Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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(If a CD is scheduled for re-issue within the next 3-4 months, the message 'To be reissued on …' will replace the 'Buy Archive CD' button.)
This service offers a production-quality CDR with printed label, inlay (tray) card and, at the minimum, a 2pp booklet (including cover artwork and complete track listing), packaged in a normal jewel case.
In many instances we will provide complete printed booklets, but please note that this is not always the case. Pricing is £13.99 per CD, regardless of the original sale price of the disc(s).
The latest volume in The King's Consort's much-acclaimed Vivaldi series brings two further major sacred works, and two smaller ones. Vivaldi wrote his famous setting of Laudate pueri, RV601, for an outstanding young singer, required to possess not only a huge pair of lungs, but also an enormous vocal range, stretching up to top D. Robert King's soloist is one of the fastest ascending stars in the current musical firmament, the virtuosic Carolyn Sampson: her exuberant, clear-voiced rendition is a true delight. French alto Nathalie Stutzmann, much praised for her performances in volume 6 of the series, sings the equally virtuosic introduction to the Gloria Jubilate, o amoeni chori: that setting of the Gloria (RV 588) is not the much-loved (and much-recorded) one, but a colourful setting reckoned by scholars to be an even finer work. Nathalie Stutzmann also sings the lyrical motet Vestro principi divino (RV 633), and the fine-voiced Choir of The King's Consort complete an outstanding volume with a lively performance of Laetatus sum (RV607).