‘Too many pleasures to enumerate. Try for yourself’ (The Guardian)» More

‘I found this disc completely entrancing, especially as Altstaedt, Arcangelo and Jonathan Cohen really bring out the music's variety and vigour, playing with vividness which is completely engrossing’ (Planet Hugill)» More

‘The performance is ideal; Boesch makes an excellent travel guide, his rich baritone is very easy on the ear and he catches the right balance of conversational intimacy and world-weary urbanity in Krenek’s texts while Vignoles’ self-effacing accompaniment provides a subtle background of sensations and tone-painting’ (Limelight, Australia)» More

„Es gibt sicher viel Zärtlichkeit in diesen Interpretationen, wer es etwas emphatischer und leidenschaftlicher mag … Liebeck wird ausgezeichnet und sehr harmonisch begleitet vom ‘BBC Scottish Symphony Orchestra’ unter Martyn Brabbins“ (Pizzicato, Luxembourg)» More

‘An ideal and rewarding programme for Iestyn Davies’s limpid countertenor … his words are invariably clear and he relishes the interplay with the Arcangelo ensemble’s soloists’ (The Sunday Times)» More

‘Counter-tenor Iestyn Davies and the period-instrument Arcangelo conducted by Jonathan Cohen find joyfulness, too, which takes wing wherever uplifting emotions beckon’ (Financial Times)» More

‘The main pleasure in this album is the partnership between the eloquent soloist and the tangy playing of Arcangelo, wonderfully led by Jonathan Cohen, who doubles as a fizzing organist’ (The Times)» More

'Dariescus Spiel ist kristallklar, sehr fein ziseliert und transparent in den Akkorden … und dennoch faszinieren auch das Technische, das Phrasieren, die Akzentuierungen und die ungewohnten Farben' (Pizzicato, Luxembourg)» More

‘[Iestyn Davies'] singing is expressive, nuanced and extremely stylish and the voice falls pleasingly on the ear at all times. He consistently puts across the meaning of the words. The playing of Arcangelo is expert and unfailingly stylish and, as I’ve already commented, one has the sense of chamber music-making’ (MusicWeb International)» More

‘Sensitive, intelligent, and above all completely enthralling’ (The Europadisc Review)» More

‘Howard Shelley is as persuasive a soloist as one could wish for, bringing a limpid delicacy to the slow movements and a tempered brilliance to the outer movements that makes the most of their fantasia-like developments  … ornamentation is discreet and stylish, as are the accompaniments, the London Mozart Players in their element, with the orchestral tuttis always pert and finely shaded’ (The Europadisc Review)» More

‘This final volume maintains to the last the exceptionally high standards of the series. That applies to the performances, the recorded sound and the documentation. I hope it goes without saying that the remark applies particularly to the calibre of the music. This is the end of a highly distinguished contribution to the discography of this great Tudor master. Following the series has been an enriching experience’ (MusicWeb International)