'Bell Barr', Z382 (Purcell)
I loved fair Celia, Z381 (Purcell)
I must complain (Dowland)
I prithee send me back my heart (Lawes)
I rage, I melt, I burn! (Polyphemus)
I resolve against cringing and whining, Z386 (Purcell)
I rise and grieve (Lawes)
I saw my lady weep (Dowland)
I see she flies me
I spy Celia, Z499 (Purcell/Britten)
I take no pleasure in the sun's bright beams, Z388 (Purcell)
I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
I was not wearier (Lanier)
Ich liebte nur Ismenen (Benda)
Ich will den Vater bitten
If ever I more riches did desire, Z544 (Purcell)
If grief has any pow'r to kill, Z378 (Purcell)
If heaven's just wrath (Ward)
If I give thee honour due (L'Allegro)
If love the virgin's heart invade (Mrs Peachum/Peachum)
If love's a sweet passion (Nymph/Fawn/chorus)
If music be the food of love, Z379a (Purcell)
If music be the food of love, Z379a (Purcell/Britten)
If music be the food of love, Z379a (Purcell/Tippett/Bergmann)
If music be the food of love, Z379b (Purcell)
If music be the food of love, Z379c (Purcell)
If music be the food of love, Z379c (Purcell/Britten)
If my complaints could passions move (Dowland)
If pray'rs and tears, Z380 (Purcell)
If the deep sighs (Ward)
If thou long'st so much to learn (Campion)
If women could be fair (Byrd)
Ihr werdet sehen und euer Herz wird sich freuen
Il ballo delle ingrate (Monteverdi)
Il crudel m' abbandona, e mi detesta
Il mio core è un mar di pianti (Carissimi)
Il trespolo tutore (Stradella)
Il trionfo del Tempo e del Disinganno, HWV46a (Handel)
Il volo così fido al dolce (Costanza)
Il Vologeso (Jommelli)
I'll sail upon the dog-star
I'm sick of love; O let me lie
In a merry May morn (Nicholson)
In all our Cynthia's shining sphere, Z496 (Purcell)
In Cloris all soft charms agree, Z384 (Purcell)
In darkness let me dwell (Coprario)
In darkness let me dwell (Dowland)
In days of ancient story
In den angenehmen Büschen, HWV209 (Handel)
In guilty night, and hid in false disguise
In quel gelato core una voce
In some kind dream, Z497 (Purcell)
In the black dismal dungeon of despair, Z190 (Purcell/Britten)
In the vale of Llangollen a cottage is seen
In thee I bear so dear a part
In thousand thoughts of love and thee (Linley Sr.)
In vain we dissemble, Z385 (Purcell)
Incassum Lesbia, incassum rogas
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 (Purcell)
Incenerite spoglie, avara tomba
Infelici miei lumi
Infiammate, saettate
Infirmata vulnerata (Scarlatti)
Intenerite voi (Notari)
Intorno all’idol mio
Invan minacci, e credi vincer (Vologeso)
Io son tradito
Io ti levo l'impero dell'armi (Partenope)
It fell on a summer's day (Campion)
It is not that I love you less
It was a time when silly bees could speak (Dowland)
Ite caldi sospiri (Jones)
Jack a Lent
Je ne sais quel ennui me presse
Je suis ravi de mon Uranie
Jenny 'An Agreeable Musical Choice' (Arne)
Jenny's Mantle (Haydn)
Jeune merveille
Joy that alone, with better bays
King Arthur, or The British Worthy, Z628 (Purcell)
King Arthur, or The British Worthy, Z628 (Purcell/Britten)
Künft'ger Zeiten eitler Kummer, HWV202 (Handel)
La canterina, Hob XXVIII:2 (Haydn)
La Cleopatra (Castrovillari)
La Griselda (Bononcini)
La lyre enchantée (Rameau)
La Senna festeggiante, RV693 (Vivaldi)
La Senna festeggiante, RV693 (Vivaldi/King)
La sorte mia vacilla (Antigona)
La Statira (Albinoni/Bennett)
La voila la nacelle d'amour
L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
Lamento d'Olimpia (Monteverdi)
Langue, geme, sospira (Handel)
Laschia ch'io Pianga (Handel)
Lascia ch'io pianga
Lasso vita mia (Dowland)
L'aura non sempre (Laodice)
Le direi, mormorando tra' sassi
Leave prolonging thy distress (Campion)
Leo Scotiae irritatus (Clerk)
Les Indes galantes (Rameau)
Les Paladins (Rameau)
Let each gallant heart, Z390 (Purcell)
Let formal lovers still pursue, Z391 (Purcell)
Let no disloyal cares his peace destroy –
Let no mortal sing to me (Jackson)
Let not a moonborn elf mislead ye (Grimbald)
Let not Chloris think (Danyel)
Let the dreadful engines of eternal will
Let the fifes and the clarions (2nd Attendant/3rd Attendant)
Let us dance, let us sing
Let us take the road (Matt)
Let us, kind Lesbia, give away, Z466 (Purcell)
Lieber Amor, leihe mir (Benda)
Lieto godea sedendo (Gabrieli)
Lightly she whipped o'er the dales (Mundy)
Like as the lute delights (Danyel)
Like two proud armies (Weelkes)
L'incoronazione di Poppea (Monteverdi)
L'Olimpiade (Orlandini)
Longe mala, umbrae, terrores, RV629 (Vivaldi)
Lord, to thee I make my moan (Byrd)
L'Orontea (Cesti)
Lost is my quiet for ever, Z502 (Purcell)
Lost is my quiet for ever, Z502 (Purcell/Britten)
Lotario, HWV26 (Handel)
Love arms himself in Celia's eyes, Z392 (Purcell)
Love in a village (Arne)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Love is now become a trade, Z393 (Purcell)
Love, thou can'st hear, tho' thou art blind, Z396 (Purcell)
Lovely Albina's come ashore, Z394 (Purcell)
Lovely Selena, innocent and free (Blow)
Love's goddess sure was blind, Z331 (Purcell)
Love's pow'r in my heart shall find no compliance, Z395 (Purcell)
Loves Sweet Repose (Lawes)
Luci belle
Luci belle, più serene, più tranquille (Lucio Vero)
Lulla, lulla la, lulla, lullaby
Lungi dal vago volto
Ma belle, si ton ame (Anon/Besard)
Ma che ascolto? (Berenice/Aniceto)
Ma la selva, il monte intanto
Ma la speme lusinghiera
Ma l'amor per mio tormento
Ma se l'alma sempre geme
Ma te raccoglie, o ninfa, in grembo 'l cielo
Ma, a chi parlo?
