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Track(s) taken from CDA68255

Annunciation

First line:
How shall this be, seeing I know not a man?
composer
1992; SATB soli, SATB divisi (+ organ)
author of text
Gospel according to St Luke

Winchester Cathedral Choir, Andrew Lumsden (conductor), George Castle (organ), Rebecca Bird (soprano), Amelia Bufton Lowe (soprano), Richard Childress (countertenor), Andrew De Silva (bass)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: February 2018
Winchester Cathedral, United Kingdom
Produced by Adrian Peacock
Engineered by Andrew Mellor
Release date: April 2019
Total duration: 5 minutes 39 seconds

Cover artwork: Astraea (c1936). Arild Rosenkrantz (1870-1964)
Courtesy of Peter Nahum at The Leicester Galleries, London / Private Collection
 

Other recordings available for download

St Paul's Cathedral Choir, John Scott (conductor)

Reviews

‘This is a showroom demonstration of just what boy and girl choristers singing together can achieve. A truly magnificent birthday present’ (Gramophone)

‘This recording is a testimony to John Tavener’s long association with the choir of Winchester Cathedral, who perform a selection of pieces from throughout the composer’s career with unerring accuracy and sublime musicality. A bonus is the personal dimension achieved by the inclusion of a booklet note by the choir’s former director, Martin Neary’ (Gramophone)

‘Excellent performances by Andrew Lumsden's forces, an atmospheric recording, with a fine sense of perspective in the Cathedral acoustic, and helpful notes by Martin Neary, a former Winchester organist and a friend of the composer, together make this a highly recommendable single-disc survey of Tavener's church music’ (BBC Music Magazine)
PERFORMANCE
RECORDING

‘The recorded sound effectively captures not just the Winchester ambience but the timeless beauty of Tavener's music’ (BBC Record Review)

‘A marvellously worthwhile anthology, and a recording that should be in everyone’s collection. Andrew Lumsden’s singers are deserving of the highest approbation. Interpretatively inspirational and technically brilliant’ (Cathedral Music)» More

‘The Winchester team is an experienced one and they do this music proud. I should also recognize the idiomatic and appropriate organ playing of George Castle. The excellent booklet notes are by Martin Neary, who was himself at one time organist and director of music at Winchester, and whose understanding of Tavener’s music was commended by the composer. The cathedral is vast, but the engineers have secured good sound. Full texts are included. Even if you already have discs of Tavener’s choral music you should consider this’ (MusicWeb International)» More

‘Under Lumsden’s inspired direction, the singing amplifies the certainties of Tavener’s faith, his unshakable belief speaking volumes (almost literally) in the arresting organ entry of God is with us, with a text adapted for Christmas Eve from the Orthodox Great Compline. Its emotional impact from boys and men is totally convincing, as is the authoritative singing of William Kendall … a great job also from engineer Andrew Mellor who has harnessed the Cathedral’s acoustic to enhance the music’s simultaneous momentum and stillness, chords floating around untethered and timeless, an intensity truly mesmerising … the dancing rhythms of ‘O Mary Theotokos’ bring a final demonstration of this Choir’s empathy with a composer who has immeasurably enriched Winchester Cathedral’s spiritual life’ (Classical Source)» More

„Hyperion Records, für seine akustisch exzellenten Aufnahmen zu Recht berühmt, übertrifft sich hier gleichsam noch einmal selbst … natürlich darf auf einer Tavener-CD, die «Angels» heißt, sein wohl bekanntestes Lied «Song for Athene» nicht fehlen … und das … sogar Steine zum Weinen bringen kann“ (Chorzeit, Germany)» More
PERFORMANCE
RECORDING
The music of John Tavener (b1934) has featured in Volume III of this series of The English Anthem. Tavener converted to the Orthodox faith in 1977. Mysticism, an attitude of pure contemplation of the Divine (often associated with orthodox religion), finds a superb vehicle for expression in the almost static nature of Tavener's music. This particular work, Annunciation, was commissioned by The Musicians' Benevolent Fund to celebrate the Festival of St Cecilia and was first performed on 25 November 1992 in Westminster Abbey by the joint choirs of Westminster Abbey, St Paul's Cathedral, Westminster Cathedral and HM Chapel Royal. The composer has provided the following note with this work:

The text of Annunciation is taken from St Luke's Gospel. The words of the Archangel are sung by the main choir, and should build up to a thunderous, awesome theophany. The response of the Mother of God, 'How shall this be ?', comes from a quartet of solo voices set apart, preferably raised in a gallery. By this I have tried to portray her humility, terror and total acceptance, without which the Incarnation could never have taken place.

from notes by William McVicker © 1995

Other albums featuring this work

The English Anthem, Vol. 5
CDA66758Download only
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