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24 Caprices, Op 1 (Paganini/Bryan)
A Celebrated Concerto (Roseingrave)
A flaxen-headed cowboy / A flaxen-headed milkmaid
A flaxen-headed cowboy, as simple as may be
A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare 'The Shakespeare Ode' (Linley Jr.)
A shepherd lov'd a nymph so fair (Pinto)
Abend, D645 (Schubert/Brown)
Ach, neige
Addenda to The Laws of Cricket
Adeste fideles (Wade)
Adeste fideles (Wade/Gant)
Adeste fideles (Wade/Hill)
Adeste fideles (Wade/Novello)
Adeste fideles (Wade/Willcocks)
Ah! what avails the sprightly morn of life (Linley Sr.)
Alas! and did my Saviour bleed? (Taylor)
Alas, from the day my poor heart (Linley Sr.)
Alfred (Arne)
All Canaan's heathen race
Allegro
Allemande in B flat major (Roseingrave)
Amid a thousand racking Woes (Arbaces)
An die Musik, D547 (Schubert/Moore)
An Ode upon dedicating a building to Shakespeare (Arne)
And can it be that I should gain
Andante and variations in G major, K501 (Mozart/Nield)
Angelic hymns thy natal day
Angels from the realms of glory (Matthews)
Angels from the realms of glory (Storace/Williams)
Angels, roll the rock away! (Taylor)
Arise and hail the sacred day 'A Carol' (Stephenson)
Artaxerxes (Arne)
As shepherds watched their fleecy care (Key)
As with gladness, men of old
At the mid hour of night (Anon/Stevenson)
Autese boli, bundoo!
Ave Maria (Schubert/Thomas)
Ave Maria! maiden mild!
Avenging and bright (Anon/Stevenson)
Awake, my lyre (Linley Sr.)
Away in a manger (Bishop/Gant)
Balow, my babe, lye still and sleep
Be still O ye winds and attentive ye Swains
Believe me if all those endearing young charms (Anon/Moore/Stevenson)
Blessed is he whose unrighteousness is forgiven
Blessed is he whose wickedness is forgiven
Blest are the pure in heart
Blest pair of sirens (Smith)
Breathe on me, breath of God
Bring unto the Lord, O ye mighty
But let the righteous be glad
Caio Fabbricio, HWVA9 (Handel/Courcelle)
Caio Fabbricio, HWVA9 (Handel/Hasse)
Caio Fabbricio, HWVA9 (Handel/Sellito)
Capriccio in A major, Op 34 No 3 (Clementi)
Capriccio in B flat major, Op 17 (Clementi)
Capriccio in C major, Op 47 No 2 (Clementi)
Capriccio in E minor, Op 47 No 1 (Clementi)
Capriccio in F major, Op 34 No 4 (Clementi)
Caprice No 24 (Paganini/Skip Martin/Thornton)
Captivity (Storace)
Cariwch, medd Dafydd, Fy nhelun i mi 'Bring me my harp'
Castor et Pollux (Rameau/Aareskjold/Bennett)
Catone, HWVA7 (Handel/Porpora)
Celebrated Lesson for the harpsichord (Scarlatti/Roseingrave)
Cello Concerto No 2 in B flat major (Garth)
Chaconne
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn – Yorkshire 'Stockport' (Wainwright/Battiwalla)
Christians, awake, salute the happy morn – Yorkshire 'Stockport' (Wainwright/Cleobury)
Clarinet Concerto in E flat major (Hook)
Clarinet Concerto No 2 in F major (Mahon)
Colin and Phoebe 'A Pastoral' (Arne)
Colin's description of Vauxhall 'Green-Wood Hall' (Gladwin)
Come celebrate th' auspicious morn 'A Carol' (Key)
Come o'er the sea (Anon/Stevenson)
Come, Holy Ghost, our souls inspire (Attwood)
Come, rest in this bosom (Anon/Stevenson)
Come, sweetest composer of grief and pain
Concerto grosso No 1 in A major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 10 in D major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 11 in G major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 12 in D major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 2 in G major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 3 in D minor 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 4 in A minor 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 5 in D minor 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 6 in D major 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 7 in G minor 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 8 in E minor 'after Scarlatti' (Avison/Scarlatti)
Concerto grosso No 9 in C major 'after Scarlatti' (Avison/Scarlatti)
Concerto in A major, Op 2 No 2 (Chilcot)
Concerto in A minor / A major, Op 2 No 5 (Stanley)
Concerto in B flat major, Op 2 No 6 (Stanley)
Concerto in B minor, Op 2 No 2 (Stanley)
Concerto in D major (Roseingrave)
Concerto in D major, Op 1 No 5 (Hook)
Concerto in D major, Op 2 No 1 (Stanley)
Concerto in D minor, Op 2 No 4 (Stanley)
Concerto in G major, Op 2 No 3 (Stanley)
Concerto movement for basset clarinet in D major (Süssmayr/Freyhan)
Concerto No 1 in C major (Arne)
Concerto No 1 in D major (Bond)
Concerto No 2 in A major (Bond)
Concerto No 2 in G major (Arne)
Concerto No 3 in A major (Arne)
Concerto No 3 in E (Bond)
Concerto No 4 in B flat major (Arne)
Concerto No 4 in C minor (Bond)
Concerto No 5 in G minor (Arne)
Concerto No 5 in G minor (Bond)
Concerto No 6 in B flat major (Arne)
Concerto No 6 in B flat major (Bond)
Concerto/Sonata in G major, Op 2 (Nares)
Coronach (Attwood)
Corydon and Miranda (Boyce)
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Cranbrook (Clark)
Cymon and Iphigenia (Arne)
Damon and Clora (Harington)
Dande kala
Darwall's 148th (Darwall)
Daughter of Heav'n, fair art thou! 'Darthula' (Linley Jr.)