Mad Bess, Z370 (Purcell/Britten)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Maids to bed and cover cole
Maledetto sia l'aspetto (Monteverdi)
Man is for the woman made
Man's life is but vain, for 'tis subject to pain
Marche pour les différentes nations – Par tes bienfaits
Mark how readily each pliant string
Mark how the blushful morn
Mark how the Lark and Linnet Sing
Martin said to his man (Ravenscroft)
May the God of Wit inspire
Me infelice!
Mein Geliebter hat versprochen (Benda)
Mein Thyrsis! dürft ich dir doch sagen (Benda)
Menuet en rondeau – Si l'Amour coûte des soupirs
Menzognera dici: 'Spera'
Mercury and Nature in the Elysian Fields (Locke)
Mesto, stanco, e spirante dal duol' che l'opprimea
M'hai resa infelice (Deidamia)
Mi deride l'amante
Mi fa barbara e ingrata
Mi lusinga il dolce affetto (Ruggiero)
Mi stringerai sì
M'inganna, me n'avveggo (Oronte)
M'intendi? Io tutto dissi: ahi qual tormento!
Mir Armen, den des Fiebers Kraft (Benda)
Mirth, admit me of thy crew (L'Allegro)
Mistress, since you so much desire (Campion)
Mo Ghille Mear (Mac Domhnaill/Earley)
Mortals wisely learn to measure
Mourons Tirsis, vivons Silvie
Move now with measured sound (Campion)
Movete al mio bel suon le piante snelle
Mrs M E her funeral tears for the death of her husband (Danyel)
Much Ado About Nothing (Arne)
Musettes, résonnez – Menuet en rondeau
Music for a while
Music for a while
Music for a while
Music for a while
Music for Florizel and Perdita (Boyce)
Music has power to melt the soul
Musing on cares of human fate, Z467 (Purcell)
My breast I'll set (Ward)
My choice is made (Pilkington)
My complaining is but feigning (Jones)
My fair's a garden of delight (He)
My heart was so free (Macheath/Polly)
My heart, whenever you appear, Z399 (Purcell)
My mother bids me bind my hair
My sweetest Lesbia (Campion)
My thoughts are wing'd with hopes (Dowland)
Naïs (Rameau)
Near a thick grove, whose deep embow'ring shade
Nei campi e nelle selve
Nel mondo e nell'abisso (Isacio)
N'espérez plus, mes yeux
Never weather-beaten sail (Campion)
Next, Winter comes slowly (Winter)
No more dams I'll make for fish (Smith)
No more, the dear, lovely nymph's no more (Blow)
No part of my dominion shall be waste (Cupid)
No Reprieve (Lawes)
Nò, di voi non vo' fidarmi (Handel)
No, Lesbia, you ask in vain 'Elegy on the death of Queen Mary, The Queen's Epicedium' (Blow)
No, let chromatic tunes
No, più soffrir non voglio (Lisaura)
No, resistance is but vain
No, resistance is but vain
No, to what purpose should I speak?, Z468 (Purcell)
Nodi voi, che gli stringeste
Non disperi peregrino (Ottone)
Non mi dite (Strozzi)
Non partir, bell'idol mio
Non può quest'alma in sen (Ascanio)
Non so d'onde viene (Massimo)
Non so frenar il pianto (Demetrio)
Non v'è chi mi aiuta (Gasparina)
Non vi piacque, ingiusti dei (Emira)
Not all my torments can your pity move, Z400 (Purcell)
Not all my torments can your pity move, Z400 (Purcell/Britten)
Now does the glorious day appear, Z332 (Purcell)
Now each creature (Handford)
Now each flowery bank of May (Gibbons)
Now farawel Lungeon, iche may zing (Wat/Filcher/Nim/Moll Medlar/Baby)
Now hath Flora robbed her bowers (Campion)
Now join your warbling voices all
Now persecution shall lay by her iron rod – Tune your harps to cheerful strains (1st Israelite)
Now that the sun hath veiled his light 'An Evening Hymn', Z193 (Purcell/Tippett/Bergmann)
Now that the sun hath veiled his light 'An Evening Hymn', Z193 (Purcell/Wollston)
Now the dancing sunbeams play
Now the earth, the skies, the air (Danyel)
Now the maids and the men are making of hay (Coridon/Mopsa)
Now what is Love? (Jones)
Now, now Lucasia, now make haste
Now, oh now I needs must part – The Frog Galliard (Dowland)
Now, oh now I needs must part (Dowland)
O chiome d'or, neve gentil del seno
Ô combats, ô désordre extrême!, D Anhang IIb (Gluck/Schubert)
O come chiare e belle, HWV143 (Handel)
O dear life, when may it be (Byrd)
O dieux je ne sçais pas (Boësset)
O diva Ecate, sian d'effetto vuoti
O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514 (Purcell)
O Dolly, I part (Roger)
O God that guides the cheerful sun (Byrd)
O holder Tag, erwünschte Zeit, BWV210 (Bach)
O how blest is the Isle to which Caesar is given
O King of Heaven and Hell, of Sea and Earth!
