'The common factor, and driving power behind the series, is pianist Malcolm Martineau, whose softly probing pianism pulls together the miscellany of well-known singers, who range from the robust Nigel Cliffe, sweet counter tenor Iestyn Davies, radiant tenor Ben Johnson and wholesome Ann Murray, to the restful mellowness of Lorna Anderson, and the experienced musicianship of Janis Kelly and Joan Rodgers. A series to follow with keen interest' (The Scotsman)

„Howard Shelley tut wirklich alles, um die Komposition wirkungsvoll werden zu lassen“ (Pizzicato, Luxembourg)» More

„Die Sensibilität von Solist und Dirigent bringt die Romanze genauso zum Blühen, in einem sehr lyrischen Spiel, das sich effektvoll bis zum prachtvollen Höhepunkt der Komposition steigert“ (Pizzicato, Luxembourg)» More

'The now-or-never concert adrenaline is palpable … it’s all delivered with that unnervingly meticulous, steely focus that conductor Esa-Pekka Salonen gets from the Philharmonia' (The Guardian)» More

‘As ever, [Angela Hewitt] performances come highly recommended’ (The Northern Echo)» More

‘An excellent starting point for exploring Machaut’s secular music. Whichever you start with, be prepared to want the others’ (MusicWeb International)

‘Garrick Ohlsson is a pianist who commands the grand style … he seems in complete sympathy with the idiom here and Hyperion has given him a clear and warm recording’ (MusicWeb International)

‘Once again the Choir of Westminster Abbey, under the direction of James O’Donnell, live up to their excellent reputation with a wonderful performance, not on this occasion in the Abbey but in St Alban’s, Holborn, the hidden gem between the City of London and the West End’ (The Portal)» More

‘Angela Hewitt's latest Beethoven recording comes with her customary intelligence and scrupulous attention to detail’ (BBC Music Magazine)

‘[Hewitt's] playing has all the qualities one associates with her renowned Bach: crisp, clean articulation, sparing use of the pedals as if she is reimagining the music on the instruments Beethoven played … all pure delight’ (The Sunday Times)» More

‘Sung with luminescent warmth’ (The Sunday Times)» More

‘All three works receive splendid advocacy from Howard Shelley (a stalwart of Hyperion’s Romantic Piano Concerto series, and also a tireless champion of Clementi’s solo piano music) and the incisive St Gallen Symphony Orchestra, who offer especially piquant wind playing and some delightfully teasing rubato’ (Presto Classical)» More