Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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CD orders are being shipped daily, though please note that some deliveries are taking longer than normal. Downloads are, of course, available at all times via our website.
And in one of those agreeably eclectic juxtapositions so characteristic of Hyperion, the last of our releases this month takes the listener back seven hundred years to medieval France. Machaut: The lion of nobility is the next in The Orlando Consort's endlessly fascinating survey of the fourteenth-century composer-poet's oeuvre, a survey which is bringing the music and manners of the period into sharp focus.
An occasional series dedicated to choice selections of our all-time favourite recordings—ones you might possibly have missed? This time: John Sheppard Media vita & other sacred music from Westminster Cathedral Choir (‘nothing less than ethereal’—Classics Today), Shostakovich & Shchedrin Piano Concertos from Marc-André Hamelin (‘a top recommendation’—Fanfare, USA), and In Praise of Woman from Anthony Rolfe Johnson (‘unreservedly recommended’—Gramophone). If you don't know them already, a track from each is included on our monthly sampler which is free to download.
Newly paired on Signum Classics are the fine 1990s recordings of Richard Strauss' Duet-Concertino & Capriccio Prelude by the Academy of London, now presented alongside the Clarinet Concerto & Appalachian Spring Suite by Aaron Copland as recorded by the Royal Northern Sinfonia. Ernst Ottensamer is the clarinet soloist and Richard Stamp the conductor throughout.