O let me weep
O Mary, soft in Feature
O ruddier than the cherry (Polyphemus)
O solitude, my sweetest choice!, Z406 (Purcell)
O solitude, my sweetest choice!, Z406 (Purcell/Boothby)
O solitude, my sweetest choice!, Z406 (Purcell/Britten)
O that most rare breast (Byrd)
O too lovely, too unkind (Arbaces)
O tuneful voice, Hob XXVIa:42 (Haydn)
O tuneful voice, Hob XXVIa:42 (Haydn)
O turn not those fine eyes away (Blow)
O welcome bat and owlet grey
O, lead me to some peaceful gloom
O, let me forever weep
Objét dont les charmes si doux
Objét le plus beau
Ode for the Birthday of Queen Anne 'Eternal source of light divine' (Handel)
Ode to the memory of Italian virtuosi (Harington)
Odi colà la frigia tromba? (Enea)
Odo di mesto intorno (Clerk)
Oedipus, Z583 (Purcell)
Oedipus, Z583 (Purcell/Boothby)
Oedipus, Z583 (Purcell/Britten)
Oedipus, Z583 (Purcell/Tippett/Bergmann)
Of all the torments, all the cares (Blow)
Of old, when heroes thought it base, Z333 (Purcell)
Of the Inns of Court Masque (Lawes)
Oft have I sigh'd (Campion)
Oft have I tender'd (Ward)
Oh Dio, che non è vero
Oh se fosse il mio core
Oh sweet woods, the delight of solitariness (Lawes)
Oh wo, wo, wo, what zhall chee do? (Wat/Baby)
Oh! what a scene does entertain my sight, Z506 (Purcell)
Oh, fair Cedaria, hide those eyes, Z402 (Purcell)
Oh, let me still and silent lie (Lawes)
Oh, let us howl (Johnson)
Oh, my Clarissa, thou cruel fair (Lawes)
Oh, quanti soli – Ahimé, gli è meglio piangere (Nino)
Oh, that joy so soon should waste (Lawes)
Ohime ch'io cado (Monteverdi)
Ohimè il bel viso, ohimè il soave sguardo, SV112 (Monteverdi)
Ohimè, dov'è il mio ben, dov'è il mio core?, SV140 (Monteverdi)
Olinda in the shades unseen, Z404 (Purcell)
Ombra cara di mia sposa (Radamisto)
Ombra, che pallida (Berenice)
Ombre, che tacite qui sede (Fetonte)
Ombre, piante, urne funeste! (Rodelinda)
On a day, alack the day (Arne)
On a time in summer season (Jones)
On the brow of Richmond Hill, Z405 (Purcell)
On the brow of Richmond Hill, Z405 (Purcell/Britten)
Once did I serve a cruel heart (Jones)
One charming night
One morn sweet Sue, a pail or tun
Or che d'orrido Verno (Porpora)
Or che 'l ciel e la terra e 'l vento tace, SV147 (Monteverdi)
Or che una nube ingrata – Quando in quel fior
Or la tromba – Battaglia (Rinaldo)
Or let the merry bells ring round (L'Allegro)
Or sì m'avveggio, oh Amore (Porpora)
Oroonoko, Z584 (Purcell/Britten)
Orpheus and Euridice (Boyce)
Orpheus' Hymn (Lawes)
Orpheus with his lute (Chilcot)
Orpheus with his lute (Greene)
Orrida a gl’occhi miei (Ginevra)
Ottone, Re di Germania, HWV15 (Handel)
Our Taunton den is a dungeon (Wat)
Out from the vale (Ward)
Ove tra l'herbe e fiori (Croce)
Overture in G minor
Pallido, ancor tremante
Pardon, goddess of the night (Chilcot)
Parnasso in Festa, HWV73 (Handel)
Partenope, HWV27 (Handel)
Partirò, ma vedrai quanto
Partirò, se vuoi così (Lucilla)
Passano i fiumi e i rivi
Passo al rogo fatal
Pastoral song, Hob XXVIa:27 (Haydn)
Pastora's beauties when unblown, Z407 (Purcell)
