Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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6 Hölderlin-Fragmente (Eisler/Baigent)
A fox may steal your hens, sir (Peachum)
A mighty fortress (Luther/Rutter)
Academic Festival Overture, Op 80 (Brahms/Lemare)
Ach bleib' bei uns, Herr Jesu Christ, BWV649 (Bach/Vaughan Williams)
Adagio
Ah, how sweet it is to love
Alles, was ich euch sagte
Alphorn, TrV64 (Strauss/Bliss/Glynn)
Among the men, coquets we find (Polly/Lucy)
An den kleinen Radioapparat (Eisler/Baigent)
An eine Stadt
An Epithalamium (Wedding Song)
And they said one to another – Verily the Lord is risen (Anon/Schütz/Gardiner)
Andante
As with gladness, men of old
Auftritt des Cléonte
Be contented, O my soul
Bist du bei mir, BWV508 (Stölzel/Rutter)
Brandenburg Concerto No 2 in F major, BWV1047 (Bach/Goossens)
But Mary stood without the sepulchre (Evangelist/Jesus/Mary Magdalene)
Caio Fabbricio, HWVA9 (Handel/Hasse)
Canon and Gigue in D (Pachelbel/Brody/Reynolds)
Cease your funning
Cello Concerto in G minor, Op 32 (Dietrich/Grützmacher)
Cello Suite No 6 in D major, BWV1012 (Bach/Fryer)
Cello Suite No 6 in D major, BWV1012 (Bach/Fryer/Pienaar)
Cello Suite No 6 in D major, BWV1012 (Bach/Jacobson)
Courante 'I care not for these ladies' (Campion/Praetorius)
Courante 'Mistris Winter's Jump' (Dowland/Praetorius)
Das alte Jahr vergangen ist, BWV614 (Bach/Bliss)
Das Berliner Requiem (Weill/McBurney)
Das Bürger als Edelmann Suite, Op 60 (Strauss/Carey)
Denn alles Fleisch es ist wie Gras
Denn es gehet dem Menschen
Denn wir haben hie keine bleibende Statt
Der Tag, der ist so freudenreich, BWV605 (Bach/Lambert)
Die Könige
Die Leiter blieb noch unterm
Drei Kön’ge wandern aus Morgenland
Du kleiner Kasten, den ich flüchtend trug
Ein Alphorn hör’ ich schallen
Ein deutsches Requiem, Op 45 (Brahms/Farrington)
Fantasia and Fugue in C minor, BWV537 (Bach/Elgar)
Fantasia in G major 'Pièce d'orgue', BWV572 (Bach/Bax)
Fantasie in C major, Op 17 (Schumann/Joseph James)
Felix does not understand how people can imprison birds in cages
From silent shades and the Elysian groves
Geistliches Lied, Op 30 (Brahms/Gardiner)
Gilded Goldbergs, Op 86 (Holloway/Bach)
Good Christians all, rejoice and sing!
Good Friday Music
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Battiwalla)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Cleobury)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Cummings)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Ledger)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Llewellyn)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Rutter/Willcocks)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Tarney)
Hark! the herald angels sing – Mendelssohn (Mendelssohn/Willcocks)
Herr, lehre doch mich
Herz und Mund und Tat und Leben, BWV147 (Bach/Hess)
Herz und Mund und Tat und Leben, BWV147 (Bach/Horne)
Herz und Mund und Tat und Leben, BWV147 (Bach/Whittaker)
Herzlich tut mich verlangen, BWV727 (Bach/Walton)
Historia der Auferstehung Jesu Christi (Schütz/Gardiner)
Hör mein Bitten, Op posth. (Mendelssohn/Lapwood)
How cruel are the traitors (Lucy/Macheath)
Hymn to God the Father (Humfrey/Tippett/Bergmann)
I attempt from love's sickness to fly
Ich bin ein guter Hirt, BWV85 (Bach/Foss)
Ich habe genug, BWV82 (Bach/Baigent)
Ich reit' ins finstre Land hinein
Ich wandte mich, und sahe an alle
If love the virgin's heart invade (Mrs Peachum/Peachum)
If music be the food of love, Z379a (Purcell/Tippett/Bergmann)
Ihr habt nun Traurigkeit
In dulci jubilo, BWV729 (Bach/Berners)
Jesu, joy of man's desiring
Jesu, joy of man's desiring
Jesu, joy of man's desiring
Jesus nahm zu sich die Zwölfe, BWV22 (Bach/Cohen)
Joyful, joyful, we adore thee
Jubelouvertüre (Weber/Best)
Komm, süsser Tod, BWV478 (Bach/Bridge)
Komm, süsser Tod, BWV478 (Bach/Stevenson)
Lange lieb ich dich schon, möchte dich
Lass dich nur nichts nicht dauren mit trauren
L'automne californien (Eisler/Baigent)
Let us take the road (Matt)
Liebster Jesu, wir sind hier, BWV731 (Bach/Cohen)
Little Fugue in G minor, BWV578 (Bach/Borwick)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Mein Gott, wie lang, ach lange?, BWV155 (Bach/Cohen)
Meine Seele erhebt den Herrn, BWV648 (Bach/Ireland)
Minuet (Bach/Petri)
Morgen!
