Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
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The fourth Hyperion release from Charles Cole and The London Oratory Schola Cantorum, Sacred treasures of Rome is a celebration of one composer in particular and, more widely, of the Golden Age of polyphony which flourished in sixteenth-century Rome. 2025 marks the five-hundredth anniversary of the birth of Giovanni Pierluigi da Palestrina, and his status as the pre-eminent Renaissance polyphonist is reflected in the selection of glorious motets the Schola has recorded here, framing music by some of Palestrina’s Italian contemporaries. As always, recordings by the Schola remind us that this is a working, liturgical choir performing music which can still be heard in its proper context at the London Oratory.
Recording for their own label and under the baton of the multi-talented Thomas Adès, the Hallé Orchestra proudly presents Shanty & other new works by Adès, Leith & Marsey. These are bold new works—with some pleasingly engaging titles—and the names of Oliver Leith (b1990) and William Marsey (b1989) look more than likely to join that of Adès himself in the annals of twenty-first-century orchestral wizardry.
Mozart Organ Works: the title may appear prosaic, and could even be regarded as provocative (‘what did Mozart actually write specifically for organ?’), but let it be said at once that this album is fun. David Goode puts the organ of Trinity College Chapel in Cambridge through its paces and the comprehensive booklet from Signum Classics explores in detail Wolfgang Amadeus’s fascination with the beast he called ‘the King of instruments’.
On Signum, Light and Shadow takes the Orchestra of the Swan into a world of intimate close-ups and subtle celluloid texture, director David Le Page weaving a programme of soundtrack magic from composers as diverse as Ennio Morricone and Astor Piazzolla.
Nigel Short and the expert singers of Tenebrae have recorded A prayer for deliverance. This new album from Signum Classics features a complete performance of Herbert Howells’s tender Requiem, the capstone of a programme of rest and repose where new works—including the title track by young American composer Joel Thompson—sit contentedly amidst favourites from the likes of Holst and Vaughan Williams.
Crossing borders is another triumphant instalment in La Serenissima’s enigmatically themed discography on Signum Classics. Here, director-cum-violinist Adrian Chandler draws together concertos—most of them ‘con molti istromenti’—by Telemann, Sieber, Durante, Brescianello and of course Vivaldi. Unctuous flute and recorder solo contributions come from Katy Bircher and Tabea Debus respectively.
For his latest recording on Decca Classics, Finnish maestro Klaus Mäkelä has chosen to couple Berlioz’s Symphonie fantastique & Ravel’s La valse, two cornerstones of the French orchestral tradition. And who better to record them than the effervescent Orchestre de Paris? These new versions offer pulsating new visions of both works.
Volume 4 of The Panufnik Legacies from LSO Live continues with the vital work of offering a full orchestral voice to composers as-yet little known. Fourteen are represented here, the London Symphony Orchestra conducted by Jack Sheen (himself one of the featured composers).