Pausanias, the Betrayer of his Country, Z585 (Purcell)
Pausanias, the Betrayer of his Country, Z585 (Purcell/Britten)
Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
Pavan (Moritz)
Peleus and Thetis (Boyce)
Pena tiranna (Dardano)
Pensa a serbarmi, o cara (Guadagni)
Per pietà
Perché fuggi (Monteverdi)
Perché, se tanti siete
Perfect and endless circles are (Lawes)
Perfido, ah taci (Lucilla/Lucio Vero)
Persuasions not to Love (Lawes)
Philint ist still, und flieht die Schönen (Benda)
Philint stand jüngst vor Babets Thür (Benda)
Phillis, I can ne'er forgive it, Z408 (Purcell)
Phillis, talk no more of passion, Z409 (Purcell)
Philomèle (Lacoste)
Phoebus eilt mit schnellen Pferden
Piangerò la sorte mia (Cleopatra)
Piangi pur (Araspe)
Piercing eyes, Hob XXVIa:35 (Haydn)
Pious Celinda goes to prayers, Z410 (Purcell)
Pious Celinda goes to prayers, Z410 (Purcell/Britten)
Placa l'alma (Rossane/Lisaura)
Platée (Rameau)
Pleasing pain, Hob XXVIa:29 (Haydn)
Poi che mancò speranza (Rossi)
Poichè giuraro amore, HWV148 (Handel)
Poor Celadon, he sighs in vain 'Loving above himself' (Blow)
Poscia, quando il pastor guida la greggia
Prelude as Hymen enters
Pretty Polly, say (Macheath/Polly)
Prince Rupert's March
Pupille vaghe
Pur ti miro … pur ti godo (Nerone/Poppea)
Pygmalion (Rameau)
Qual nave smarrita (Radamisto)
Quand'apparisti o vag'o amata Dori (Giovannelli)
Quando chiami dolce, e cara
Quando mai, spietata sorte (Zenobia)
Quando non ho più core
Quando non vede la cara madre (Pulcheria)
Quanto più fien tenaci
Que Philis a de perfections
Quel fior che all' alba ride, HWV200 (Handel)
Quel sguardo sdegnosetto (Monteverdi)
Quel silenzio … Quel sospiro (Berenice/Lucilla/Vologeso/Lucio Vero)
Quella ferita
Quelle divinité
Quello che senti, ò bella
Questa è la nuova (Strozzi)
Quest'è dunque la fede? (Alceste)
Quick let us share (Filcher/Nim)
Radamisto, HWV12a (Handel)
Raise, raise the voice, Z334 (Purcell)
Rashly I swore I would disown, Z411 (Purcell)
Recollection, Hob XXVIa:26 (Haydn)
Régnez, Amour
Rejoice unto the Lord (Byrd)
Rest awhile, you cruel cares (Dowland)
Retire, my troubled soul (Ward)
Riccardo Primo, Re d'Inghilterra, HWV23 (Handel)
Ricordati, che offeso (Eumene)
Ridente la calma, K152 (Mysliveček/Mozart)
Rien de la nature, D Anhang IIa (Gluck/Schubert)
Rigaudon I – Rigaudon II – Fuyez, vents orageux!
Rinaldo, HWV7a (Handel)
Rise, rise, heart-breaking sighs
Rissolvetevi pensieri (Strozzi)
Rodelinda, regina de' Longobardi, HWV19 (Handel)
Roger and Sue a Ballad to a Favourite Air by Sig.r Hasse (Hasse)
Rossignols amoureux
Round thy coasts (Nereid/chorus)
Ruhet hie, matte Töne
Rule a Wife and Have a Wife, Z587 (Purcell/Britten)
Rule, Britannia
Sabina has a thousand charms (Blow)
Saggio quel cor che libero
Sailor's song, Hob XXVIa:31 (Haydn)
Salvator mundi, salva nos (Blow)
Saul and the witch at Endor, Z134 (Purcell/Britten)
Sawney is a bonny lad, Z412 (Purcell)
Say dear, when will your frowning leave (Weelkes)
Say, Love, if ever thou didst find (Dowland)
Say, lovely Dream!
