Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Tavener No longer mourn for me & other works for cello is another essential release: Steven Isserlis's homage to a composer with whom he had a profoundly personal, as well as professional, bond. This collection of late works—as Isserlis himself notes, among the most powerfully beautiful Tavener composed—is a fitting tribute, and the guest list features some particularly distinguished artists, not least Omer Meir Wellber conducting the Philharmonia Orchestra. Our releases for the year conclude with two albums from a wonderful choir new to Hyperion's roster. It is a particular pleasure to welcome The London Oratory Schola Cantorum and their director Charles Cole, who present Sacred treasures of Christmas and Sacred treasures of Spain; two programmes of predominantly sixteenth-century choral masterworks by Lassus, Victoria, Palestrina and others, repertoire routinely to be heard at the London Oratory and central to its celebration of the liturgy.
Three turbulent symphonies (by J C Bach, Vanhal and, of course, Haydn) are interleaved with vocal flights of fancy (Gluck and Mysliveček) in a second volume of Sturm und Drang. This Signum Classics series from The Mozartists, director Ian Page and, here, mezzo Ida Ränzlöv continues to thrill.
On their own label, The Choir of King's College Cambridge has recorded Bruckner Mass in E minor & motets. Accompanied by the Academy of St Martin in the Fields in the glorious acoustic of their 'home' chapel, this final recording under the direction of Sir Stephen Cleobury comes highly recommended.
The festive season begins early on Signum Classics with a trio of choral albums to cheer the darkening evenings. Queen's College Choir Oxford has recorded A Ceremony of Carols, the programme enfolding Britten's perennial favourite with an inspiring sequence of works old and new; Be all merry is a further trademark confection from the multi-faceted University College Dublin Choral Scholars; while A winter's night introduces to the label Winchester College Chapel Choir in an ambitious programme of Christmas music for choir, brass quintet and organ.
The Tallis Scholars’ Josquin Mass cycle may have spanned the longest period of any project in the history of recorded music, with over 33 years having elapsed between the first album in the series (which won for Gimell the Gramophone Record of the Year Award in 1987) and this final instalment. As ever, Peter Phillips conducts this most illustrious of groups.