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Track(s) taken from CDA68454

Evening Hymn

First line:
Te lucis ante terminum
composer
1908; SATB divisi + organ
author of text
Roman Breviary, eighth century
translator of text

The Choir of Trinity College Cambridge, Stephen Layton (conductor), Jonathan Lee (organ)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: January 2023
Ely Cathedral, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: November 2025
Total duration: 6 minutes 25 seconds

Cover artwork: The angels rejoice at Jesus’s Ascension as He returns to the Father in Glory (2000). Elizabeth Wang (1942-2016)
Private Collection / © Radiant Light / Bridgeman Images
 

Other recordings available for download

St Paul's Cathedral Choir, John Scott (conductor), Andrew Lucas (organ)
Jesus College Choir Cambridge, Mark Williams (conductor), Bertie Baigent (organ)

Reviews

‘A new recording of one of the most symphonic Anglican anthems of them all [Henry Balfour Gardiner’s Evening Hymn] … such a satisfyingly expansive performance … it’s a wonderful recording as well, with the organ and acoustic of Ely Cathedral wonderfully integrated … the album’s called Let all the world in every corner sing after Kenneth Leighton’s explosion of choral joy … I love it’ (BBC Record Review)
An imposing organ introduction, quasi-orchestral in scale, is a major distinguishing feature of Henry Balfour Gardiner’s setting of the Latin Compline hymn ‘Te lucis ante terminum’ of 1908 (better known as the Evening Hymn), written while he held a very brief teaching position at Winchester College and in whose chapel it was first sung. The anthem is dedicated to the College’s organist, E T Sweeting. The almost Doric opening and closing sections of its ternary form, designed to convey the sense of prayer to the Creator, are chorally and harmonically dense in texture and language. This material contrasts markedly with the lighter, more mysterious central section which, gravitating to the relative minor at its cadence, alludes fittingly to the ‘nightly fears and fantasies’. The organ provides a transition (paralleling that of the opening) back to a reharmonized restatement of the first section, which functions as a doxology, replete with a flamboyant ‘Amen’ as the coda.

from notes by Jeremy Dibble © 2025

Other albums featuring this work

The English Anthem, Vol. 1
CDA66374Download only
The Evening Hour
Studio Master: SIGCD446Download onlyStudio Master FLAC & ALAC downloads available
The Music of St Paul's Cathedral
SPCC2000Super-budget price sampler — Download only
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