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Track(s) taken from CDA68255

Song for Athene

First line:
Alleluia
composer
1993
arranger
arrangement for S solo, SSA + organ
author of text
Hamlet
author of text
Orthodox Funeral Service

Winchester Cathedral Choir, Andrew Lumsden (conductor), George Castle (organ), Angus Williams (treble)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: February 2018
Winchester Cathedral, United Kingdom
Produced by Adrian Peacock
Engineered by Andrew Mellor
Release date: April 2019
Total duration: 5 minutes 52 seconds

Cover artwork: Astraea (c1936). Arild Rosenkrantz (1870-1964)
Courtesy of Peter Nahum at The Leicester Galleries, London / Private Collection
 

Reviews

‘This is a showroom demonstration of just what boy and girl choristers singing together can achieve. A truly magnificent birthday present’ (Gramophone)

‘This recording is a testimony to John Tavener’s long association with the choir of Winchester Cathedral, who perform a selection of pieces from throughout the composer’s career with unerring accuracy and sublime musicality. A bonus is the personal dimension achieved by the inclusion of a booklet note by the choir’s former director, Martin Neary’ (Gramophone)

‘Excellent performances by Andrew Lumsden's forces, an atmospheric recording, with a fine sense of perspective in the Cathedral acoustic, and helpful notes by Martin Neary, a former Winchester organist and a friend of the composer, together make this a highly recommendable single-disc survey of Tavener's church music’ (BBC Music Magazine)
PERFORMANCE
RECORDING

‘The recorded sound effectively captures not just the Winchester ambience but the timeless beauty of Tavener's music’ (BBC Record Review)

‘A marvellously worthwhile anthology, and a recording that should be in everyone’s collection. Andrew Lumsden’s singers are deserving of the highest approbation. Interpretatively inspirational and technically brilliant’ (Cathedral Music)» More

‘The Winchester team is an experienced one and they do this music proud. I should also recognize the idiomatic and appropriate organ playing of George Castle. The excellent booklet notes are by Martin Neary, who was himself at one time organist and director of music at Winchester, and whose understanding of Tavener’s music was commended by the composer. The cathedral is vast, but the engineers have secured good sound. Full texts are included. Even if you already have discs of Tavener’s choral music you should consider this’ (MusicWeb International)» More

‘Under Lumsden’s inspired direction, the singing amplifies the certainties of Tavener’s faith, his unshakable belief speaking volumes (almost literally) in the arresting organ entry of God is with us, with a text adapted for Christmas Eve from the Orthodox Great Compline. Its emotional impact from boys and men is totally convincing, as is the authoritative singing of William Kendall … a great job also from engineer Andrew Mellor who has harnessed the Cathedral’s acoustic to enhance the music’s simultaneous momentum and stillness, chords floating around untethered and timeless, an intensity truly mesmerising … the dancing rhythms of ‘O Mary Theotokos’ bring a final demonstration of this Choir’s empathy with a composer who has immeasurably enriched Winchester Cathedral’s spiritual life’ (Classical Source)» More

„Hyperion Records, für seine akustisch exzellenten Aufnahmen zu Recht berühmt, übertrifft sich hier gleichsam noch einmal selbst … natürlich darf auf einer Tavener-CD, die «Angels» heißt, sein wohl bekanntestes Lied «Song for Athene» nicht fehlen … und das … sogar Steine zum Weinen bringen kann“ (Chorzeit, Germany)» More
PERFORMANCE
RECORDING
Four months earlier, at the funeral of Princess Diana in Westminster Abbey, Song for Athene had made a huge impact, sung as the pall-bearers carried the Princess’s coffin to the West Door. It was composed in 1993, in memory of the young Greek actress, Athene Hariades, who had been killed in a cycling accident; the striking combination of texts had come from John’s spiritual adviser and mentor, the Orthodox nun Mother Thekla. Here is what the Times critic, Richard Morrison, wrote after the first performance in January 1994 at the BBC Ikons Festival celebrating John’s fiftieth birthday: ‘Tavener has set lines from Hamlet and from the Orthodox funeral service. The voices rise and fall over a drone. Then at the end, they turn majestically and movingly from minor to major. As in Bach’s ‘Crucifixus’, the meaning is unmistakable—something poignant, beautiful and truthful is expressed in fewer notes than the average pop song.’ The arrangement for upper voices and organ on this recording is by Barry Rose, who also arranged the next two pieces on the album.

from notes by Martin Neary © 2019

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