Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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In opera, her appearances have included Pamina (Die Zauberflöte) and Susanna (Le nozze di Figaro) at the Metropolitan Opera, New York and Pamina, Marzelline (Fidelio), Micäela (Carmen) and the title roles in Rodelinda and Theodora at the Glyndebourne Festival. Her many roles at the English National Opera have included Contessa (Le nozze di Figaro), the title role in Alcina and Anne Trulove (The Rake’s Progress). At the Welsh National Opera she created the role of Sian in the world premiere of James MacMillan’s opera The Sacrifice and, for the Scottish Opera, she has sung the title role in Semele, Adina (L’Elisir d’Amore), Zerlina (Don Giovanni), Susanna and Ilia (Idomeno). She has also appeared with the Dallas Opera, Stuttgart Opera, Royal Danish Opera, at the Göttingen Handel Festival, at the Théâtre du Châtelet in Paris and on tour with the Salzburg Festival.
Equally in demand on the concert platform, highlights have included appearances with the Boston Symphony Orchestra and Levine, the Berlin Philharmonic with Rattle, the Rotterdam Philharmonic Orchestra with Gergiev, the Dresden Staatskapelle with Ticciati, the Seoul Philharmonic Orchestra with Chung, the Accademia Santa Cecilia with Adès, the London Philharmonic Orchestra with Jurowski, the Budapest Festival Orchestra with Fischer and the New York and Vienna Philharmonic Orchestras with Harding.
For Hyperion Lisa Milne has recorded songs by Haydn, Ireland and traditional Scottish folksongs, as well as Vivaldi and Handel with The King’s Consort.