Music for a while
My heart was so free (Macheath/Polly)
Now thank we all our God
Now thank we all our God
Now thank we all our God
Now thank we all our God
Now thank we all our God – Nun danket (Mendelssohn/Scott)
Now thank we all our God – Nun danket alle Gott (Crüger/Battiwalla/Lang)
Now thank we all our God – Nun danket alle Gott (Crüger/Cleobury)
Now that the sun hath veiled his light 'An Evening Hymn', Z193 (Purcell/Tippett/Bergmann)
Nun danket alle Gott (Crüger/Rutter)
O for the wings of a dove
O Lamm Gottes, unschuldig, BWV656 (Bach/Borwick)
O Mensch, bewein' dein' Sünde gross, BWV622 (Bach/Howells)
O sleep thou heav’n-born treasure, thou
O Tod, wie bitter bist du
O vos imitatores (Hildegard/Short)
Oedipus, Z583 (Purcell/Tippett/Bergmann)
Ouverture a 5 in D (Böhm/Holman)
Overture
Overture 'Die Meistersinger' (Wagner/Lemare/Westbrook/Herrick)
Overture to 'Die Meistersinger' (Wagner/Lemare)
Overture to Die Meistersinger (Wagner/Ronald)
Parsifal and the Flower Maidens
Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
Piano Concerto No 2 in B flat major, Op 19 (Beethoven/Hough)
Piano Sonata in C sharp minor 'Moonlight', Op 27 No 2 (Beethoven/Bowen)
Piano Sonata in C sharp minor 'Moonlight', Op 27 No 2 (Beethoven/Brody/Reynolds)
Plaisir d'amour (Martini/Berlioz/Manze)
Plaisir d'amour (Martini/Richards)
Prelude in B minor, BWV855a (Bach/Siloti/Le Page)
Prelude to The Meistersinger from Nürnberg (Wagner/Gould/Williams)
Pretty Polly, say (Macheath/Polly)
Reiselied (Mendelssohn/Asti)
Sanctify us by thy goodness
Sarabande
Sarabande
Scenes from Parsifal (Wagner/Williams)
Schwingt freudig euch empor, BWV36 (Bach/Roberts)
See what his love can do
Sein Lauf kam von Vater her
Selig sind die Toten, die in dem Herrn sterben
Sheep may safely graze (Bach/Petri)
Siegfried Idyll, WWV103 (Wagner/Lemare)
Siegfried's Rhine-Journey (Wagner/Gould/Williams)
Sonata in A major, BWV1032 (Bach/Beznosiuk)
Sonata in A minor 'F-A-E' (Brahms/Bliss)
Spiritus Sanctus vivificans (Briggs/Hildegard)
St Paul (Mendelssohn/Best)
Suite for organ, violin and cello, Op 149 (Rheinberger/Carey)
Suite from Brundibár (Krása/Matthews)
Sweeter than roses
The Art of Fugue, BWV1080 (Bach/Simpson)
The Art of Fugue, BWV1080 (Bach/Tovey/Simpson)
The Beggar's Opera (Gay/Pepusch)
The Beggar's Opera (Gay/Pepusch)
The cage without birds (Frances-Hoad/Schumann)
The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The Indian Queen, Z630 (Purcell/Tippett/Bergmann)
The Mock Marriage, Z605 (Purcell/Clarke/Tippett/Bergmann)
The modes of the court so common are grown (Macheath/Ben/Matt)
The Prophetess, or The History of Dioclesian, Z627 (Purcell/Tippett/Bergmann)
The shepherd's cradle song (Leuner/Macpherson)
The Three Kings
The Three Kings
The War March of the Priests from Athalie (Mendelssohn/Best)
Three Kings from Persian lands afar
Three Kings from Persian lands afar
Thrice happy lovers, may you be for ever free
Thus when the swallow, seeking prey (Polly/Macheath/Lucy)
Toccata and Fugue in D minor, BWV565 (Bach/Cortot/Hough)
Toccata, Adagio and Fugue in C major, BWV564 (Bach/Hess)
Transformation Music
Trio Sonata in C major, BWV529 (Bach/King)
Trio Sonata in C minor, BWV526 (Bach/King)
Trio Sonata in D minor, BWV527 (Bach/King)
Trio Sonata in E flat major, BWV525 (Bach/King)
Trio Sonata in E minor, BWV528 (Bach/King)
Trio Sonata in G major, BWV530 (Bach/King)
'Twas within a furlong of Edinboro' town
Tyrannic Love, or The Royal Martyr, Z613 (Purcell/Tippett/Bergmann)
Und morgen wird die Sonne wieder scheinen
Vier ernste Gesänge, Op 121 (Brahms/Bliss)
Vier Lieder, Op 27 (Strauss/Bliss/Glynn)
Vier Lieder, Op 96 (Brahms/Lemare)
Violin Concerto in D major, BWV1053 (Bach/Debretzeni)
Violin Concerto in D minor, BWV1052 (Bach/Fischer/Debretzeni)
Violin Sonata No 3 in A minor, WoO27 (Schumann/Isserlis)
Violin Sonata No 3 in D minor, Op 108 (Brahms/Lemare)
Virgins are like the fair flower in its lustre (Polly/Peachum)
Wachet auf, ruft uns die Stimme, BWV645 (Bach/Bantock)
Warum sind denn die Rosen so blass? (Mendelssohn/Asti)
We plough the fields and scatter
Weihnachtslieder, Op 8 (Cornelius/Atkins)
Weihnachtslieder, Op 8 (Cornelius/Atkins/Park)
Weihnachtslieder, Op 8 (Cornelius/Layton)
Wenn ich mit Menschen- und mit Engelzungen redete
What shall I do to show how much I love her?
When he holds up his hand (Lucy/Lockit)
Wie lieblich sind deine Wohnungen
Wir glauben all an einen Gott, BWV740 (Bach/Whittaker)
Wir wandelten, wir zwei zusammen
Would I might be hang'd! (Lucy/Polly/Macheath/Jailer)
Zweiter Bericht über den Unbekannten Soldaten unter dem Triumphbogen
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