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Track(s) taken from CDA68314

This love between us 'Prayers for unity'

author of text
texts from the Dhammapada, Guru Granth Sahib, Romans, Kabir, Isa Upanishad, Acharanga Sutra and Diva-i Shams-i Tabrizi

Yale Schola Cantorum, Juilliard415, David Hill (conductor), Rabindra Goswami (sitar), Ramchandra Pandit (tabla)
Studio Master FLAC & ALAC downloads available
Studio Master:
Studio Master:
Recording details: March 2017
Christ Church, New Haven, Connecticut, USA
Produced by Andrew Walton
Engineered by Mateusz Zechowski
Release date: December 2019
Total duration: 38 minutes 40 seconds

Cover artwork: Angel and the Annunciation (from the series Annunciation, 2016) by Joy Lions
Private Collection / Bridgeman Images


‘[A] richly rewarding recording of choral works sung by Yale Schola Cantorum under David Hill’ (Gramophone)

‘Tawnie Olson's Magnificat immediately grabs attention with its pungent evocations of Bulgarian women's choirs, conveyed convincingly by Elm City Girls' Choir, which then combine and interleave with the Yale voices to reimagine medieval organum for the 21st century … David Hill's affecting God be in my head and Daniel Kellogg's high-spirited Shout joy! make an effective contrasting pair at the heart of this rewarding disc’ (BBC Music Magazine)» More

‘Startlingly effective singing in the Bulgarian style from the Elm City Girls’ Choir teamed with Yale Schola Cantorum … superbly sung and recorded, and so’s the premiere of Roderick Williams’s A New England Symphony which comes after it, a moving choral meditation on texts born out of slavery, emigration and regeneration’ (BBC Record Review)

‘David Hill has devised a most interesting and varied programme for this CD and his highly accomplished choir sings it with tremendous skill. The recordings were made at a variety of time and locations yet the sound quality is consistently good. Hyperion have lived up to their usual standards in respect of the documentation with each composer providing a valuable note on his or her piece’ (MusicWeb International)» More
This love between us is a piece about unity. Its seven movements juxtapose the words of seven major religious traditions of India (Buddhism, Sikhism, Christianity, Zoroastrianism, Hinduism, Jainism, and Sufi Islam), and specifically how each of these traditions approaches the topic of unity, of brotherhood, of being kind to one another. The texts come either straight from canonical religious writings or from poets who write through the lens of their religion. Each text is itself a union: it is set simultaneously in English and in its original language (with the exception of the Christian text, where the Malayalam is a translation), so you can hear the beauty of the original and grasp its meaning through translation. Each movement also contains a unique combination of Indian and Western classical styles, running the continuum from the Christian movement, which is firmly rooted in a Baroque style, to the Zoroastrian movement, which is a Hindustani vilambit bandish. Each of the other movements lives somewhere in between these two musical cultures in their techniques, styles and forms. But even more than uniting musical practices, this piece unites people from two different musical traditions: a sitar and tabla join the choir and Baroque orchestra. Each of the musicians is asked to keep one hand firmly rooted in their own tradition and training, while reaching the other hand outward to greet another musical culture.

This piece is also a union for me. The time I spent studying at both Yale and Juilliard has been the foundation of my career as a Western composer. And my Fulbright year, studying Hindustani music in India, opened my ears and mind to the world of Hindustani classical music. One day in late 2015, after months of pleading with embassies, government officials and agencies, I finally lost the battle for the visa I needed to return to India, simply because my grandfather had moved his family to Pakistan in the 1950s. I have never been more heartbroken in my life. The pain of being from two places is that, wherever you are, you always miss the other place. And somehow, as if in answer to my despair, the very next day I received the email asking me to write this piece—the one recorded here. If it is impossible to be in both places at once, or at all, I have strived every day since then to create this hybrid, united world in my music.

I wrote This love between us during some of the darkest times in our country and in our world. But my mind always returns to the last line of this piece, the words of Rumi, which are repeated like a mantra over affirming phrases from each religion, as they wash over one another: ‘Concentrate on the essence, concentrate on the light.’

from notes by Reena Esmail © 2019

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