‘An outstandingly beautiful setting for five voices [In pace], built around a canon. This is a real discovery, and I can imagine it inspiring many choir directors to include it in their repertoires. The Brabant Ensemble's vibrant sound is ideal for this music. Rice is careful never to allow the upper voices to dominate, with the result that the polyphonic workings of all these pieces are clearly audible, something rather rarer than one might think. This is a highly impressive release’ (International Record Review)

‘The Brabant Ensemble happily bring their familiar virtues to bear in sensitive, transparent performances. Musical adventurers will want this recording to discover a superb composer they may not know … Moulu's idiom is pleasingly inventive and immediately engaging’ (Gramophone)

‘Mouton is given due attention and polish in these performances by The Brabant Ensemble. Such ingeniously structured pieces as the motet Nesciens mater are impressive in their richness of texture, and the main work, the Missa Tu es Petrus, deploys the voices in expressively fluent counterpoint’ (The Daily Telegraph)

‘This outstanding disc by the youthful Brabant Ensemble, accomplished specialists in this repertoire … the Brabant's singing throughout is polished, flexible, lean and—exactly what you want here—transcendent’ (The Observer)

‘The lucidity of both The Brabant Ensemble's singing and Rice's direction is hugely accomplished … [Missa Tu es Petrus is] a work of radiance and clarity … strikingly well sung … Hyperion is still setting the standard in this infinitely rewarding repertory’ (International Record Review)

‘This gorgeous album presents all the works for eight voices which are certainly attributable to Mouton, plus one for five and two for four voices … these pieces are refreshingly airy and transparent. Mouton's exquisite music and The Brabant Ensemble's graceful performances are well-served by Antony Pitts' production and the acoustic of St Michael and All Angels, Oxford … highly recommended’ (BBC Music Magazine)

‘Garnished with a Mozartian eloquence and eliciting from Francis her creamiest sounds …’ (BBC Music Magazine)

'Bausor herself [commands] the performance with her range of colours and liquid virtuosity … an immensely refreshing offering' (Gramophone)

'Charming references to various orchestral sections during the Podesta's Dentro il mio petto (La finta giardiniera) are brought to life affectionately by the OAE. The Viennese operas are represented by Ferrando's two most popular arias, which are sung lithely and played beautifully, especially by the OAE's uncredited woodwind. Irrespective of my benign pondering about alternative choices, this recital is intelligent and refreshing' (Gramophone)

'An English tenor currently of high standing in leading European musical venues, Jeremy Ovenden has planned his richly rewarding Mozart arias album as a double tribute … it's a fiercely taxing selection, requiring by turns agility in florid passagework … for its artistic use, and for the close partnership Ovenden achieves with the OAE under Jonathan Cohen, l have only admiration' (BBC Music Magazine)» More

‘Truly, music of the Gods’ (Daily Express)

‘Winning performances. Excellent recording’ (The Penguin Guide to Compact Discs)