Welcome to Hyperion Records, a British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
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‘The ultimate Vivaldi anthology, abundant in energy, rich with emotion, animation, and color, and enshrined in Hyperion’s fabled, warm, and incomparable sound’ (Fanfare). This month sees the welcome re-issue of The Complete Vivaldi Sacred Music from The King’s Consort and Robert King, eleven CDs of pure heaven.


Song records curated by Joseph Middleton on Signum Classics are always a treat, and with Mahler’s Lieder der Jugend we are richly rewarded as soprano Katharina Konradi, mezzo Sophie Rennert, tenor Mauro Peter and the rich baritone of Sir Simon Keenlyside revel in the ingenuity of some of this composer’s most iconic songs.

The Hertfordshire Chorus and conductor David Temple have recorded Parry: De profundis & Elgar: From the Bavarian highlands for Signum, orchestral accompaniment in the Parry coming from the London Mozart Players. Two first recordings, and a celebration of the opulence of British choral music in the late nineteenth and early twentieth centuries.


Mitsuko Uchida first recorded Beethoven’s Last Three Piano Sonatas back in 2006. What we have here is a brand new version, captured live in Tokyo’s Suntory Hall in October 2025 and here released by Decca Classics. Widely regarded as a peerless interpreter of Beethoven, Uchida’s recording of the Diabelli Variations won a Gramophone Award in 2022 and was nominated for a Grammy in 2023.




