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Track(s) taken from CDJ33017

Herbstlied, D502

First line:
Bunt sind schon die Wälder
November 1816; first published in 1872
author of text

Lucia Popp (soprano), Graham Johnson (piano)
Recording details: April 1992
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell
Release date: April 1993
Total duration: 1 minutes 47 seconds


'Piano-playing, notes and recording all enhance the virtues of this rewarding disc, which will surely be a thing of joy for many years to come' (Gramophone)

'A moving and fitting memorial to one of the loveliest and most beloved singers' (The Sunday Times)

'Another triumph' (Hi-Fi News)
This is another setting of Salis-Seewis from 1816. This simple little song has a charm and strength of its own; it is part march (it may be sung by harvesters or fruit pickers as they go off to work) and part chorale. There is no doubt that the hearty country folk as reflected in this music are upstanding, hardworking and religious; there was always a side of Schubert which took enormous delight in the activities of the common people, the backbone of German culture and the source of the nation's riches. In this respect the composer has a certain down-to-earth style, a little comically rough, which recalls Shakespeare's way with some of his caretakers, clown and mechanicals. In mood and character this song is related to the Hölty Erntelied from May 1816. The music is rather more subtle than at first might be supposed. Like An die Nachtigall it is in G major, and also gives the impression of starting in the subdominant. The sequences are charming and effective: two upward phrases at the beginning describe the brightly coloured woods, and two falling phrases the falling leaves and the mist. This may seem obvious enough, but how many real folksongs (and this truly has the air of one) would show such a feeling for the niceties of word-setting? Note how the word 'Wind' at the end of the first verse sweeps upwards in melisma, and the adjective 'kühl' wafts downwards from the tonic. All in all, this unpretentious little song is a breath of fresh air.

from notes by Graham Johnson © 1993

Other albums featuring this work

Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
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