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Track(s) taken from CDA67658

Ne timeas, Maria

author of text
paraphrase of Luke 1: 30ff

Studio Master FLAC & ALAC downloads available
Studio Master:
Studio Master:
Recording details: August 2007
Wallfahrtskirche, St Wolfgang bei Weitra, Austria
Produced by Stephen Rice
Engineered by Markus Wallner
Release date: May 2008
Total duration: 5 minutes 5 seconds

Cover artwork: Winter by Giuseppe Arcimboldo (1527-1593)
Private Collection, © Agnew's, London / Bridgeman Art Library, London


'The music is beautifully performed and well worth a listen; Monte's settings are full of variety and fruity chromaticisms, and Cinquecento more than does him justice' (Choir & Organ)

'Their performances make it clear that Monte is a composer of distinction' (BBC Music Magazine)

'An enticing snapshot of [Monte's] musical personality. Detailed word-painting and an imaginatively dramatic response to his texts' changing moods are displayed in pieces such as Ad te levavi and Miserere mei' (The Daily Telegraph)

'An impassioned and beautiful performance by Cinquecento … the exceptional blend of voices and unified approach to phrasing augur well for their future as great interpreters of Renaissance music … a marvellous affinity for Monte … they have no need of a conductor to achieve lovely long phrases full of warmth and life … the individual voices are all lovely, and the countertenors float above the texture without dominating it' (Early Music Review)

'An unusually gifted ensemble, both vocally and musically … here is a group whose tone, vocal flexibility, collective and individual musicianship and commitment to their chosen repertoire places them at the very forefront of modern-day specialists in the performance of Renaissance vocal music … a disc which is not only a real treat to the ears but a most valuable and worthwhile exposé of little-known repertoire … unfailingly compelling and absorbing performances … it is the Mass which, at 25 minutes, dominates the disc and shows most obviously the many strengths of this outstanding vocal ensemble … at the start of the Kyrie, for example, we have a layered texutre the subtle balance of which, while seeming entirely natural, must have taken a great deal of effort to achieve. As it unfolds there is the impression of clouds parting to reveal a vast landscape as viewed from a montain top, a sense of spaciousness and a grandeur which is profoundly moving. This is a veritable jewel of a disc' (International Record Review)

'Beautifully blended sound by a young pan-European vocal sextet, rich with character and individuality in rare 16th-century polyphony' (Classic FM Magazine)
Ne timeas, Maria is a paraphrase of the Annunciation story from St Luke’s Gospel. At the beginning of both sections of this motet, Monte combines a long-note figure with a much more active melody, giving the music a sense of the certainty that the angelic visitor imparted, with the joy that Mary expresses as she learns of her divine purpose. The two melodies can thus be seen as bringing together the heavenly with the earthly. Later, Mary asks ‘How can this be, Angel of God, since I have not known a man?’ (‘Quomodo fiet istud, Angele Dei, quia virum in concipiendo non pertuli?’); the voices come together for a rare moment of homophony, as Mary addresses the angel directly, and Monte adds a harmonic twist to underline the significance of the dislocation between the humanly possible and the agency of God.

from notes by Stephen Rice © 2008

Ne timeas, Maria est une paraphrase du récit de l’Annonciation dans l’évangile selon saint Luc. Pour commencer les deux sections de ce motet, de Monte combine une figure de longues avec une mélodie beaucoup plus active, conférant à la musique un peu de la certitude transmise par le visiteur angélique, mêlée à la joie de Marie apprenant son divin dessein. Aussi peut-on voir les deux mélodies comme la réunion du céleste et du terrestre. Plus tard, Marie demande «Comment cela se peut-il, Ange du Seigneur, puisque je n’ai pas connu d’homme?» («Quomodo fiet istud, Angele Dei, quia virum in concipiendo non pertuli?»); les voix se rassemblent pour un rare moment d’homophonie, lorsque Marie s’adresse directement à l’ange, de Monte ajoutant une torsion harmonique pour bien marquer l’ampleur de la cassure entre l’humainement possible et l’action de Dieu.

extrait des notes rédigées par Stephen Rice © 2008
Français: Hypérion

Ne timeas, Maria ist einer Paraphrase der Verkündigungsgeschichte aus dem Lukas-Evangelium. Am Anfang beider Teile dieser Motette, kombiniert Monte eine Figur in langen Notenwerten mit einer wesentlich lebhafteren Melodie, was der Musik ein Gefühl der Gewissheit vermittelt, die der Engel auf seinem Besuch verleiht, sowie die Freude Marias, als sie ihre göttliche Bestimmung erfährt. Die beiden Melodien lassen sich also als Verknüpfung des Himmlischen mit dem Irdischen verstehen. Maria fragt später: „Wie soll das zugehen, da ich doch mit keinem Mann zusammen war?“ („Quomodo fiet istud, Angele Domini, quia virum in concipiendo non pertuli?“), und die Stimmen vereinen sich in einem seltenen Moment der Homophonie, als Maria den Engel direkt anspricht; Monte fügt eine überraschende harmonische Wendung ein, um die Bedeutung der Versetzung zwischen dem menschlich Möglichen und der Einwirkung Gottes zu unterstreichen.

aus dem Begleittext von Stephen Rice © 2008
Deutsch: Renate Wendel

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