'The LSO plays, as always, splendidly for Valery Gergiev. The general excellence and detail of their performance is remarkable since it appears to have been recorded in a single live concert, with Rachmaninov's symphony' (BBC Music Magazine)» More

‘It is good to see that this project has been given expert support by the musicologist Bruno Turner … no one else is likely to cover this problematic repertory and some of it deserves to be much better known’ (BBC Music Magazine)» More

‘Nizioł possesses an ideal silvery sound for this late-Romantic work, enhanced by gently cushioned bow-strokes, ear-ringingly true intonation and a fast and narrow vibrato that gives his cantabile playing a captivating eloquence’ (BBC Music Magazine)» More

‘Once in a while, a performance comes along that focuses understanding of a familiar work in a new way—or recapture an insight that might have been lost. That's how it was for me with Martyn Brabbins and the BBC Scottish Symphony Orchestra's 'Enigma Variations' … Brabbins' performance as a whole is a reminder of what a masterpiece of construction 'Enigma' truly is: not just a beautifully assembled gallery of portraits, but a sequence building with grand inevitability to the finale’ (BBC Music Magazine)» More

‘Power and Crawford-Phillips are a superb duo, matching their depth and richness of tone with an energetic, passionate approach, and the warm recorded sound lets them shine’ (BBC Music Magazine)» More

‘None could ignore the viola’s propensity for melancholy, and Power’s capacity for spinning seamless melodies is as crucial to these stylish performances here as his and Crawford-Phillips’s virtuosity’ (The Guardian)» More

'A compelling CD' (The Northern Echo)» More

'Highly recommended' (The Northern Echo)» More

‘Carwood moulds the structures to great effect, with wide-ranging dynamics from hushed groupings of eight voices to the full force’ (BBC Music Magazine)» More

„Es ist das Verdienst der vorliegenden Augnahme mit dem Gürzenich-Orchester Köln unter Markus Stenz—er gab damit 2014 seine Abschiedsvorstellung als Gürzenich-Kapellmeister und Kölner Generalmusick direktor—, genau diese Qualitäten hörbar zu machen und dabei in pure Emotion, ja Expression zu verwandeln“ (Südwestpresse, Germany)

‘Attractively paradoxical finesse’ (International Piano)» More

‘Hyperion continue their exploration of the Romantic piano concerto with an intriguing disc of Australian examples, Piers Lane making a convincing case for his countrymen’s music’ (The Guardian)» More