David of the White Rock (Owen/Britten)
David of the White Rock (Owen/Britten/Matthews)
David of the White Rock 'The Dying Poet to his Harp' (Haydn/Owen)
Dear harp of my country 'The Farewell to My Harp' (Anon/Stevenson)
Death is now my only treasure (Erskine)
Deem tere na?
Deliver me, O Lord, from the evil man
Der Liebe himmlisches Gefühl, K119 (Mozart/Bliss)
Des Menschen Seele
Dil me danme lea re
Double Bass Concerto No 2 in D major (Dittersdorf/Nwanoku)
Down in the gleamy vale (Linley)
Duet for basset horns No 1 in F major (Mahon)
Duet for basset horns No 4 in B flat major (Mahon)
È ver che all'amo intorno (Cesare)
Elegy (Arnold)
Ellen's Song (Attwood)
Eloisa to Abelard (Pinto)
Enchanting harmonist (Harington)
Erin! the smile and the tear in thine eyes (Anon/Stevenson)
Estro-poetico armonico (Marcello/Avison)
Exultate Deo (Wesley)
Fantaisie and Variations on Au clair de la lune, Op 48 (Clementi)
Fill the bumper fair! (Anon/Stevenson)
Flora, goddess sweetly blooming
Fly not yet (Anon/Stevenson)
Fly to my aid, O mighty Love (Linley Sr.)
Frolic and free (Arne)
From thee, Eliza, I must go (Pinto)
Fugue in F major
Full fathom five (Smith)
Funeral March in Honour of Beethoven (Webbe Jr.)
Gat
Gavot
Gavotte
Geme la tortorella
Georgia (Handel/Miller)
Gesang der Geister über den Wassern, D705 (Schubert/Asti)
Gid a Shumba
Give sentence with me, O God, and defend my cause against the ungodly people
Give thanks, O Israel
Give the King thy judgements, O God
Give to God our thankful songs (Haydn/Gardiner)
Go, rose! my Chloe's bosom grace (Earle)
God is our refuge and our strength
Grandes Études de Paganini, S141 (Liszt/Paganini/Taylor)
Grant, O Lord, to our most blessed Patriarch
Great god of love (Pearsall)
Gretchens Bitte 'Gretchen im Zwinger', D564 (Schubert/Britten)
Große Fantasie 'Wanderer', D760 Op 15 (Schubert/Joseph James)
Hail the day that sees him rise
Hail! smiling morn (Spofforth)
Hark how the hounds and horn (Theseus)
Hark! how all the welkin rings (Anon/Butts)
Hark! the herald angels sing
Hark! the herald angels sing (Arnold)
Hark, hark, the lark (Chilcot)
Harlequin Restor'd (Charke)
He is a father
He is gone on the mountain
He who could first two gentle hearts unbind (Linley Sr.)