Scarce had the rising sun appear'd, Z469 (Purcell)
Scena di Berenice, Hob XXIVa:10 (Haydn)
Scherza in mar la navicella (Adelaide)
Scherza infida! (Ariodante)
Schweigt, ihr Flöten, schweigt, ihr Töne
Schwingt freudig euch empor, BWV36 (Bach/Roberts)
Scipione, HWV20 (Handel)
Se cantano gl'augelli (Gabrieli)
Se cerca, se dice (Megacle)
Se fida m'adora, penando si mora (Vologeso/Berenice/Lucio Vero)
Se i languidi miei sguardi (Monteverdi)
Se lusinga il labro e 'l ciglio
Se mi prestasse i vanni
'Sé mo laoch mo ghille mear
Se non ti moro a lato (Selimo)
Se parla nel mio cor (Giustino)
Se pur destina e vole (Monteverdi)
Se quel caro volto esangue (Berenice)
Se resto sul lido (Enea)
Se tu non lasci amore (Handel)
Se tu non lasci amore, HWV201a (Handel)
Se vittorie si belle (Monteverdi)
Se vive il mio bene (Berenice)
Se’l mio duol non è sì forte (Rodelinda)
See how the fading glories of the year, Z470 (Purcell)
See my many colour'd fields (Autumn)
See where she sits 'Weeping', Z508 (Purcell)
See, even Night herself is here (Night)
See, O see, the breaking day
See, see, we assemble
Sehet in Zufriedenheit
Sei tra' ceppi, e insulti ancor? (Lucio Vero)
Seid beglückt, edle Beide
Sein Lauf kam von Vater her
Seldom cleanly (Parker)
Semiramide (Mysliveček)
Semper gratus desiderabilis
Sento pietade
Senza il misero piacer
Serba le belle lagrime (Dalinda)
Sestina 'Lagrime d'amante al sepolcro dell'amata', SV111 (Monteverdi)
Shall I come, sweet love? (Campion)
Shall I strive with words to move? (Dowland)
Shall I sue, shall I seek for grace? (Dowland)
She loves and she confesses too, Z413 (Purcell)
She never told her love, Hob XXVIa:34 (Haydn)
She never told her love, Hob XXVIa:34 (Haydn)
She that would gain a faithful lover, Z414 (Purcell)
She, who my poor heart possesses, Z415 (Purcell)
Shepherd, leave decoying
Shepherd, shepherd, leave decoying (Two Shepherdesses)
Shows and nightly revels (Lupo)
Si c'est pour mon pucellage
Si jamais mon ame blessée (Guédron)
Si l'amour com'on dit
Si le parler et le silence (Guédron)
Sibilar gli angui d'Aletto (Argante)
Sich üben im Lieben
Sigh no more, ladies
Silent worship (Handel/Jacobson)
Silvio amante disperato
Since first I saw your face (Ford)
Since from my dear Astrea's sight
Since one poor view has drawn my heart, Z416 (Purcell)
Since the pox, or the plague, Z471 (Purcell)
Sing fair Clorinda (Lawes)
Sing while we trip it (Fairy/chorus)
Sing, sing ye druids
Sing, ye muses 'Epilogue' (Blow)
Singe, Seele, Gott zum Preise, HWV206 (Handel)
Singing Simpkin (Kemp)
Sir Watkyn intending
Siroe, Re di Persia, HWV24 (Handel)
Sitting by the streams (Lawes)
Sleep on, and dream of heaven a while
Sleep, fleshly birth (Ramsey)
Sleep, wayward thoughts (Dowland)
Slide soft, you silver floods (Lawes)
So ben comprenderti (Aniceto)
So ceas'd the rival crew when Purcell came –
So glaubt man denn, dass die Musik verführe
So oft ich meine Tobackspfeife
So parted you (Campion)
So per prova i vostri inganni
So sei das Band der keuschen Liebe
Soave libertate (Monteverdi)
Sofonisba (Traetta)
Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
Softly rise, O southern breeze! (He)
Softly, softly sing
Soldiers fight and Hectors rant on (Moll Medlar)
Soleil, fuis de ces lieux!
Solimano (Perez)
Solitudine amate – Aure, fonti, ombre gradite (Rossane)
Solo e pensoso, Hob XXIVb:20 (Haydn)
Solomon (Boyce)
Sommi dei (Polinessa)
Somnus, the humble god (Lawes)
Son qual stanco pellegrino (Alceste)
Son sventurato (Farnaspe)
Song Tune 'Britons, strike home'
Song Tune 'Fairest Isle'
Song Tune 'If love's a sweet passion'
Song Tune 'Let the soldiers rejoice'
Song Tune 'Round thy coasts'
Song Tune 'Sing while we trip it'
Song Tune 'To arms, to arms'
Sono liete, fortunate (Handel)
Sophonisba, or Hannibal's overthrow, Z590 (Purcell)
Sorrow, stay, lend true repentant tears (Dowland)
Sosarme, Re di Media, HWV30 (Handel)
Sotto l'ombroso speco (Anerio)
Sound a parley (Cupid/Cold Genius)
Sound the trumpet
Sound the trumpet, beat the drum, Z335 (Purcell)
Sound the trumpet, 'til around
Soupirs meslés d'amour (Guédron)
Spielet, ihr beseelten Lieder
Spite of the godhead, pow'rful love, Z417 (Purcell)
Stà nell'Ircana (Ruggiero)
Stay, cruel, stay! (Danyel)
Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' (Blow)
Still I'm wishing
Stingo – Half Hanekin
Strike the viol, touch the lute
Stript of their green our groves appear, Z444 (Purcell)
Su le penne de' venti, SV333 (Monteverdi)
Su le sponde del Tebro
Sure the dull God of Marriage (1st Woman/2nd Woman/chorus)
Süße Stille, sanfte Quelle, HWV205 (Handel)
Sweet Echo, sweetest nymph that liv'st unseen (Lawes)
Sweet Kate (Jones)
Sweet Philomel (Ward)
Sweet, stay awhile, why will you rise? (Dowland)
Sweet, stay awhile; why do you rise? (Lawes)
Sweeter than roses
Sweeter than roses
Sweeter than roses
Swift through the yielding air
Swifter, Isis, swifter flow, Z336 (Purcell)
Sylvia, now your scorn give over, Z420 (Purcell)
Sylvia, 'tis true you're fair, Z512 (Purcell)
Sympathy, Hob XXVIa:33 (Haydn)
Symphony – Welcome, welcome, glorious morn
Symphony for the entry of Phoebus
Symphony in C major
Symphony in imitation of an echo
Take not a woman's anger ill
Take, O take those lips away (Wilson)
Tambourin I – Tambourin II
Tambourin I – Tambourin II – Partez!
