‘What Liebeck seems to be saying is that Bruch needs no additional sweeteners. His playing is unpretentious and strikingly introspective’ (Gramophone)

‘Clean, relatively restrained versions of the sort Liebeck offers here are not so common, and they make a nice counterpoint to the usual stream … this is a release that will appeal to Bruch fans for the two rarities contained therein at the very least’ (AllMusic, USA)» More

‘A fascinating recital, warmly recorded and with absorbing notes from Mendelssohn scholar R Larry Todd’ (Gramophone)

‘Simply … sheer magic of the stunning performance by Hamelin, and the Pacifica Quartet’ (MusicWeb International)» More

‘The disc as a whole is worth hearing for Shelley’ (Gramophone)

‘Shelley, conducting from the keyboard, gets the simple fun to be found in the music, and the result is a fine choice for lovers of the Classical era piano concerto’ (AllMusic, USA)» More

'Mas é igualmente certo que Skidmore e seu Ex Cathedra construíram um CD mosaico representativo, inclusivo e fiel à diversidade da produção colonial brasileira. Em um nível interpretativo de excelência' (Cultura Música, Portugal)

'Das Orchestra of Classical Opera unter der Leitung von Ian Page begleitet recht farbenfroh, ungemein präzise, punktgenau mit den Sängerinnen und Sängern abgestimmt und lotet die musikalischen Stimmungen differenziert aus' (Das Opernglas, Germany)

'This beautifully performed, seraphic seqence, conjuring up a pleasant pre-Christmassy atmosphere, is also a sharp musical demonstration' (The Sunday Times)» More

‘The spirit is lively, the expression spontaneous, the musicianship a delight’ (Financial Times)» More

„Impulsiv, erfrischend und frei von ehrfurchtsvoller Erhabenheit nähern sich Alina Ibragimowa, Jonathan Cohen und das Originalklang-Ensemble Arcangelo diesen Konzerten von Johann Sebastian Bach … ein Highlight auf dem CD-Markt zum Jahresende“ (BR Klassik, Germany)» More

‘Stephen Hough’s juxtaposition of works by both figures in this recital proves to be inspired, not only emphasising the individual strengths of each master, but also reminding us that some of most remarkable music for piano dates from the first 14 years of the 20th century’ (BBC Music Magazine)» More