Hear my prayer, O Lord (Dahmen)
Helmsley (Olivers)
Help me, Lord, for there is not one godly man left
Her foundations are upon the holy hills
Here, a sheer hulk, lies poor Tom Bowling
Here, a sheer hulk, lies poor Tom Bowling
Hi bibbi mon karalla
Hippolyte et Aricie (Rameau/Aareskjold/Bennett)
Hist, hist! I hear my mother call (Theodosia)
Home, sweet home 'Caprice', RO117 Op 51 (Bishop/Gottschalk)
Honour, riches, marriage-blessing (Arne)
Hope and love (Shield)
Horn Concerto in E flat major, K370b (Mozart/Roberts)
Horn Concerto No 1 in D major, K412 (Mozart/Roberts)
Horrible is the end of th' unrighteous generation (Smith)
Hosanna to King David's son 'Hosannah' (Taylor)
How beauteous are their feet 'Zion' (Matthews)
How dear to me the hour (Anon/Stevenson)
How firm a foundation, O saints of the Lord
How sweet the answer Echo makes (Anon/Stevenson)
Hush! my dear, lie still and slumber (Anon/Butts)
Hymning seraphs wake the morning (Handel/Taylor)
I am well pleased that the Lord hath heard the voice of my prayer
I heard a voice from heaven (Harington)
I will give thanks unto thee, Lord, with my whole heart
I will love thee, O Lord my strength
I'd fain ask you a this, but in pops a that
If love make me forsworn (Major)
If music be the food of love (Clifton)
If the Lord himself had not been on our side
In Bethlem fields as shepherds kept 'Hymn for Christmas Day' (Tremain)
In dulci jubilo (Anon/Pearsall)
In dulci jubilo (Anon/Pearsall)
In dulci jubilo (Anon/Pearsall/Culloton)
In dulci jubilo (Anon/Pearsall/Halsey)
In dulci jubilo (Anon/Pearsall/Hyde)
In exitu Israel (Wesley)
In the Lord my God put I my trust
In this I fear my latest breath (Child)
In thousand thoughts of love and thee (Linley Sr.)
In yonder grove (Linley Jr.)
Introduction (Roseingrave)
Invocation to Nature (Pinto)
It is a good thing to give thanks unto the Lord
It was a winter's evening, and fast came down the snow
Jehovah ever be my song
Jenny 'An Agreeable Musical Choice' (Arne)
Jessie (Knyvett)
Joyful, joyful, we adore thee
Jubelouvertüre (Weber/Best)
Judith (Arne)
Kan ja kia
La chasse, Op 16 (Clementi)
La finta giardiniera, K196 (Mozart/Isserlis)
Lady Anne Bothwell's Lament (Corfe)
Largo (Erskine)
Lawn, as white as driven snow (Linley)
Lay a garland (Pearsall)
Lead, kindly Light
Les douze Noëls (Daquin/Wright)
Les Indes galantes (Rameau/Bennett)
Let an anthem of praise (Anon/Ashworth)
Let God arise (Linley Jr.)
Let God arise, and let his enemies be scattered
Let no mortal sing to me (Jackson)
Let thy loving mercy come also unto me
Ley chila re
Life and its follies are fading away
Light of my soul (Pearsall)
Like as the hart desireth the waterbrooks
Lo! He comes with clouds descending
Lo! He comes with clouds descending
Lo! He comes with clouds descending – Helmsley (Olivers/Robinson)
Lo! He comes with clouds descending – Helmsley (Olivers/Rutter)
Lo! He comes with clouds descending (Madan/Miller/Wesley)
Lo! Star-led chiefs
Lo, the waves thy breath obey
Lord Kelly's Reel (Erskine)
Lord, I am not high minded
Lord, remember David: and all his trouble
Lord, thou hast been our refuge (Boyce)
Love in a village (Arne)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Love wakes and weeps (Webbe Jr.)
Magnify him
Mary's dream (Anon/Langdon)
Medley Overture
Mera mutchelli!
Messiah, HWV56 (Handel/Mozart)
Might I in thy sight appear (Wesley)
Minuetto in A flat (Pinto)
Mnogaya lieta 'Many years' (Bortniansky/Phillips)
'Mong the Gods by men adored
Mooni bibbi nochare
Much Ado About Nothing (Arne)
Mun shuma
Music for Florizel and Perdita (Boyce)
Music for The Tempest (Linley Jr.)
