Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA68388

Sequence: In Parenthesis

First line:
Men marching
composer
2014; ATTBB, narrator; commissioned by Opus Anglicanum
author of text

The Gesualdo Six, Owain Park (director), Samuel Mitchell (narrator)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: May 2021
All Hallows, Gospel Oak, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: September 2022
Total duration: 13 minutes 29 seconds
 

Reviews

‘As always with The Gesualdo Six, the thing that strikes one most forcibly on first listening is the ensemble’s extraordinary vocal blend … the collection, centring on the theme of grief, is extremely well organised in terms of both contrast and similarity (of style and period), and I do recommend listening to it from beginning to end. Richard Rodney Bennett’s sumptuous A Good-Night provides a wholly appropriate finale to this thought-provoking journey’ (Gramophone)

‘This affecting collection contains music for mourning and remembrance … the great experience and skill of these singers provide perfect tuning in pieces such as Tallis’s In ieiunio (sung at low pitch) and superb phrasal breathing (especially in Morales’s Parce mihi)’ (BBC Music Magazine)» More

‘Vocal ensemble The Gesualdo Six is known for its Renaissance polyphony, with lucid and hauntingly beautiful performances of Josquin, Gesualdo, Tallis and the like, but with their album Fading—a couple of years ago—they began combining ancient and modern music with themes of darkness and light. Their new recording, Lux aeterna, takes this further: eternal light, an exploration of grief, musical responses to mourning and loss, uncertainty and hope. It’s a strikingly effective sequence … [A Good-Night is] a touching way to end this beautifully sequenced exploration of different sides of mourning and loss … six centuries of music, beautifully recorded’ (BBC Record Review)

‘A concatenation of music that delivers what it set out to do: exploring shades of positivity and the hope that the good someone has brought into the world will live on after they have passed. Perceptively and sensitively performed with outstanding musicality. Quite simply exquisite’ (Yorkshire Times)
In 2014 I was asked by the vocal consort Opus Anglicanum to compose a piece to help them mark the centenary of World War I. Their commemoration was centred around Welsh poet David Jones’s In Parenthesis, based on the artist’s experience as a young volunteer soldier in the Royal Welch Fusiliers. Words from his long narrative poem are quoted as a stream of consciousness, not always connected to the sung parts but sometimes intertwined in a dream-like sequence, blurred together. In the vocal lines a repeated, monotonous ‘Men marching’ idea provides a thread between songs derived from village halls, community song books, churches and even those that had drifted over from the trenches. In 2018 we visited Mametz Wood, a site connected to the Battle of the Somme, to film a video of this piece to commemorate the 100th anniversary of the Armistice which marked the end of the First World War. It is a quiet place, with lonely corners punctuated by dappled light—haunting in its stillness and the memory of what has gone before.

from notes by Owain Park © 2022

Waiting for content to load...
Waiting for content to load...