Welcome to Hyperion Records, a British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from SIGCD117

String Quartet No 2 'Company'

composer
1983

The Smith Quartet
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: July 2007
St Paul's Church, Deptford, London, United Kingdom
Produced by Tim Oldham
Engineered by Alexander Van Ingen
Release date: March 2008
Total duration: 8 minutes 38 seconds
 

Reviews

'If success was measured according to output and sales units alone, Glass would be head and shoulders above his contemporaries … played with characteristic precision and projection by the ensemble' (Gramophone)

'Glass weaves filigree tapestries given polished, finely detailed airings by the virtuoso Brits' (The Observer)

'How long before the Kronos is labelled the 'American Smith Quartet'? … they are ahead of the curve at generating new repertoire and taking the experimental back-catalogue seriously' (Classic FM Magazine)
It was some 17 years before Glass felt the need to return to the quartet form. The intervening two decades witnessed the perfecting of his style, his ‘music with repetitive structures’, through compositions spanning the musical spectrum. There were significant operas (Einstein on the Beach, Akhnaten and Satyagraha), music for dance, film, theatre and, perhaps most notably, an important body of work for his Philip Glass Ensemble. The String Quartet No 2, ‘Company’ (1983) was written as four separate musical interpolations for Samuel Beckett’s prose-poem, Company. As often with Beckett the themes of death, solitude and the nature of identity loom large—the opening line setting the theme, ‘A voice comes to one in the dark. Imagine.’ Glass’s music reflects these themes in music of often surprisingly intense lyricism. There is no real sense of Beckett’s own insistence—emotional angst, but instead a beautiful wistfulness that is a serious counterpart to the text and also serves the piece well in its abstraction as a standalone work.

from notes by Signum Classics © 2007

Waiting for content to load...
Waiting for content to load...