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Track(s) taken from CDJ33023

Der Leidende 'Klage', D432

First line:
Nimmer trag’ ich länger dieser Leiden Last
First version. May 1816; first published in 1850 as part of volume 50 of the Nachlass
author of text
author of text
spurious attribution

Christoph Prégardien (tenor), Graham Johnson (piano)
Recording details: September 1994
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: May 1995
Total duration: 1 minutes 47 seconds


'When the Hyperion Schubert Edition is finally completed I am certain that this wondrous offering will rank among its most precious jewels … Prégardien is a prince among tenors' (Gramophone)

'Prégardien is an artist of the first rank' (Fanfare, USA)
This melody will seem maddeningly familiar to many listeners. This is because seven years later Schubert transposed it into B flat minor and used it as the basis for the Minore II episode in the Entr'acte (No 5) after the third act of Rosamunde (1823). John Reed very plausibly suggests that the composer, who was in the middle of his health crisis in 1823, might have recalled this music because of its connection with its words, 'No longer can I bear the burden of this suffering.' The setting is a magical combination of restless passion (the song is marked Unruhig—restless) and the light Schubertian touch (pizzicato left hand quavers, a sinuous melody) which can always find an aspect of grace, perhaps even acceptance, in the worst emotional predicaments. The song thus remains delicate, suitable for insouciant whistling, despite its stark text and minor key colours. One of the reasons for this is the way that the tune lifts upwards at the end of lines (on the words 'länger' and 'Pilger').

from notes by Graham Johnson © 1995

Other albums featuring this work

Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
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