Tamerlano, HWV18 (Handel)
Tanti affanni (Ottone)
Tanti strali al sen mi scocchi (Handel)
Tavola (Lawes)
Telemaco (Gluck)
Tell me no more you love (Blow)
Tell me why, my charming fair
Tell me, dearest (Johnson)
Tell me, lovely shepherd (Boyce/Poston)
Tell me, true love (Dowland)
Tempête. La nuit couvre les cieux!
Teseo mio ben
The Advice (Handel)
The Angler's Song (Lawes)
The angry steed, the fife and drum invite
The anguish of my bursting heart
The Ash Grove 'Sir Watkyn's Dream' (Haydn)
The Beggar's Opera (Gay/Pepusch)
The Beggar's Opera (Gay/Pepusch)
The break of day (Haydn)
The broom of Cowdenknowes (Anon/Bach)
The busy hours of day are o'er
The Carman's Whistle
The cats, as other creatures do (Lawes)
The Cheaters Cheated (Jordan)
The Choice of Hercules, HWV69 (Handel)
The Choice of Hercules, HWV69 (Handel)
The Comical History of Don Quixote, Z578 (Purcell/Britten)
The Crost Couple
The crystal ground (Haydn)
The cypress curtain of the night (Campion)
The day that saw thy beauty rise (Jackson)
The delights of the bottle (Locke)
The Desert Island (Arne)
The Despairing Bard (Haydn)
The dimpled cheek (Haydn)
The Dirge from Romeo and Juliet (Boyce)
The Fairies (Smith)
The Fairy Queen, Z629 (Purcell)
The Fairy Queen, Z629 (Purcell/Britten)
The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
The farewel to Vaux Hall (Lampe)
The fatal hour comes on apace, Z421 (Purcell)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The fauns and satyrs tripping (Tomkins)
The Friar and the Nun
The glittering sun begins to rise
The guardian outwitted (Arne)
The heavenly choir, who heard his notes from high –
The hunt is up (Bennet)
The Indian Queen, Z630 (Purcell/Britten)
The Indian Queen, Z630 (Purcell/Tippett/Bergmann)
The kind appointment Celia made
The knotting song, Z371 (Purcell/Britten)
The ladies in Vaux- hall- Gardens, to the British Officers at Dettingen (Gladwin)
The Lady Oriana (Wilbye)
The lambs' fold vale 'David of the Blue Stone' (Haydn)
The Lark (Lawes)
The lark sings high in the cornfield (Linley Sr.)
The Last Song or Valediction (Lawes)
The lover's recantation (Arne)
The lyre (Harington)
The maid of the mill (Duni)
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell)
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell/Britten)
The March of the Men of Harlech (Haydn)
The Marigold (Lanier)
The Melancholy Nymph
The mermaid's song, Hob XXVIa:25 (Haydn)
The miller of Dee
The minstrelsy of Chirk Castle (Haydn)
The Mock Marriage, Z605 (Purcell/Britten)
The Mock Marriage, Z605 (Purcell/Clarke)
The Mock Marriage, Z605 (Purcell/Clarke/Tippett/Bergmann)
The modes of the court so common are grown (Macheath/Ben/Matt)
The Morning (Arne)
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard (Dowland)
The Mournful Lovers (Lawes)
The Non-Parreill (Boyce)
The Nymphs of the wells (Blow)
The Occasional Oratorio (Handel)
The Old Batchelor, Z607 (Purcell)
The Plaint
The Pleasures of Spring Gardens, Vauxhall (Boyce)
The power of harmony too well they know
The power of music and beauty (Stanley)
The Prophetess, or The History of Dioclesian, Z627 (Purcell)
The Prophetess, or The History of Dioclesian, Z627 (Purcell/Tippett/Bergmann)
The Queen's Epicedium, Z383 (Purcell/Britten)
The rainbow never knew (Filcher/Nim/Wat)
The rising of the lark (Haydn)
The rising sun (Haydn)
The Rival Sisters, or The Violence of Love, Z609 (Purcell)
The Rival Sisters, or The Violence of Love, Z609 (Purcell/Britten)
The season comes when first we met
The self-banish'd 'A Minuet' (Blow)
The silver swan (Gibbons)
The silver swan 'Round' (Gibbons)
The Sleeping Beauty (Haydn)
The Sparrow and the gentle Dove
The spirit's song, Hob XXVIa:41 (Haydn)
The summer's absence unconcerned we bear, Z337 (Purcell)
The three ravens (Anon/Ravenscroft)
The Triumph of Time and Truth, HWV71 (Handel)
The Triumphing dance
The wanderer, Hob XXVIa:32 (Haydn)
The What d'ye Call it? (Handel)
The Winchester Wedding (D'Urfey)
The Witches' dance
There in myrtle shades reclined (Dejanira)
There is a Royster at the door (Servant/Simpkin/Wife/Bluster/Old Husband
There is none, o none but you (Campion)
There sweetest flowers of mingled hue
There was a jolly miller once lived on the River Dee
There were three ravens sat on a tree
There youthful Cupid, high advanc'd
There's not a swain of the plain
They say you're angry, Z422 (Purcell)
They shall be as happy as they're fair (1st Woman/2nd Woman/Hymen/chorus)
Think not, my love, when secret grief (Linley Sr.)