Music for The Tempest (Linley Jr./Arne/Jackson)
Music has power to melt the soul
Musical Characteristics, Op 19 (Clementi)
Mutru be khoosh nuwa bego
My fair's a garden of delight (He)
My foes prevail, my friends are fled
My God, my God, look upon me
My God, my King, with joyful view (Shield)
My heart is inditing of a good matter
My song shall be alway of the loving-kindness of the Lord
My soul truly waiteth still upon God
Nacht und Träume, D827 (Schubert/Isserlis)
Nature! sweet mistress of the pensive mind
Near a thick grove, whose deep embow'ring shade
No force can stand
No more dams I'll make for fish (Smith)
Noche de paz (Gruber/Burton)
Non che non sei capace, K419 (Mozart/Bliss)
Now is Christ risen from the dead (Fawcett)
O be joyful in the Lord, all ye lands
O clap your hands together, all ye people
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful
O come, all ye faithful – Adeste fideles (Wade/Cleobury)
O come, all ye faithful – Adeste fideles (Wade/Cullen)
O come, all ye faithful – Adeste fideles (Wade/Ledger)
O come, all ye faithful – Adeste fideles (Wade/Rutter)
O come, all ye faithful – Adeste fideles (Wade/Rutter/Willcocks)
O come, all ye faithful – Adeste fideles (Wade/Willcocks)
O come, all ye faithful – Adeste fideles (Wade/Willcocks/Robinson/Hill)
O come, let us sing unto the Lord
O Dolly, I part (Roger)
O for a thousand tongues to sing
O for a thousand tongues to sing
O for a thousand tongues to sing – Lydia (Phillips)
O for a thousand tongues to sing – Lyngham (Jarman)
O give thanks unto the Lord for he is gracious
O happy fair! (Bishop)
O Israel turn – The wave hath closed
O Lord God, to whom vengeance belongeth
O Lord my God, in thee have I put my trust
O Lord our Governor, how excellent is thy Name in all the world
O Lord, look down from heaven (Battishill)
O Lord, thou hast searched me out and known me
O Lord, thou hast searched me out and known me
O Lord, what is man! (Haydn/Gardiner)
O Mary, soft in Feature
O mistress mine (Addison)
O sing unto God
O sing unto me roundelaie (Wesley)
O sing unto the Lord a new song
O talk not to me of my country's delights
O think upon thy servant as concerning thy word
O thou that dwellest in the highest heavens (Dahmen)
O too lovely, too unkind (Arbaces)
O torment great, too great to bear (An Israelite woman)
O where shall wisdom be found? (Boyce)
O! yaar O!
Ode for Christmas (Cooke)
Ode for the King's Birthday (Boyce)
Ode to the memory of Italian virtuosi (Harington)
Of all the girls that are so smart
Of all the girls that are so smart
Of unrecorded name
Oh! weep for those (Nathan/Isserlis)
Oh, breathe not his name (Anon/Moore/Hughes)
On a day, alack the day (Arne)
On Richmond Hill there lives a lass
Orpheus and Euridice (Boyce)
Orpheus with his lute (Chilcot)
Our bugles sung truce, for the night cloud had lower'd
Ouwal keh mura buh isht razee kurdi
Overture in B flat major 'The maid of the mill' (Erskine)
Overture in C major, Op 1 No 2 (Erskine)
Overture to The barber of Seville (Rossini/Runswick)
Overture to The Duenna (Linley Jr.)
Palestine (Crotch)
Pardon, goddess of the night (Chilcot)
Peleus and Thetis (Boyce)
Pharnaces (Bates)
Piano Concerto in C major (Clementi)
Piano Concerto No 2 in B flat major, Op 19 (Beethoven/Hough)
Piano Concerto No 2 in D minor (Potter)
Piano Concerto No 21 in C major, K467 (Mozart/Rathbone)
Piano Concerto No 4 in A major (Hayes)
Piano Concerto No 4 in E major (Potter)
Piano Sonata in A flat major, WO13 (Clementi)
Piano Sonata in A major, Op 1 No 5 (Clementi)
Piano Sonata in A major, Op 10 No 1 (Clementi)
Piano Sonata in A major, Op 2 No 4 (Clementi)
Piano Sonata in A major, Op 25 No 4 (Clementi)
Piano Sonata in A major, Op 33 No 1 (Clementi)
Piano Sonata in A major, Op 50 No 1 (Clementi)
