'The fresh, unforced quality of these young singers brings a pleasant friction to grave-facing works' (Gramophone)

‘This is an Op 79 to live with and return to—a performance of great integrity and no little affection. Judicious tempos (and tempo relationships betweeen sections) and a due regard for Weber's every request are surprisingly rare on disc’ (Gramophone)

‘This is a splendid and varied disc of Christmas music. The performances by the Choir of Trinity College are superb from start to finish. Not only is the singing immaculate at all times but in the more extrovert numbers the choir demonstrates a palpable sense of enjoyment. No fewer than ten members of the choir feature as soloists, often on more than one occasion. Without exception they deliver their solos marvellously’ (MusicWeb International)» More

„Tchaikovskys ‘Variationen über ein Rokoko-Thema’ sind in einer überaus eleganten und wunderbar differenzierten Interpretation zu hören, in der auch das Deutsche Symphonie-Orchester Berlin unter Stefan Blunier imponiert“ (Pizzicato, Luxembourg)» More

‘Steven Isserlis has been one of the world’s leading cellists for a generation and seems artistically incapable of playing a dud note, let alone giving a dud performance … these two works are ideal companions. Here, Isserlis conveys the tension and neurasthenic anxiety of the outer movements as graphically as anyone’ (Limelight, Australia)» More

‘Scottish pianist Steven Osborne brings his refined artistry to Schubert's intimate solo works on this new release’ (Winnipeg Free Press, Canada)» More

‘This is playing of the highest order. Never clinical or mechanical, Ibragimova's playing is deft and subtly restrained, swelling at times to pulsating and rich expressiveness’ (Classic FM)» More

‘If there is any justice in this world this disc should be a bestseller and I urge readers to invest in it for the repertoire and for the magnificent singing’ (MusicWeb International)» More

‘A revelation of simple beauty’ (The Strad)» More

'Grace Davidson’s pure voice combines well with the Trafalgar Sinfonia’s largely vibrato-less string sound, and the rhythmic vitality and neo-Baroque style of Davis’s writing lend the cycle an easy instant accessibility' (Early Music Review)» More

«Après plusieurs disques admirables, Alban Gerhardt confirme une aisance de premier plan, une soyeuse sonorité et un ton raffiné à la fois plein de fougue et d'élégance» (Diapason, France)» More

«Davantage de frénésie dans l'expression du désir et du tourment aurait, ici et là, provoqué des ruptures plus marquantes. Pas de quoi bouder une superbe leçon de quatuor pour autant» (Diapason, France)» More