Think'st thou then by thy feigning (Dowland)
Think'st thou to seduce me then? (Campion)
This lady ripe and fair (Atkins)
This message we bring
This mossy bank they prest
This poet sings the Trojan wars 'Anacreon's Defeat', Z423 (Purcell)
Thou doting fool, forbear (Cupid)
Thou pretty bird, how do I see (Danyel)
Thou shalt bring them in (alto)
Thou soft flowing Avon
Thou, like the glorious Sun (Artabanes)
Though Amaryllis dance (Byrd)
Though you are young and I am old (Campion)
Though your strangeness frets my heart (Jones)
Thrice happy lovers (Juno)
Thrice happy lovers, may you be for ever free
Through mournful shades and solitary groves, Z424 (Purcell)
Thule, the period of cosmography (Weelkes)
Thus happy and free (Chinese Woman/chorus)
Thus when the swallow, seeking prey (Polly/Macheath/Lucy)
Ti pentirai, crudel, d'aver offeso (Elisa)
Time has not thinn'd my flowing hair (Jackson)
Time stands still (Dowland)
Time stands still (Dowland)
Time, cruel Time (Danyel)
Time, that leads the fatal round (Lupo)
Time's eldest son, Old Age (Dowland)
Timon of Athens, Z632 (Purcell)
'Tis I that have warn'd ye – 'Tis Love that has warm'd us (Cupid/chorus)
'Tis late and cold (Johnson)
'Tis Love that has warn'd us
'Tis woman that seduces all mankind (Filch/Peachum)
To ask for all thy love (Dowland)
To fair Fidele's grassy tomb (Arne)
To God who made the radiant sun (Jonathan)
To God, our strength, sing loud (bass)
To speak my mind of womankind (Sir Harry Sycamore)
To Sycamores (Lawes)
To the hills and the vales (Chorus)
To wander alone when the moon, faintly beaming
Toccata – Perle care (Piccinini/Strozzi)
Toccata – Soccorrete, luci avare (Granata/Strozzi)
Tolomeo, Re di Egitto, HWV25 (Handel)
Tomorrow the fox will come to town (Ravenscroft)
Tornate, o cari baci (Monteverdi)
Tornerò fra le gregge
Tralascia pur di piangere, povero afflitto cor
Transport of pleasure 'Content', Hob XXVIa:36 (Haydn)
Tremori al braccio
Tristes apprêts
Troppo cruda (Handel)
Tu chiedi il mio core (Berenice)
Tu di pietà mi spogli (Cosroe)
Tu mi disprezzi ingrato (Tamiri)
Tu vivi, e punito (Lurcanio)
Tuba sonato feralis!
Tune for trumpets, after Dioclesian
Tune thy music to thy heart (Campion)
Tune your harps to cheerful strains (1st Israelite)
Tuona, balena, sibila il vento
Turn not, O Queen, thy face away (Haman)
Turn then thine eyes, Z425 (Purcell/Britten)
Tutta raccolta ancor (Berenice)
Tutti di speme al core (Lucilla)
'Twas when the seas were roaring
'Twas within a furlong of Edinboro' town
'Twas within a furlong of Edinboro' town
Twelfth Night (Vernon)
Two daughters of this aged stream are we (Two Sirens)
Tyrannic Love, or The Royal Martyr, Z613 (Purcell)
Tyrannic Love, or The Royal Martyr, Z613 (Purcell/Tippett/Bergmann)
Udiste, affetti miei? (Lucilla)
Udite, chiari e generosi figli (Gabrieli)
Un jour Amarille et Tircis
Un momento di contento (Oronte)
Un tendre intérêt vous appelle – Tristes apprêts
Uncertain turns of thought
Und dieses ist das Glücke
Unquiet thoughts (Dowland)
Upon a Summers Day
Urge me no more, Z426 (Purcell)
Uscir vorrei d'affanno (Lucio Vero)
V' adoro, pupille (Cleopatra)
Vedi l'ape che ingegnosa (Fabio)
Vedrò fra poco (Alceste)
Vedrò più liete, e belle (Ottone)
Veggo la selva e il monte
Vengeance, O come inspire me!
Venti turbini (Rinaldo)
Venus' Birds (Bennet)
Venus, wenn du willst mich rühren (Benda)
Verdi prati (Ruggiero)
Vien con nuova orribil guerrra
Vieni a svellerlo dunque a me dal petto (Berenice/Lucio Vero/Vologeso)
Vieni, o cara (Argante)
Virgins are like the fair flower in its lustre (Polly/Peachum)
Vo' far guerra, e vincer voglio (Armida)
Voglio di vita uscir (Monteverdi)
Voglio morire (Strozzi)
Vole, Amour, prête-moi tes armes
Volgendo il ciel – Movete al mio bel suon, SV154 (Monteverdi)
Von nun an, o Liebe, verlaß' ich dein Reich (Benda)
Vorrei baciarti (Monteverdi)
Vorrei, né pur saprei (Elmira)
Vulnera percute, transfige cor
Was Luft? was Grab?