Piano Sonata in B flat major, Op 1 No 3 (Clementi)
Piano Sonata in B flat major, Op 10 No 3 (Clementi)
Piano Sonata in B flat major, Op 12 No 1 (Clementi)
Piano Sonata in B flat major, Op 13 No 4 (Clementi)
Piano Sonata in B flat major, Op 2 No 6 (Clementi)
Piano Sonata in B flat major, Op 24 No 2 (Clementi)
Piano Sonata in B flat major, Op 24 No 2 Op 41 No 2 Op 47 No 2 (Clementi)
Piano Sonata in B flat major, Op 25 No 3 (Clementi)
Piano Sonata in B flat major, Op 46 (Clementi)
Piano Sonata in B flat major, Op 8 No 3 (Clementi)
Piano Sonata in B flat major, Op 9 No 1 (Clementi)
Piano Sonata in B minor, Op 40 No 2 (Clementi)
Piano Sonata in C major, Op 2 No 2 (Clementi)
Piano Sonata in C major, Op 20 (Clementi)
Piano Sonata in C major, Op 25 No 1 (Clementi)
Piano Sonata in C major, Op 33 No 3 (Clementi)
Piano Sonata in C major, Op 34 No 1 (Clementi)
Piano Sonata in C major, Op 37 No 1 (Clementi)
Piano Sonata in C major, Op 7 No 2 (Clementi)
Piano Sonata in C major, Op 9 No 2 (Clementi)
Piano Sonata in C sharp minor 'Moonlight', Op 27 No 2 (Beethoven/Bowen)
Piano Sonata in C sharp minor 'Moonlight', Op 27 No 2 (Beethoven/Brody/Reynolds)
Piano Sonata in D major, Op 10 No 2 (Clementi)
Piano Sonata in D major, Op 25 No 6 (Clementi)
Piano Sonata in D major, Op 37 No 3 (Clementi)
Piano Sonata in D major, Op 40 No 3 (Clementi)
Piano Sonata in D minor, Op 50 No 2 (Clementi)
Piano Sonata in E flat major, Op 1 No 1 (Clementi)
Piano Sonata in E flat major, Op 11 No 1 (Clementi)
Piano Sonata in E flat major, Op 12 No 2 (Clementi)
Piano Sonata in E flat major, Op 12 No 4 (Clementi)
Piano Sonata in E flat major, Op 23 No 1 (Clementi)
Piano Sonata in E flat major, Op 23 No 3 (Clementi)
Piano Sonata in E flat major, Op 41 (Clementi)
Piano Sonata in E flat major, Op 7 No 1 (Clementi)
Piano Sonata in E flat major, Op 8 No 2 (Clementi)
Piano Sonata in E flat major, Op 9 No 3 (Clementi)
Piano Sonata in E major, Op 1 No 6 (Clementi)
Piano Sonata in F major, Op 1 No 4 (Clementi)
Piano Sonata in F major, Op 12 No 3 (Clementi)
Piano Sonata in F major, Op 13 No 5 (Clementi)
Piano Sonata in F major, Op 23 No 2 (Clementi)
Piano Sonata in F major, Op 24 No 1 (Clementi)
Piano Sonata in F major, Op 26 (Clementi)
Piano Sonata in F major, Op 33 No 2 (Clementi)
Piano Sonata in F major, WO3 (Clementi)
Piano Sonata in F minor, Op 13 No 6 (Clementi)
Piano Sonata in F sharp minor, Op 25 No 5 (Clementi)
Piano Sonata in G major, Op 1 No 2 (Clementi)
Piano Sonata in G major, Op 25 No 2 (Clementi)
Piano Sonata in G major, Op 37 No 2 (Clementi)
Piano Sonata in G major, Op 40 No 1 (Clementi)
Piano Sonata in G major, WO14 (Clementi)
Piano Sonata in G minor 'Didone abbandonata', Op 50 No 3 (Clementi)
Piano Sonata in G minor, Op 34 No 2 (Clementi)
Piano Sonata in G minor, Op 7 No 3 (Clementi)
Piano Sonata in G minor, Op 8 No 1 (Clementi)
Piar mera soon
Plaisir d'amour (Martini/Berlioz/Manze)
Plaisir d'amour (Martini/Richards)
Platée (Rameau/Aareskjold/Bennett)
Praise be to God, and God alone
Preserve me, O God, for in thee have I put my trust
Psalm 10
Psalm 10 'Ut quid, Domine?' (Attwood)
Psalm 10 'Ut quid, Domine?' (Attwood/Stainer)
Psalm 100 'Jubilate Deo' (Attwood)
Psalm 116 'Dilexi, quoniam' (Robinson)
Psalm 118 'Confitemini Domino' (Gray/Wesley)
Psalm 119: 41-48 'Et veniat super me' (West)
Psalm 119: 49-56 'Memor esto servi tui' (Jones)
Psalm 119: 57-64 'Portio mea, Domine' (Attwood)
Psalm 119: 73-80 'Manus tuae fecerunt me' (Skeats Sr.)
Psalm 119: 9-16 'In quo corriget?' (Nares)
Psalm 12 'Salvum me fac' (Wilton)
Psalm 123 'Ad te levavi oculos meos' (Crotch)
Psalm 124 'Nisi quia Dominus' (Crotch)
Psalm 131 'Domine, non est' (Rodgers)
Psalm 132 (Crotch)
Psalm 139 'Domine, probasti' (Day/Soaper)
Psalm 139 'Domine, probasti' (Skeats Jr.)
