Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDGIM024

When David heard

composer
author of text
after 2 Samuel 18: 33

The Tallis Scholars, Peter Phillips (conductor)
Recording details: July 1988
The Church of St Peter and St Paul, Salle, Norfolk, United Kingdom
Produced by Steve C Smith & Peter Phillips
Engineered by Chris Eyres & Sean Lewis
Release date: September 1991
Total duration: 4 minutes 27 seconds

Cover artwork: Roi à la chasse (detail of Charles I). Sir Anthony van Dyck (1599-1641)
Louvre, Paris
 

Other recordings available for download

Westminster Abbey Choir, James O'Donnell (conductor)
The Gesualdo Six, Owain Park (director)

Reviews

‘Anyone familiar with the work of The Tallis Scholars will know exactly what mastery they are capable of as well. Here, as usual, they offer perfect intonation and a clear, incisive texture, resulting in a sound of stunning, unequivocal beauty. The group ranging in size from 10 to 16 singers, delivers an impressive range of dynamics … if you can perform with the sheer expertise and refinement of The Tallis Scholars, there's really little you can do wrong. This disc is eloquent proof of that’ (Gramophone)
Probably composed as a lament for Henry, the young Prince of Wales who died in 1612, Thomas Tomkins’ When David heard was later published by the composer in a set of madrigals, though it was still sung in religious services. Composed in two sections, the anthem’s power lies in its unexpected shift from third-person description to a first-person outpouring of grief—suddenly and shockingly intimate.

The first section describes King David overcome with grief at the loss of his son, Absalom. Tomkins repeats key words with their musical figures to great effect, focusing on short-term interplay between the parts rather than extended polyphonic lines. The second, longer section puts words directly into the anguished father’s mouth. The music gradually becomes more charged: the tessitura rises, the vocal texture thickens and the music convulses with funereal rhythms and heartbreaking chromatic melodies. As the work begins to subside, there are two beautiful arrival points—the first on the dominant, and the last on the major tonic, perhaps indicating the possibility of cathartic release on the other side of pain.

from notes by Owain Park © 2018

Other albums featuring this work

English Madrigals
GIMSE403Gimell (budget price) — Download only
English Motets
Studio Master: CDA68256Studio Master FLAC & ALAC downloads available
Music from the reign of King James I
CDA67858
Renaissance Radio
CDGIM2122CDs for the price of 1 — Download only
Waiting for content to load...
Waiting for content to load...