‘The unpredictable qualities of the sometimes wild works are given free rein in these superlative accounts’ (The Northern Echo)» More

‘Highly recommended’ (The Northern Echo)» More

'Davis takes us on a musical journey into these various traditional forms of dance, including Eastern European styles and a Fandango. Well worth discovering' (Classic FM)» More

'A most engaging start to the series: I look forward to the rest of it' (Gramophone)

‘The piano quintets of Różycki and Ignacy Friedman make the perfect late-Romantic pairing, especially when performed by such committed champions of Polish music’ (The Northern Echo)» More

‘Boesch and Vignoles evoke this kaleidoscope of styles with fabulous naturalness and fierce dramatic intensity when needed. They give equally idiomatic performances of the group of four songs by Zemlinsky that are included as a fill-up’ (The Guardian)» More

‘Ludmil Angelov [plays] with enviable fluency and affection … Kiradjiev's partnership in the concerto is ideal. Finely recorded, Hyperion's enterprise remains beyond praise’ (International Piano)» More

‘There is no doubt that Alec Roth’s music, both in this work and in others, whilst refusing to duck the thornier issues that confront us, seems calculated to make us glad to be alive. What more can we ask of art in the 21st century?’ (MusicWeb International)

‘Nizioł and the BBC Scottish Symphony Orchestra under Łukasz Borowicz … have produced a winning disc, warmly recorded and equally warmly recommended’ (MusicWeb International)

'This second offering from Naji Hakim on the robust IV/71 Schuke organ of Bilbao's Palacio Euskalduna features five self-composed pieces inspired by the Lebanese virtuoso's travels. There's much to admire' (Choir & Organ)» More

„Nicht nur das Orchester—auch Cellist Nicolas Altstaedt genießt die Unvorhersehbarkeit dieser Musik: Jede überraschende Wendung kostet er aus, jedes Changieren der Klang-Farbe lässt er schillern. An virtuosen Stellen blitzt Altstaedt als Solist hervor … hier wird miteinander Musik gemacht. Der Solo-Part ist nur ein Bestand-Teil des Ganzen. Und so entstehen herrliche, kammermusikalische Momente, in denen Cello und Orchester tatsächlich miteinander konzertieren“ (Südwestrundfunk, Germany)» More

'Gergiev and the orchestra become one organic unit with an inner logic that this indeed exalted, passionate music demands. A wonderful new issue I’ve enjoyed tremendously' (The Whole Note, Canada)» More