‘In his fascinating booklet note, Isserlis makes a persuasive case for preferring Prokofiev’s 1938 Concerto in E minor to its radical revision (for Rostropovich) as a Symphony-Concerto nine years later, on the grounds that its creator was freer, then, from the constraints of the Soviet Composers’ Union. If the earlier version is no masterpiece—certainly compared with Shostakovich’s great work for Rostropovich of 1959—this performance vindicates that preference’ (The Sunday Times)

‘With this new album Angela Hewitt reminds us once again that her range as an artist goes well beyond Johann Sebastian Bach’ (Musical Toronto, Canada)» More

‘The third volume of Martin Roscoe’s complete Dohnányi solo piano music cycle, and with a superb disc of the two piano concertos … there is a wealth of material to delight and consider’ (Gramophone)

‘The ever-rewarding song partnership of Gerald Finley and Julius Drake are persuasive advocates across the whole spectrum of Lisztian styles’ (Gramophone)

‘A fascinating, I’d say unmissable project’ (Gramophone)

‘The Royal String Quartet have made a good reputation in … their support of modern composers and in particular the avant-garde among their fellow-Poles … Paweł Szymański and Paweł Mykietyn … share a subtle ear for string textures and a capacity for demanding much of their interpreters’ techniques’ (Gramophone)

‘[Gerhardt] is splendidly partnered by the Royal Flemish Philharmonic and their excellent conductor Josep Caballé Domenech … fine notes too by Nigel Simeone make this a decidedly attractive proposition’ (MusicWeb International)» More

‘For this new recording, Hough has made a selection of pieces that encompass every nuance of emotion, showcasing the brilliance of Grieg's writing and the pianist's own mastery of his instrument’ (Classic FM)» More

'Part of the fascination of Thomas Adès’s chamber music is that it intrigues the mind with its science, while transporting the listener to imaginary places…The Calder Quartet perform all three with energy and sensitivity. Highly recommended' (Financial Times)

‘As in the first three issues, the quality continues—if you are collecting, no time to stop!’ (Audiophile Audition, USA)» More

‘[This] skilfully executed and well-produced disc will give listeners a greater appreciation of the breadth and skill of Brumel’s music’ (Limelight, Australia)» More

‘Esfahani does something special and, I think, unique here, so identifying his own maverick intelligence with Rameau’s supple, refined use of wit and irony’ (Limelight, Australia)» More