Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

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A Coy Joy (Dowland/Denoth)
A fancy (Dowland/Denoth)
A great and mighty wonder
A ground for ye harpsicord (Anon/Simpson/Ng)
A mighty fortress (Luther/Rutter)
Amarilli mia bella (Caccini/Lawrence-King)
And they said one to another – Verily the Lord is risen (Anon/Schütz/Gardiner)
Assumpta est Maria
Awake Sweet Love (Dowland/Denoth)
Bassedance 'En vray amoure a 4, a 6' (Henry VIII/McGowan)
But Mary stood without the sepulchre (Evangelist/Jesus/Mary Magdalene)
Captain Digorie Piper's Galliard (Dowland/Denoth)
Célébrons la naissance (Tabourot/Warlock/Gant)
Con amores, la mi madre (Anchieta/Chilcott)
Credo in unum Deum
Da pacem Domine
Det är en ros utsprungen
Divisions on Paradetas (Ortiz/Lawrence-King)
Divisions on Spagnoletta 'Improvisation' (Mudarra/Lawrence-King)
Divisions on the Spanish Pavan 'Improvisation' (Milán/Lawrence-King)
Drop, drop, slow tears
Drop, drop, slow tears
Eheu! They have taken Jesus (Morley/Gardiner)
Es ist ein Ros' entsprungen (Praetorius/Pedersen)
Es ist ein Ros' entsprungen (Praetorius/Sandström)
Falla con misuras (Ebreo da Pesaro/Ashton)
Fantasia (Ortiz/Lawrence-King)
Fortune (Dowland/Denoth)
Give the king thy judgements, O God (Rutter/Gibbons)
Glory to thee, my God, this night
Hark the glad sound! the Saviour comes
Historia der Auferstehung Jesu Christi (Schütz/Gardiner)
Hymn Tune Prelude on Song 13 (Gibbons/Vaughan Williams)
I look from afar
If ye love me (White/Tallis)
Illumina nos
Jesu, grant me this, I pray (Gibbons/Bairstow)
Judah and Jerusalem, fear not
Lachrimae Pavan (Dowland/Denoth)
Lady Rich, her Galliard (Dowland/Denoth)
Lord Strang's March (Dowland/Denoth)
Love of the Father
Lumen de lumine (Newton-Jackson/Carvor)
Man born of man (Allain/Farrant)
Mater Patris / Sancta Dei genitrix (Obrecht/Weller)
Mattins Responsory (Palestrina/Willcocks)
Melancholy Galliard (Dowland/Denoth)
Miserere mei, Deus (Allegri/Roberts)
Missa Scaramella (Obrecht/Fitch)
Mister Dowland's Midnight (Dowland/Denoth)
Mistress Nichols' Almaine (Dowland/Denoth)
Mistress White's Nothing (Dowland/Denoth)
Mrs Winter's Jump (Dowland/Denoth)
My Lady Hunssdon's Puffe (Dowland/Denoth)
My Lord Willoughby's Welcome Home (Dowland/Denoth)
Now, oh now I needs must part (Dowland/Grainger)
O mistress mine (Morley/Grainger)
O nata lux (Sixten/Tallis)
O nata lux de lumine (Tallis/Forshaw)
O you, that heare this voyce (Hagley/Byrd)
Orlando Sleepeth (Dowland/Denoth)
Philippe, qui videt me (Brumel/Weller)
Preludium (Dowland/Denoth)
Queen Elisabeth, her Galliard (Dowland/Denoth)
Round Battle Galliard (Dowland/Denoth)
Sancte Deus (Jackson/Tallis)
Scottish Dance (Brade/McGowan)
Sir John Smith, his Almain (Dowland/Denoth)
So ys emprinted (Frye/Wickham)
Song 46 (Gibbons/Dearmer)
Tarleton's Resurrection (Dowland/Denoth)
Te lucis ante terminum I (Tallis/Forshaw)
The Carman's Whistle 'Air and Variations', BK36 (Byrd/Grainger)
The Frog Galliard (Dowland/Denoth)
The King of Denmark, his Galliard (Dowland/Denoth)
The Shoemaker's Wife (Dowland/Denoth)
The Spirit of Tallis (Tallis/Monks)
Tota pulchra es (Park/Mouton)
Tres sacrae cantiones (Gesualdo/Stravinsky)
Tutte le vecchie (Maio/Ortiz/Lawrence-King)
Una sañosa porfía (Knotts/Encina)
Vesper Responsory (Palestrina/Dearnley)
What if a day (Dowland/Denoth)
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