'Omdat Hewitt een Bachvertolkster is, hoor je goed hoe meesterlijk Beethoven het klassieke contrapunt beheerste, maar ook welke waanzinnige snelheid hij zijn vertolkers oplegt' (Kerk & Leven, Belgium)» More

'Roman Simović has led the LSO for half a dozen years now, and clearly has the orchestra's string section under good control' (Classic FM)» More

‘For imagination, flair, poetic insights and consummate pianism these deeply committed and convincing interpretations set the bar very high. This must be one of the most appealing Chopin discs I’ve ever come across’ (MusicWeb International)» More

‘These performances from the Choir of Westminster Abbey are admirable: beautifully judged in both their balance and shaping’ (MusicWeb International)» More

‘Brabbins characterises each variation most effectively within his chosen tempi. He also employs the optional organ in the finale, which I always enjoy’ (Classic FM)» More

‘In Osborne, we … have a refreshingly uncompromising tour guide, who refuses us faster, louder, more Technicolor interpretations that might sell Feldman more ‘easily’. By taking Feldman at his word, the myriad tolling bells, slow unfoldings and existential questions emerge richer, multifaceted. Hyperion’s recorded sound is typically warm and velvety, giving unusually plush cushioning for the music of these gruff, unpredictable Americans’ (Limelight, Australia)» More

„Das London Haydn Quartet vertritt in seiner Einspielung der sechs Haydn-Streichquartette op. 50 das Ideal eines homogenen, kantenlosen Gesamtklangs“ (Klassik.com, Germany)» More

‘Grammy Award-winning American mezzo Sasha Cooke is right up there, with a voice as rich and responsive as her musicality … Drake’s piano accompaniments do full justice to Liszt’s skilful word painting while possessing a poetry all of its own’ (Limelight, Australia)» More

‘Without making exorbitant claims for Ribera as against the other fine Iberian music of the period on Hyperion recordings, I very much enjoyed the music and the performances’ (MusicWeb International)» More

‘Beethoven’s polyphony is finely realised, each chord vying with its successor for beauty of voicing in a flow that is seamless and serene’ (Gramophone)

‘The church acoustic in the often used St. John the Baptist, Loughton is ideal for this music. This well-filled disc comes with a choir photo, full texts and little cameo drawings of furry wildlife. A must purchase for anyone with any interest in renaissance music’ (MusicWeb International)

‘Balancing what the 18th century dubbed ‘taste’ with vivid moment-by-moment characterisation, Tiberghien and Ibragimova strike me as nigh-on ideal … this ongoing series from the symbiotic partnership of Tiberghien and Ibragimova will be hard to beat’ (Gramophone)