An auspicious debut recording from the Amsterdam Piano Trio—pianist Andrey Gugnin, violinist Anna Lipkind-Mazor and cellist Dmitry Prokofiev—pairs two giants of the late nineteenth-century chamber repertoire: Tchaikovsky’s Piano Trio of 1882 and Schoenberg’s Verklärte Nacht, the latter heard here in the arrangement for piano trio by Schoenberg specialist Henk Guittart. It is fascinating to listen as these vibrant performers draw a line of musical continuity between the great Russian Romantic and the pioneering Viennese modernist: we’ve made it our Record of the Month.

Our beloved Romantic Piano Concerto series has come to an end—235 works for piano and orchestra later, and with a sheaf of awards to its name. Now we’re collecting all 87 of the original volumes, plus a bonus handful of additional albums which fully round out this remarkable compendium, into two fifty-CD sets. The first box, The Hyperion Romantic Piano Concerto Edition – 1991-2007, presents the first 43 volumes from the original series, plus concertos by Rachmaninov, Scriabin and others which were recorded over the same period: an unbeatable treasure trove of pianistic marvels.

Idith Meshulam Korman has recorded The complete keyboard works of Marianne Martínez (or Marianna Martines—different spellings abound), the Oxford Philharmonic Orchestra and conductor Cayenna Ponchione-Bailey joining for the four concertos. This is music very much in the vein of Mozart (the two were close confidants) from a composer held in the highest contemporary regard. Also on Signum Classics, Richard Boothby presents a further instalment of Music to hear – Music for lyra viol by Alfonso Ferrabosco—a generous helping of galliards, corantos and the like, some with the additional viol of Sam Stadlen.

Finding light is a new album from conductor Irene Messoloras and her hand-picked choir Meridian. Their programme on Signum Classics focuses on those choral works—predominantly modern ones—which have that quality of meditative stillness which many today find so lacking in the world.

Paul Watkins and Alessio Bax—a pairing to be envied if ever there was one—have recorded the Beethoven Cello Sonatas, five seminal works which span much of their composer’s creative life. Watkins performs on a cello made by Montagnana and Goffriller circa 1730, and this new Signum Classics album comes with a detailed note on the concertos from Misha Donat.

An auspicious debut recording from the Amsterdam Piano Trio—pianist Andrey Gugnin, violinist Anna Lipkind-Mazor and cellist Dmitry Prokofiev—pairs two giants of the late nineteenth-century chamber repertoire: Tchaikovsky’s Piano Trio of 1882 and Schoenberg’s Verklärte Nacht, the latter heard here in the arrangement for piano trio by Schoenberg specialist Henk Guittart. It is fascinating to listen as these vibrant performers draw a line of musical continuity between the great Russian Romantic and the pioneering Viennese modernist: we’ve made it our Record of the Month.

Our beloved Romantic Piano Concerto series has come to an end—235 works for piano and orchestra later, and with a sheaf of awards to its name. Now we’re collecting all 87 of the original volumes, plus a bonus handful of additional albums which fully round out this remarkable compendium, into two fifty-CD sets. The first box, The Hyperion Romantic Piano Concerto Edition – 1991-2007, presents the first 43 volumes from the original series, plus concertos by Rachmaninov, Scriabin and others which were recorded over the same period: an unbeatable treasure trove of pianistic marvels.

Idith Meshulam Korman has recorded The complete keyboard works of Marianne Martínez (or Marianna Martines—different spellings abound), the Oxford Philharmonic Orchestra and conductor Cayenna Ponchione-Bailey joining for the four concertos. This is music very much in the vein of Mozart (the two were close confidants) from a composer held in the highest contemporary regard. Also on Signum Classics, Richard Boothby presents a further instalment of Music to hear – Music for lyra viol by Alfonso Ferrabosco—a generous helping of galliards, corantos and the like, some with the additional viol of Sam Stadlen.

Finding light is a new album from conductor Irene Messoloras and her hand-picked choir Meridian. Their programme on Signum Classics focuses on those choral works—predominantly modern ones—which have that quality of meditative stillness which many today find so lacking in the world.

Paul Watkins and Alessio Bax—a pairing to be envied if ever there was one—have recorded the Beethoven Cello Sonatas, five seminal works which span much of their composer’s creative life. Watkins performs on a cello made by Montagnana and Goffriller circa 1730, and this new Signum Classics album comes with a detailed note on the concertos from Misha Donat.

An auspicious debut recording from the Amsterdam Piano Trio—pianist Andrey Gugnin, violinist Anna Lipkind-Mazor and cellist Dmitry Prokofiev—pairs two giants of the late nineteenth-century chamber repertoire: Tchaikovsky’s Piano Trio of 1882 and Schoenberg’s Verklärte Nacht, the latter heard here in the arrangement for piano trio by Schoenberg specialist Henk Guittart. It is fascinating to listen as these vibrant performers draw a line of musical continuity between the great Russian Romantic and the pioneering Viennese modernist: we’ve made it our Record of the Month.

Our beloved Romantic Piano Concerto series has come to an end—235 works for piano and orchestra later, and with a sheaf of awards to its name. Now we’re collecting all 87 of the original volumes, plus a bonus handful of additional albums which fully round out this remarkable compendium, into two fifty-CD sets. The first box, The Hyperion Romantic Piano Concerto Edition – 1991-2007, presents the first 43 volumes from the original series, plus concertos by Rachmaninov, Scriabin and others which were recorded over the same period: an unbeatable treasure trove of pianistic marvels.

Idith Meshulam Korman has recorded The complete keyboard works of Marianne Martínez (or Marianna Martines—different spellings abound), the Oxford Philharmonic Orchestra and conductor Cayenna Ponchione-Bailey joining for the four concertos. This is music very much in the vein of Mozart (the two were close confidants) from a composer held in the highest contemporary regard. Also on Signum Classics, Richard Boothby presents a further instalment of Music to hear – Music for lyra viol by Alfonso Ferrabosco—a generous helping of galliards, corantos and the like, some with the additional viol of Sam Stadlen.

Finding light is a new album from conductor Irene Messoloras and her hand-picked choir Meridian. Their programme on Signum Classics focuses on those choral works—predominantly modern ones—which have that quality of meditative stillness which many today find so lacking in the world.

Paul Watkins and Alessio Bax—a pairing to be envied if ever there was one—have recorded the Beethoven Cello Sonatas, five seminal works which span much of their composer’s creative life. Watkins performs on a cello made by Montagnana and Goffriller circa 1730, and this new Signum Classics album comes with a detailed note on the concertos from Misha Donat.