Psalm 14 'Dixit insipiens' (Attwood)
Psalm 140 'Eripe me, Domine' (Camidge/Elvey)
Psalm 16 'Conserva me, Domine' (Havergal)
Psalm 18 'Diligam te, Domine' (Robinson)
Psalm 18 'Diligam te, Domine' (Walmisley/Wesley/Smart/Robinson)
Psalm 22 'Deus, Deus meus' (Wesley)
Psalm 22 'Deus, Deus meus' (Wesley/Smart)
Psalm 23, D706 (Schubert/Rutter)
Psalm 29 'Afferte Domino' (Attwood)
Psalm 31
Psalm 32 'Beati, quorum' (Russell)
Psalm 42 'Quemadmodum' (Wesley)
Psalm 42 'Quemadmodum' (Wesley/Anon)
Psalm 43 'Iudica me, Deus' (Wesley)
Psalm 43 'Iudica me, Deus' (Wesley/Anon)
Psalm 45
Psalm 45 'Eructavit cor meum' (Cooke)
Psalm 47 'Omnes gentes, plaudite' (Davy)
Psalm 49
Psalm 53 'Dixit insipiens' (Attwood)
Psalm 62 'Nonne Deo?' (Boyce)
Psalm 68 'Exurgat Deus' (Crotch/Smart)
Psalm 69 'Salvum me fac' (Barnby/Attwood)
Psalm 7 'Domine, Deus meus' (Cooke)
Psalm 72 'Deus, iudicium' (Boyce)
Psalm 73 'Quam bonus Israel!' (Crotch/Ouseley)
Psalm 8 'Domine, Dominus noster' (Lawes/Corfe)
Psalm 81 'Exultate Deo' (Goodenough/Willcocks)
Psalm 87 'Fundamenta eius' (Battishill)
Psalm 89 'Misericordias Domini' (Anon/Norris/Russell/Battishill)
Psalm 9 'Confitebor tibi' (Attwood)
Psalm 9 'Confitebor tibi' (Stainer/Attwood)
Psalm 92 'Bonum est confiteri' (Crotch)
Psalm 94 'Deus ultionum' (Clark/Woodward)
Psalm 95 'Venite, exultemus' (Crotch)
Psalm 98 'Cantate Domino' (Randall)
Quintet movement in B flat major, K516c (Mozart/Druce)
Quo e? fera que sutke
Rejoice the Lord is king! (Handel/Wesley)
Requiem, K626 (Mozart/Druce)
Requiem, K626 (Mozart/Finnissy)
Requiem, K626 (Mozart/Maunder)
Rewannah kisty
Rich and rare were the gems she wore (Anon/Stevenson)
Rise, rise, heart-breaking sighs
Ritournelle
Rondeau for horn and orchestra in E flat, K371 (Mozart/Roberts)
Rondo in B flat major, WO8 (Clementi)
Rondo in E flat (Pinto)
Rondo on God rest you merry, gentlemen (Wesley)
Rosa sine spina (Pott/Burns)
Rule, Britannia
Sakia! Fusul beharust
Sally in our alley (Carey)
Sally in our alley (Carey/Britten)
Save me, O God
Say, lovely Dream!
She is far from the land (Anon/Stevenson)
Shisheh bur shrub
Sigh no more, ladies
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! Holy night!
Silent night! holy night!
Silent night! Holy night! – Stille Nacht (Gruber/Cleobury)
Silent night! Holy night! – Stille Nacht (Gruber/Cullen)
Silent night! Holy night! – Stille Nacht (Gruber/Darlington)
Silent night! Holy night! – Stille Nacht (Gruber/Pembroke College Girls' Choir)
Silent night! Holy night! – Stille Nacht (Gruber/Rathbone)
Silent night! holy night! – Stille Nacht (Gruber/Rutter)
Silent night! holy night! – Stille Nacht (Gruber/Rutter)
Silent, oh Moyle! be the roar of thy water 'The Song of Fiionnulala' (Anon/Stevenson)
Sing we and chaunt it (Pearsall)
Sing we merrily unto God our strength
Six Double Fugues for the Organ and Harpsicord (Roseingrave)
Sleep, gentle Cherub! Sleep descend (Judith)
Softly rise, O southern breeze! (He)
Solo in E major (Arne)
Solomon (Boyce)
Sonata for harpsichord and flute (Bird)
Sonata in A major (Linley Jr.)
Sonata in A minor, Op 2 No 3 (Jackson)
Sonata in D minor, Op 1 No 1 (Gibbs)
Sonata in D, Op 4 No 4 (Herschel)
Sonatina in C major, Op 36 No 1 (Clementi)
Sonatina in C major, Op 36 No 3 (Clementi)
Sonatina in D major, Op 36 No 6 (Clementi)
Sonatina in F major, Op 36 No 4 (Clementi)
Sonatina in G major, Op 36 No 2 (Clementi)
Sonatina in G major, Op 36 No 5 (Clementi)
Soon as the letters trembling I unclose
Soonre mashukan! be wufa!
