Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA66273

Evening Service in D major 'Great Service'

composer
1881; written for Trinity College Cambridge and Stanford; first performed on 19 February 1992 by St Paul's Cathedral choir, Stainer conducting
author of text
Luke 1: 46-55; Luke 2: 29-32

St George's Chapel Choir Windsor, Christopher Robinson (conductor)
Recording details: July 1987
All Hallows, Gospel Oak, London, United Kingdom
Release date: July 1988
Total duration: 12 minutes 12 seconds
 

Other recordings available for download

Westminster Abbey Choir, James O'Donnell (conductor), Daniel Cook (organ)

Reviews

‘A fine recital’ (Gramophone)
Parry wrote his Evening Service in D major (the ‘Great Service’) in early 1881. Though promised to Charles Villiers Stanford and Trinity College, Cambridge, it was first sung at St Paul’s on 19 February and 2 July 1882 under Stainer. It was finally sung at Trinity College in December 1882 but was never sung again thereafter, perhaps because its ungainly manuscript parts rendered it outmoded in the days of Novello’s more practical octavo vocal scores. It remained unpublished until it was posthumously exhumed and published in a limited private edition by Parry’s amanuensis, Emily Daymond, for St Paul’s Cathedral’s patronal festival in January 1925 with an orchestration by Charles Macpherson. The service was eventually published in an edition by Jeremy Dibble in 1984. Although not as symphonic in concept as Stanford’s Opp 10 and 12 (published in 1879 and 1880 respectively), Parry’s service is nevertheless typically generous in its architecture and grand effect. In part indebted to the large-scale verse anthems of S S Wesley, especially in the sections for solo voices, the work evinces a bold handling of diatonic harmony which would be key to his later choral style.

from notes by Jeremy Dibble © 2015

Other albums featuring this work

Parry: I was glad & other choral works
Studio Master: CDA68089Studio Master FLAC & ALAC downloads available
Evensong Live 2019
Studio Master: KGS0038-DDownload onlyStudio Master FLAC & ALAC downloads available
Waiting for content to load...
Waiting for content to load...