Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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Her engagements include Maria (West Side Story) under Sir John Eliot Gardiner at the Edinburgh International Festival; Berlioz’ Benvenuto Cellini with the Monteverdi Choir and Gardiner in Versailles, at Musikfest Berlin, the BBC Proms, and the Festival Berlioz La Côte-Saint-André; Despina (Così fan tutte) at Dutch National Opera, Amsterdam; Zerlina (Don Giovanni) and Susanna (The Marriage of Figaro) at La Monnaie in Brussels; Anne Trulove (The Rake’s Progress) with the London Philharmonic Orchestra and Vladimir Jurowski; a CD recording of works by Berio and de Falla with the Basel Symphony Orchestra and Ivor Bolton; Saint-Saens’ Le Martyre de saint Sébastien with the Tonhalle Orchestra Zürich under Matthias Pintscher; Quatre Chants by Gérard Grisey at the Elbphilharmonie Hamburg; Britten’s Les Illuminations at the Bregenz Festival; Claude Vivier’s Lonely Child with the Mahler Chamber Orchestra and Teodor Currentzis in Munich and at the Elbphilharmonie; and Belinda (Dido und Aeneas) at the Festival d’Aix-en-Provence.
Other recent appearances include the title role of Maria Republica by François Paris with Nantes-Angers Opera; the title role of Jennie in the New York premiere of Oliver Knussen’s Higglety Pigglety Pop!; Correspondances by Henri Dutilleux with the American Symphony Orchestra at Carnegie Hall; Lily Briscoe in the world premiere of To The Lighthouse by Zesses Seglias at the Bregenz Festival; Emily Dickinson songs by Robin de Raaff with Het Gelders Orkest and Antonello Manacorda (released on CD by Challenge Records); and the lead role of Eoa in Andrew Norman’s A Trip to the Moon with the Berlin Philharmonic and the London Symphony Orchestra, both conducted by Sir Simon Rattle.