Spirit, leave thine house of clay! (Fawcett)
Stille Nacht (Gruber/Blatchly)
Stille Nacht (Gruber/Bowers-Broadbent)
Stille Nacht (Gruber/Halsey)
Stille Nacht (Gruber/Ledger)
Stille Nacht (Gruber/Roberts)
Stille Nacht (Gruber/Rutter)
Strike! Seraphs, strike your harps of gold 'A New Christmas Piece' (Fawcett)
String Quartet in A major (Erskine)
String Quartet in B flat major (Marsh)
String Quartet in C minor (Erskine)
String Quartet in C minor, Op 3 No 6 (Shield)
String Quartet in E flat major (Wesley)
Suite No 1 in E flat major (Roseingrave)
Suite No 2 in C minor (Roseingrave)
Suite No 3 in D minor (Roseingrave)
Suite No 4 in F major (Roseingrave)
Suite No 5 in F minor (Roseingrave)
Suite No 6 in E minor (Roseingrave)
Suite No 7 in G major (Roseingrave)
Suite No 8 in G minor (Roseingrave)
Summer is y' coming in (Pearsall)
Susha myra bear
Symphony in A major (Berwald/Druce)
Symphony in D major, D615 (Schubert/Newbould)
Symphony in D major, D708a (Schubert/Newbould)
Symphony No 10 in D major, D936a (Schubert/Newbould)
Symphony No 4 in F (Boyce)
Symphony No 41 in C major 'Jupiter', K551 (Mozart/Clementi)
Symphony No 5 in A major (Wesley)
Teach me, O Lord (Attwood)
Tell me, lovely shepherd (Boyce/Poston)
Tell us, O women 'Dialogue Hymn' (Burney)
The birks of Endermay: Andante
The Black Joke with 21 Variations, WO2 (Clementi)
The Brickdust Man (Dibdin)
The capricious lovers (Rush)
The curfew (Storace)
The day that saw thy beauty rise (Jackson)
The Death of the common soldier (Webbe Jr.)
The Desert Island (Arne)
The Dirge from Romeo and Juliet (Boyce)
The Distress'd Mother (Pinto)
The emigrant (Hook)
The Ephesian Matron, or The Widow's Tears (Dibdin)
The Fairies (Smith)
The fool hath said in his heart
The foolish body hath said in his heart
The glittering sun begins to rise
The God of Abraham praise
The God of Gods, the Lord, hath call'd (Foster)
The Grenadier (Dibdin)
The guardian outwitted (Arne)
The harp that once, thro' Tara's halls (Anon/Stevenson)
The kind appointment Celia made
The ladies in Vaux- hall- Gardens, to the British Officers at Dettingen (Gladwin)
The lark sings high in the cornfield (Linley Sr.)
The Lass of Richmond Hill (Hook)
The last rose of summer (Anon/Moore/L'Estrange)
The last rose of summer (Anon/Moore/Stevenson)
The Lord is my shepherd
The Lord is risen (Wainwright)
The Lord Jehovah, even the most mighty God, hath spoken
The lover's message (Erskine)
The lover's recantation (Arne)
The lyre (Harington)
The maid of the mill (Arnold)
The meeting of the waters (Anon/Moore/Stevenson)
The miller of Dee
The Minstrel-Boy (Anon/Stevenson)
The moon had climb’d the highest hill
The Morning (Arne)
The Non-Parreill (Boyce)
The Oddities (Dibdin)
The Oddities (Dibdin/Britten)
The Oriental Miscellany (Bird)
The Pleasures of Spring Gardens, Vauxhall (Boyce)
The plough boy (Shield/Britten)
The Plough boy / The Milkmaid (Shield)
The power of music and beauty (Stanley)
The Rules of Cricket 'A Psalm Chant' (Havergal/The London Quartet)
The sea is before them
The Soldier's Dream (Attwood)
The Song of Moses (Linley Jr.)
The steadfast shepherd (Hook)
The valley lay smiling before me 'The Song of O'Ruark, Prince of Breffni' (Anon/Stevenson)
The wanton God: Rondo
There is a green hill far away
There is a green hill far away
There is a green hill far away – Horsley (Horsley)
There is a green hill far away – Horsley (Horsley/Scott)
There was a jolly miller once lived on the River Dee
There were shepherds abiding in the field (Jarman)
There's none to soothe (Anon/Smith)
Think not, my love, when secret grief (Linley Sr.)
This is the day the Lord hath made (Greatorex)
Thither thy people, Lord
Thou art my portion, O Lord
Thou soft flowing Avon
Thou stretchest out thy hand
Thou, like the glorious Sun (Artabanes)
Thus laugh'd at, jilted and betray'd (Colin)
Thus the foe with haughty pride
Thy hands have made me and fashioned me
Time has not thinn'd my flowing hair (Jackson)
'Tis believed that this harp 'The Origin of the Harp' (Anon/Stevenson)
'Tis only no harm to know it, you know (Shield)
'Tis the last rose of summer
'Tis the last rose of summer (Anon/Stevenson)
To ages shalt thou stretch thy sway
To fair Fidele's grassy tomb (Arne)
To heal the wound a bee had made (Linley Jr.)
