‘[Matthew Rose's] artistry, informed alike by musical and dramatic flair, is every bit the programme's equal, and the playing by Arcangelo is unfailingly fresh, lively and stylish’ (BBC Music Magazine)» More

‘Alina Ibragimova makes a strikingly distinctive contribution, albeit subtle and restrained … outstanding’ (BBC Music Magazine)» More

‘Osborne rises magnificently to the challenge of the Three Piano Pieces, which enjoy enviably lucid and consistently nourishing advocacy … a Schubert anthology that can be enthusiastically recommended’ (Classical Ear)» More

‘This is a spectacular disc from The Tallis Scholars’ (MusicWeb International)» More

‘Many times in the past I’ve thought that the Tallis Scholars had reached their peak but yet again, as when I recently reported on their 200th concert, they have proved that they are still on top form, perhaps even surpassing their previous best’ (MusicWeb International)» More

‘The Takács Quartet has been around for 40 years, a remarkable length of time for any ensemble … they are joined by Canadian pianist Marc-André Hamelin in a superb performance of the Shostakovich Piano Quintet’ (Musical Toronto, Canada)» More

‘Every familiar Tallis Scholars trademark is here, of course—immaculate balance and clarity, perfect pacing and much else besides’ (Early Music Today)» More

‘Isserlis’s touch is largely light and his sound warm, allowing him to bring out metric and rhythmic play without it sounding overly mannered. His exploration of the softer end of the dynamic scale frequently suggests a sense of vulnerability, penetrating to the heart of the more introspective movements’ (Sinfini Music)» More

‘Ibragimova’s playing, from the very first entry, is surprisingly sweet-toned; even in the relatively boisterous first movement the instrument constantly sings, and she’s not afraid to let the sustained notes ring out a little’ (Presto Classical)» More

‘I’ve been impressed by the very high standards of singing and musicianship shown by the Choir of Royal Holloway every time I’ve heard them and this latest disc maintains their very high standards. Clearly Rupert Gough trains this student choir exceptionally well. Their singing has been captured in an excellent recording by one of Hyperion’s best teams’ (MusicWeb International)» More

‘These are wonderful performances … sublime cello and harpsichord’ (The Otago Daily Times, New Zealand)» More

‘Osborne takes a wonderfully clear-sighted, analytical approach which gives the seven late works, as well as the early, often playful variations, great radiance and lyricism’ (The Guardian)» More