We beg not hell our Orpheus to restore –
We Nymphs of the founts and we of the mounts
We reap all the pleasures, Z547 (Purcell)
We shall ne're have lucky minuit (Filcher/Nim)
We sing to him whose wisdom form'd the ear, Z199 (Purcell/Britten)
Weep, O mine eyes (Bennet)
Weep, weep mine eyes (Wilbye)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 (Bach)
Welcome to all the pleasures, Z339 (Purcell)
Welcome, black night … Cease these false sports (Dowland)
Welcome, vicegerent of the mighty King, Z340 (Purcell)
Welcome, welcome, glorious morn, Z338 (Purcell)
Wenn die Frühlingslüfte streichen
Wer wollt den Wein nit lieben? (Gastoldi)
What a sad fate is mine, Z428a (Purcell)
What a sad fate is mine, Z428b (Purcell)
What art expresses 'Dr Harington's Compliment' (Haydn)
What avails thy plaintive crying?
What can we poor females do?, Z518 (Purcell)
What can we poor females do?, Z518 (Purcell/Britten)
What delight can they enjoy (Danyel)
What have I done that my Mary should fly me?
What ho, thou Genius of this isle! (Cupid)
What hope for us remains now he is gone?, Z472 (Purcell)
What if I never speed? (Dowland)
What is't to us? (Blow)
What joy so true (Weelkes)
What power art thou (Cold Genius)
What shall be done in behalf of the man?, Z341 (Purcell)
What shall I do to show how much I love her?
What shall I do to show how much I love her?
What then is love but mourning? (Rosseter)
What tho' his guilt
When a cruel long winter (Phoebus)
When Britain first at heaven's command
When daisies pied and violets blue (Arne)
When daisies pied and violets blue (Leveridge)
When first my shepherdess and I, Z431 (Purcell)
When he holds up his hand (Lucy/Lockit)
When her languishing eyes said 'Love!', Z432 (Purcell)
When I am laid in earth 'Dido's lament' (Dido)
When I have often heard young maids complaining (Nymph)
When icicles hang on the wall (Arne)
When my Aemelia smiles, Z434 (Purcell)
When Myra sings, Z521 (Purcell/Britten)
When Orpheus sang all Nature did rejoice
When shall I see my captive heart? (Lawes)
When Strephon found his passion vain, Z435 (Purcell)
When that I was a little tiny boy
When you censure the age (Lockit/Peachum)
Where am I?
Where shall I fly? (Dejanira)
Where the bee sucks (Humfrey)
Where the bee sucks (Johnson)
Where the bee sucks, Op 11 No 6 (Jackson)
Where the bee sucks, there lurk I (Arne)
Where the blind and wanton boy (Byrd)
While dancing rests (Coprario)
While hollow burst the rushing winds
While sad I strike the plaintive string
While Thirsis, wrapp'd in downy sleep, Z437 (Purcell)
Whilst Cynthia sung, all angry winds lay still, Z438 (Purcell)
Whilst in the verdant Spot we stray
Whilst on Septimnius's panting breast 'Septimnius and Acme, Ode from Catullus' (Blow)
Who but a slave can well express, Z440 (Purcell)
Who can behold Florella's charms?, Z441 (Purcell)
Who can from joy refrain?, Z342 (Purcell)
Who ever thinks or hopes of love for love (Dowland)
Who is like unto thee, O Lord?
Who likes to love (Byrd)
Who liveth so merry (Ravenscroft)
Who made thee Hob? (Byrd)
Why asks my fair one if I love?
Why canst thou not? (Danyel)
Why Flavia, why so wanton still?
Why so pale and wan, fond lover? (Lawes)
Why, my Daphne, why complaining?, Z525 (Purcell)
Why, why are all the Muses mute?, Z343 (Purcell)
Will said to his mammy (Jones)
Willst du dein Herz mir schenken, BWV518 (Bach)
Wilt thou, unkind, thus reave me of my heart? (Dowland)
With him he brings the partner of his throne
Woo her, and win her (Campion)
Would I might be hang'd! (Lucy/Polly/Macheath/Jailer)
Would my conceit that first enforced my woe (Dowland)
Ye blust'ring brethren – Serene and clam (Aeolus)
Ye brethren of the lyre, and tuneful voice
Ye gentle spirits of the air (Nymph)
Ye happy swains, whose nymphs are kind, Z443 (Purcell)
Ye sportive loves, that round me wait (Linley Sr.)
Ye tuneful Muses, Z344 (Purcell)
Yes, Daphne (Chinese Man)
Yes, my Aminta, 'tis too true (Hall)
Yet, can I hear that dulcet lay (Hercules)
Yet, can I hear that dulcet lay (Hercules)
Yo soy la locura (Bailly)
You meaner beauties of the night (East)
You say 'tis love
You spotted snakes (Smith)
Young Thirsis' fate, Z473 (Purcell)
Your hay it is mow'd (Comus/Peasants)
Zeffiretto, che scorre nel prato (Giustino)
Zefiro torna e 'l bel tempo rimena, SV108 (Monteverdi)
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