Toccata in B flat major, Op 11 No 2 (Clementi)
Tom Bowling
Tom Bowling
Toom ko sum shouta
Trio Sonata No 1 in A minor (Boyce)
Trio Sonata No 10 in E minor (Boyce)
Trio Sonata No 11 in C minor (Boyce)
Trio Sonata No 12 in G major (Boyce)
Trio Sonata No 12 in G major (Boyce/Craxton)
Trio Sonata No 13 in A minor (Boyce)
Trio Sonata No 14 in F major (Boyce)
Trio Sonata No 15 in D major (Boyce)
Trio Sonata No 2 in F major (Boyce)
Trio Sonata No 3 in A major (Boyce)
Trio Sonata No 4 in G minor (Boyce)
Trio Sonata No 5 in D major (Boyce)
Trio Sonata No 5 in E major (Erskine)
Trio Sonata No 6 in B flat major (Boyce)
Trio Sonata No 6 in G major (Erskine)
Trio Sonata No 7 in D minor (Boyce)
Trio Sonata No 8 in E flat major (Boyce)
Trio Sonata No 9 in C major (Boyce)
Tristes apprêts
True-hearted was he, the sad swain o' the Yarrow
Truly God is loving unto Israel
Turn thy face from my sins (Attwood)
Twelfth Night (Vernon)
Twelve Monferrinas, Op 49 (Clementi)
Twelve Short Pieces and a Full Voluntary (Wesley)
Unto thee lift I up mine eyes
Unveil thy bosom, faithful tomb (Handel/Miller)
Variations on a Minuet by Mr Collick, WO5 (Clementi)
Variations on a Russian folk tune, Op 10 No 12 (Carcassi/Walker)
Variations on Adeste fideles (Adams)
Variations on Adeste fideles in A major (Webbe Jr.)
Variations on Batti batti from Mozart's Don Giovanni, WO10 (Clementi)
Variazioni di bravura on a theme by Rossini (Potter)
Vengeance, O come inspire me!
Violin Concerto in F major (Linley Jr.)
Violin Concerto in G major (Shaw)
Violin Concerto No 1 in D major (Brooks)
Violin Concerto No 2 in D major (Wesley)
Voluntary in D minor, Op 5 No 5 (Stanley)
Voluntary in G minor
We have a gospel to proclaim
We plough the fields and scatter
What the bee is to the floweret (Anon/Stevenson)
What tho' his guilt
When Britain first at heaven's command
When daisies pied and violets blue (Arne)
When I survey the wondrous cross
When I survey the wondrous cross
When I survey the wondrous cross
When I survey the wondrous cross
When I survey the wondrous cross – Rockingham (Miller)
When I survey the wondrous cross – Rockingham (Miller/Guest)
When I survey the wondrous cross – Rockingham (Miller/Pinel)
When I survey the wondrous cross – Rockingham (Miller/Rutter)
When icicles hang on the wall (Arne)
When love was a stranger
When rising from the bed of death (Pixell)
When that I was a little tiny boy
When through life unblest we rove (Anon/Moore/Hughes)
When young life's journey I began
Where the bee sucks, Op 11 No 6 (Jackson)
Where the bee sucks, there lurk I (Arne)
Where, Lord, shall I my refuge see? (Webbe Sr.)
Wherewithal shall a young man cleanse his way
While shepherds watched
While shepherds watched their flocks by night
While shepherds watched their flocks by night (Beesly)
While shepherds watched their flocks by night (Foster)
While shepherds watched their flocks by night (Smith/Arnold)
Whilst in the verdant Spot we stray
Why standest thou so far off, O Lord?
Wie ist es denn, dass trüb und schwer
Wonderful art thou
Ya laum, ya laum
Ye balmy breezes, gently blow (Shield)
Ye holy angels bright
Ye holy angels bright
Ye holy angels bright – Darwall's 148th (Darwall/Gray)
Ye holy angels bright – Darwall's 148th (Darwall/Scott)
Ye nymphs of Albion's beauty-blooming isle (Linley Jr.)
Ye sportive loves, that round me wait (Linley Sr.)
Ye winged inhabitants of the grove (Dahmen)
Yes! the Redeemer rose (Taylor)
Yorkshire 'Stockport' (Wainwright)
Yorkshire 'Stockport' (Wainwright/Goodwin)
You spotted snakes (Smith)
Zoroastre (Rameau/Bennett)
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