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The text, by an unknown author, compares nature’s awakening in spring to the blossoming of love between two people. Scored for strings and continuo with oboe obbligato, in the opening movement the tender warmth of the oboe line is the musical description of the sun emerging to banish the gloomy winter weather. Several mythical characters are evoked in the poetry: Flora, Phoebus, and even Cupid himself do their work to bring joy and blessings to the lovers. With Bach’s contrapuntal genius evoking Phoebus’ galloping ride in a notably fiendish cello line, and portraying Cupid’s “stepping out” with a sprightly walking bass line.
from notes by Gillian Keith © 2017
|Bach: Cantatas Nos 82, 202 & 208|
‘Still by far the best version. The stronger sense of occasion is boosted by Peter Holman’s inspired topping and tailing with sinfonias’ (Internationa ...
‘A very special release’ (Fanfare, USA)» More
|Bach: The complete solo soprano cantatas, Vol. 1|
Soprano Gillian Keith joins the acclaimed Armonico Consort for the first in a three-part series featuring the solo cantatas of Johann Sebastian Bach.» More
|The Emma Kirkby Collection|
'Recommended with enthusiasm' (Fanfare, USA)
'An attractive release, not only for the almost unfailing charm with which Kirkby imbues the music but also as a record of how her voice has blossomed over a period of some two decades' (BBC Music Mag ...» More