'Greek-Australian soprano Elena Xanthoudakis's performances are as clear as a mountain spring' (The Irish Times)

'An off-the-beaten-track album that will please any discriminating canary fanciers' (Classic FM)

'The majority of works on the disc are charmingly lyrical … Elena Xanthoudakis shows a lovely combination of pin sharp accuracy in the more florid passages and a lovely sense of line' (Planet Hugill)

‘Vlaeva plays all this with commanding authority. She can sing, she can charm, she can thunder, and she has a wonderfully innate rubato that suits Bortkiewicz’s idiom to perfection’ (Gramophone)

‘You don’t need to know anything about the background or context, or the depth of research that has gone into it (producing, apparently, three PhD’s) to just enjoy the sound that it makes. And that sound is particularly attractive coming from tenors John Potter, Christopher O’Gorman and Rogers Covey-Crump who, separately and together, produce a well-modulated and exquisitely toned sound’ (AndrewBensonWilson.org)

‘This disc invites us constantly to reassess and realign our expectations … there are obviously considerable technical challenges of which Ozmo’s meticulous execution seems to make light … this recording reveals both the science behind the scale; and the human expression behind the experiment’ (MusicWeb International)» More

‘These are stylish, faithful accounts of these six great quartets, and if you’ve been collecting the London Haydn Quartet’s ongoing Hyperion cycle, you needn’t hesitate’ (Gramophone)

‘Isserlis’s playing of the solo part in the Elgar evokes an elegy for a lost world, while he captures perfectly the bittersweet languor of the Walton’ (The Sunday Times)» More

‘Isserlis’s playing of the solo part in the Elgar evokes an elegy for a lost world, while he captures perfectly the bittersweet languor of the Walton’ (The Sunday Times)» More

«Une excellente manière de (re)-découvrir les trios de Lalo» (Deuzio (l'Avenir), Belgium)» More

‘Hewitt respects his Baroque sense of proportion and scale. She plays a selection of 16 sonatas with expert control—perfect clarity, interplay of parts, clean tone, but also a delight in the music’s quick intelligence and vivacity’ (Financial Times)» More

‘All in all, Isserlis’s is the most trenchant and tasteful account of the Elgar to have come my way since Paul Watkins’s with Andrew Davis and the BBC Philharmonic … an unmissable release’ (Gramophone)