Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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Artist Hyperion Records
Cutting, Hugh (countertenor)

Hugh Cutting (countertenor)

Hugh Cutting is currently a member of the Royal College of Music International Opera Studio. He is a former choral scholar of St John’s College, Cambridge, where he graduated with a first class honours degree in Music, and a Vocal Masters graduate of the Royal College of Music where he was a Leverhulme Arts Scholar.

His concert engagements include the English Concert and Kristian Bezuidenhout (Purcell Odes for a Queen), Collegium Vocale Gent and Philippe Herreweghe on tour in Europe (Bach B Minor Mass), Polyphony and Stephen Layton (Bach St John Passion), La Nuova Musica and David Bates (Monteverdi Vespers and motets), the Oxford Bach Soloists (Bach Passions and Cantatas), the RCM Baroque Orchestra and Ashley Solomon (Bach Ascension Oratorio), and A Sephardic Journey in Music at Kettle’s Yard New Music Concert Series, Cambridge.

On the operatic stage, his roles include Arsace (Partenope) for Le Jardin des Voix Academy with Les Arts Florissants and William Christie, Bertarido (Rodelinda) for the RCM International Opera Studio, Handel’s Tolomeo and The Boy/Angel 1 in George Benjamin’s Written on Skin for the RCM Spring Opera Scenes, and Ottone (Monteverdi’s L’Incoronazione di Poppea) and Daemon (Tim Watt’s Kepler’s Trial) at the V&A Theatre, London.

He has recorded Purcell ‘Royal Odes’ with The King’s Consort and Robert King, alongside Iestyn Davies and Carolyn Sampson.


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