‘For this new recording, Hough has made a selection of pieces that encompass every nuance of emotion, showcasing the brilliance of Grieg's writing and the pianist's own mastery of his instrument’ (Classic FM)» More

'Part of the fascination of Thomas Adès’s chamber music is that it intrigues the mind with its science, while transporting the listener to imaginary places…The Calder Quartet perform all three with energy and sensitivity. Highly recommended' (Financial Times)

‘As in the first three issues, the quality continues—if you are collecting, no time to stop!’ (Audiophile Audition, USA)» More

‘[This] skilfully executed and well-produced disc will give listeners a greater appreciation of the breadth and skill of Brumel’s music’ (Limelight, Australia)» More

‘Esfahani does something special and, I think, unique here, so identifying his own maverick intelligence with Rameau’s supple, refined use of wit and irony’ (Limelight, Australia)» More

‘Much here is rarified and quite lovely, indicative of a young composer in the thralls of an abundance of talent’ (Audiophile Audition, USA)» More

‘What a force the Trinity choir has become … and the strength-in-depth it has developed, in the first eight years of Stephen Layton's directorship’ (BBC Music Magazine)» More

‘A precisely articulated vividness that works superbly’ (BBC Music Magazine)» More

‘Not only are there no bad Angela Hewitt records, there are no merely mediocre ones … she is a fine Liszt pianist’ (The Buffalo News, USA)» More

‘Gerald Finley offers 17 items in the third volume, singing expertly in four languages … in excellent sound the whole adds up to a delightful sequence of discoveries’ (BBC Music Magazine)» More

‘Peter Phillips’s group, chief specialists in Renaissance vocal music, come to this repertoire with special gifts. The forces are modest, just two voices to a part, perfect for spreading clarity and light … every note, heard singly or in combination, hits home with supreme force … this is a gorgeous and inspiring album’ (The Times)» More

„Prokofievs Cellokonzert sei 'a killer for bows, cellists, orchestras, even audiences! But it’s still a great piece'. Zusammen mit Paavo Järvi hat er es für Hyperion aufgenommen, und die beiden setzen das 35 Minuten lange Werk unter Hochspannung. Was da alles passiert, was an Detailfülle herausgearbeitet wird, ist stupend“ (Pizzicato, Luxembourg)» More