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Track(s) taken from CDA67218

Alleluia, Op 25


Marc-André Hamelin (piano)
Recording details: August 2000
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Tony Faulkner
Release date: June 2001
Total duration: 2 minutes 40 seconds

Cover artwork: The Battle of Lenore, or 'The Dead Go Fast' (1839) by Horace Vernet (1789-1863)
Musée des Beaux-Arts, Nantes / Bridgeman Art Library, London


'Marc-André Hamelin puts us further in his debt with another superbly played disc of Alkan … [the Symphony’s] big-boned, exorbitantly taxing writing draws appropriately stunning pianism from Hamelin' (BBC Music Magazine)

'Hamelin has no equal as an interpreter of Alkan; he inhabits the overheated world of this strange proto-Lisztian figure with a completeness that combines a total mastery of its fearsome technical challenges with an innate understanding of its sometimes elusive emotional content' (The Guardian)

'This quite exceptional recording confirms Marc-André Hamelin as the greatest living exponent of Alkan’s music … spontaneous, inspirational playing in which the architecture of each work, phrasing, astonishing accuracy and articulation, and the full use of the tonal resources of the instrument combine to illuminate these extravagant scores as never before' (International Record Review)

'Ear-boggling … Another self-recommending discographic coup. What next? I'm all ears' (Fanfare, USA)

'Hamelin’s playing is not only mind-blowingly virtuosic but powerfully ardent and touchingly sensitive to boot. Absolutely not to be missed!' (www.bn.com)
Alleluia, Op 25, appeared in 1844 in the Central Bureau of music. Alkan had been back on the scene for about a year and he seems to have written the work at the time of a concert given in the Salons Erard on 20 April 1844. Although it was conceived as a concert piece, Opus 25 takes us into a religious dimension which is ever present in the music of its maker. Let us remember that ‘alleluia’ means ‘Praise ye the Lord’, an exclamation which Alkan joyously highlights in this work which peals with enthusiasm and fervour.

from notes by François Luguenot © 2001
English: Ansy Boothroyd

L’Alleluia op. 25 parut en 1844 au Bureau central de musique; Alkan était revenu à la scène depuis environ un an et il semble avoir créé l’œuvre lors d’un concert donné dans les salons Erard le 20 avril 1844. Bien qu’il soit conçu comme une pièce de concert, l’opus 25 nous ramène à la dimension religieuse omniprésente dans la musique de son auteur. Rappelons qu’«alleluia» signifie «louez Yavhé», exclamation qu’Alkan souligne avec bonheur dans cette œuvre carillonnante pleine d’enthousiasme et de ferveur.

extrait des notes rédigées par François Luguenot © 2001

Alleluia op. 25 kam 1844 beim Bureau central de musique heraus. Alkan beteiligte sich damals seit etwa einem Jahr wieder am Musikbetrieb und scheint das Werk anläßlich eines Konzerts in den Salons Erard am 20. April 1844 geschrieben zu haben. Obwohl es als Konzertstück gedacht war, versetzt uns Opus 25 in eine religiöse Dimension, die im Schaffen seines Urhebers stets präsent war. Erinnern wir uns, daß „Alleluia“ sich als „lobet den Herrn“ übersetzen läßt, ein Ausruf, den Alkan in dieser von Enthusiasmus und Inbrunst widerklingenden Komposition voller Freude hervorhebt.

aus dem Begleittext von François Luguenot © 2001
Deutsch: Anne Steeb/Bernd Müller

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