‘It’s given a spirited performance here by Piers Lane and the Goldners’ (The Observer)» More

‘Ozmo's playing is remarkable, and there are moments when it's hard to believe he's not been overdubbed … this is an enchanting, approachable disc’ (TheArtsDesk.com)» More

‘French pianist Cédric Tiberghien has an expressive way with Bartók. Even in music that often uses the piano as a percussive instrument, his attack is never angular or dry; instead, it’s warm, personal and spacious, with a flux to the rhythms that sounds totally organic’ (The Guardian)» More

‘Pianist, conductor and orchestra are all up to the task of bringing out whatever there is in this composer, honestly and never forcing their ways to imagine more than what there already is. Their attention to detail and natural colouring have added to the value of the disc in a modest and yet touching attitude’ (Andante, Turkey)» More

‘Tiberghien is clearly a committed Bartók player, whose fresh ideas are remarkably consistent with the letter and spirit of the Hungarian master. I look forward to hearing more from him—perhaps even a First Piano Concerto?’ (Gramophone)

‘In the third and last of their issues of 13th-century conductus arising from an AHRC research project at the University of Southampton, John Potter, Christopher O’Gorman and Rogers Covey-Crump once again endorse their awesome reputation as unchallenged singers of this repertory’ (Gramophone)

‘This is a stunning recording in so many respects. Attention to dynamic detail, especially the hushed quality of the Magnificat, brings out the ethereal, not to say numinous character of this highly original miniature, imbued as it is with a whiff of French Impressionism’ (Gramophone)

'Här kommer nu Alina Ibragimova med ett album galet virtuos och skruvad fiolkonst … unga rysk-brittiska Ibragimova har precis den fantasi och fräckhet som gör dessa uppvisningsstycken till ett sant lyssnaräventyr' (Dagens Nyheter, Sweden)» More

‘Not only is this CD a further tribute to Stephen Hough’s skills as one of the world’s finest pianists, but also to the standards achieved by the CBSO under Nelsons’ (Classic FM)» More

‘Isserlis gives a deeply touching account, the sort that restores faith in a too-often-performed work, here reclaimed as the masterpiece that it is, personal and private … a release that can be recommended without reservation’ (Classical Source)» More

‘Isserlis gives a deeply touching account, the sort that restores faith in a too-often-performed work, here reclaimed as the masterpiece that it is, personal and private … a release that can be recommended without reservation’ (Classical Source)» More

‘These performances should be heard, there are few—if any—cellists alive today who could match Isserlis’s masterful playing in these works’ (Audiophile)» More