Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
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Talbot’s diverse catalogue includes a trumpet concerto for Alison Balsom and the Royal Liverpool Philharmonic Orchestra (Desolation Wilderness, 2006); a 60-minute a cappella choral journey along the Camino de Santiago for Nigel Short’s Tenebrae (Path of Miracles, 2005); arrangements of songs by Detroit rock duo The White Stripes alongside existing works for Wayne McGregor’s Chroma (The Royal Ballet, 2006); and, as a co-production between The Royal Ballet and National Ballet of Canada, Christopher Wheeldon’s Alice’s Adventures in Wonderland (2011), the first full-length narrative ballet score to be commissioned by The Royal Ballet in 20 years. A second such collaboration with Wheeldon and the same two companies culminated in the April 2014 premiere of The Winter’s Tale, adapted from Shakespeare’s play.
Talbot has also written the madrigal The Wishing Tree (The King’s Singers, 2002), the orchestral Sneaker Wave (BBC National Orchestra of Wales, 2004) and an arrangement of Purcell’s Chacony in G minor for the BBC Proms (BBC Symphony Orchestra, 2011). Worlds, Stars, Systems, Infinity was commissioned in 2012 for the Philharmonia Orchestra’s interactive digital installation, Universe of Sound, as an addition to Holst’s The Planets. Tide Harmonic (2009), a work for large ensemble, began life as the score for Eau by choreographer Carolyn Carlson and CCN Roubaix. Other significant works written or adapted for dance include Fool’s Paradise (Christopher Wheeldon and Morphoses, 2007), an arrangement of Talbot’s 2002 silent film score The Dying Swan; Genus (Paris Opera Ballet, 2007); Entity (Wayne McGregor and Random Dance, 2008); and Chamber Symphony for Chamber by choreographer Medhi Walerski (Residentie Orkest/Nederlands Dans Theater and Norwegian Opera and Ballet, 2012).
Talbot premiered his first opera, the one-act work Everest, with the Dallas Opera in January 2015, followed in 2016 by his most recent work for the screen, the score for the animated feature film Sing.