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Track(s) taken from CDA67057/8

Quatre préludes, Op 22

composer
Alexander Scriabin (1872-1915)
1897

Piers Lane (piano)
Recording details: June 2000
Henry Wood Hall, London, United Kingdom
Produced by Amanda Hurton
Engineered by Tony Faulkner
Release date: February 2001
Total duration: 5 minutes 6 seconds

Cover artwork: Halos (1894) by Louis Welden Hawkins (1849-1910)
 

Reviews

‘Everything about this two-disc set is ideal. Few pianists could show more sympathy and affection for such volatile romanticism, or display greater stylistic consistency. This new set of the Preludes should be in any serious record collection’ (Gramophone)

‘Lane certainly knows how to tease out the music's textural subtleties; his emotional commitment is undeniable, as is his grasp of the poetic/virtuosic dichotomy inherent in Scriabin's music’ (BBC Music Magazine)

‘Lane is the perfect guide to Scriabin’s shimmering miniature masterpieces’ (The Independent)

‘To find contemporary performances that convey … aspects of the music more vividly and with greater sympathy, as well as with a good deal more technical refinement, one need look no further than Piers Lane’s recent traversal’ (International Record Review)

‘Lane's technical brilliance and assurance captures the most elusive qualities of this music, as one dream-vision dissolves into another … [his] control and balance of their veiled sonorities is wonder-filled’ (The Times)

‘Piers Lane is easily the master of all this … you get the sense this music is in his blood. The preludes have been well worth waiting for’ (Amazon.co.uk)

‘Lane's flawless finger and inspired brain are totally attuned to Scriabin's hyper-expressive sound world. Gorgeous, flattering sonics help elevate this recording to reference version status among complete Scriabin cycles. Bravo!’ (Classics Today)
1897, the year of Scriabin’s marriage and of work on the Third Sonata, brought four more preludes, Op 22. The chromaticism of No 2 is remarkable and No 3 could be marked ‘A la Mazur’, with a characteristic rhythmic catch in its melodic figures.

from notes by Simon Nicholls © 2001

1897, l’année où Scriabine convola en justes noces et entama sa Troisième Sonate, apporta quatre préludes supplémentaires réunis sous l’opus 22. Le chromatisme du no2 est remarquable et le no3 pourrait indiquer «A la Mazur» avec son trait rythmique caractéristique incorporé à la mélodie.

extrait des notes rédigées par Simon Nicholls © 2001
Français: Isabelle Battioni

1897, das Jahr von Skrjabins Eheschließung und seiner Arbeit an der Dritten Sonate, zeitigte vier weitere Préludes, nämlich die von op. 22. Die Chromatik von Nr. 2 ist bemerkenswert, und Nr. 3 könnte wegen des typischen rhythmischen Hakens in den melodischen Figuren mit „à la mazur“ bezeichnet werden.

aus dem Begleittext von Simon Nicholls © 2001
Deutsch: Anne Steeb/Bernd Müller

Other albums featuring this work

Scriabin: The Complete Préludes, Vol. 2
Piers Lane (piano)
CDH55451

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