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As we left the theatre we met the poet Körner with whom I was on very friendly terms. I presented the little composer to him, of whom he had already heard a certain amount from me. He was glad to make his acquaintance and encouraged Schubert to live for art, which would make him happy.
Later that evening in a restaurant K”rner and Schubert almost got involved in a brawl in defence of the singers Milder and Vogl who were being insultingly discussed at the next table. Like the young Schumann's one encounter with Heine, this evening together was sufficient to make the composer fall under the spell of the poet. On that night in Spaun's and K”rner's company, Schubert must have felt very much an artist, part of a community with shared ideals. His determination to resist parental pressure to stay in schoolteaching was strengthened by the youg poet's advice. K”rner was killed in action at Gadebusch, a skirmish in the Wars of Liberation against Napoleon, in August 1813. He left five tragedies, five comedies, short stories and much poetry including the patriotic poems Leyer und Schwert, the impact and popularity of which were much enhanced by the manner of his death.
from notes by Graham Johnson © 1989