Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDH55011
Recording details: October 1991
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Arthur Johnson
Engineered by Antony Howell
Release date: April 1993
Total duration: 25 minutes 14 seconds

'An outstanding Helios CD … singing and playing of the highest order' (Gramophone)

'A superb Schumann disc' (The Penguin Guide to Compact Discs)

'Margaret Price sings consistently like an angel here, though it probably needs a human to inject such variety and ardour as we find throughout this recital … Price and Johnson are in wonderful accord, and in a year already notable for Lieder recitals this will take a high place' (Classic CD)

Liederkreis, Op 39
composer
1-20 May & 22 June 1840
author of text
from Viel Lärmen um nichts, Ahnung und Gegenwart, and Dichter und ihre Gesellen

Other recordings available for download
Kate Royal (soprano), Graham Johnson (piano)
Gerald Finley (baritone), Julius Drake (piano)
Introduction  EnglishFrançaisDeutsch
In early May 1840—the ‘wunderschöne Monat’ that also saw the creation of Dichterliebe—Schumann turned to the quintessential poet of German Romanticism, Joseph, Freiherr von Eichendorff (1788–1857), for another ‘song circle’. In a letter to Clara he called the twelve songs that make up the Liederkreis, Op 39 ‘my most romantic music ever, with much of you in it, dearest Clara’. Drawing variously on poems from Eichendorff’s stories Viel Lärmen um nichts (‘Much ado about nothing’) and Ahnung und Gegenwart (‘Present and Presentiment’), and his novel Dichter und ihre Gesellen (‘Poets and their companions’), these twelve vignettes are linked by recurrent, typically Eichendorffian themes—loss and loneliness, nocturnal mystery and menace, memory and antiquity, wistful reverie and rapturous soaring—and by thematic cross-references, usually veiled, occasionally explicit, as with the use of the same motif at the start of No 7 (‘Auf einer Burg’) and No 8 (‘In der Fremde’). With the Eichendorff Liederkreis Schumann virtually invented a new type of song: the romantic night-piece, serene, ecstatic or ominous.

The opening ‘In der Fremde’ is typical in its expression of estrangement and nostalgia amid a dark, woodland landscape. Schumann’s tune has a haunting pathos, discreetly heightened by its gently rippling arpeggio accompaniment. The German forest is at its most sinister in ‘Waldesgespräch’ (No 3), a variation on the Lorelei myth, with its dramatically timed moment of recognition and ironically echoing hunting-horns (dying away eerily in the piano postlude), and again in ‘Zwielicht’ (No 10). Here the keyboard part coils around the voice like a tortuous Bach three-part invention, with an oppressive chromaticism that threatens to dissolve familiar tonal outlines. ‘Auf einer Burg’ evokes a mysterious antiquity with its gloomy, incantatory vocal line, modal harmonies and solemn touches of canonic imitation. In the penultimate song, ‘Im Walde’, the wedding and the hunt, evoked as if through a gauze in Schumann’s music, suddenly fade, leaving only the sighing forest and the poet’s nameless fears amid the darkening inner and outer landscapes.

At the other end of the spectrum, ‘Intermezzo’ (No 2) is an increasingly impassioned avowal of love to Clara, growing from a falling five-note figure Schumann often associated with her. ‘Die Stille’ is a more secretive—and feminine—confession (the German title means both ‘stillness’ and ‘the silent girl’), with a sudden soaring at ‘Ich wünscht’, ich wär’ ein Vöglein’. ‘Schöne Fremde’ (No 6) and ‘Frühlingsnacht’(No 12), with its evanescent wisps of countermelody and triumphant final ‘sie ist Dein!’, are shimmering visions of physical and spiritual elation, while ‘Mondnacht’ (No 5) is perhaps the world’s loveliest vocal nocturne. Here Schumann magically delays the resolution on to the tonic chord until ‘Die Erde’ in bar ten, the moment of mystical-erotic union between sky and earth, Robert and Clara.

from notes by Richard Wigmore © 2012


Other albums featuring this work
'Schumann: Liederkreis Opp 24 & 39' (CDA67944)
Schumann: Liederkreis Opp 24 & 39
MP3 £5.25FLAC £5.25ALAC £5.25Buy by post £5.25 Studio Master: FLAC 24-bit 96 kHz £7.90ALAC 24-bit 96 kHz £7.90 CDA67944  Please, someone, buy me …   Studio Master FLAC & ALAC downloads available
'Schumann: The Complete Songs' (CDS44441/50)
Schumann: The Complete Songs
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44441/50  10CDs Boxed set (at a special price)  
'Schumann: The Complete Songs, Vol. 10 – Kate Royal' (CDJ33110)
Schumann: The Complete Songs, Vol. 10 – Kate Royal
'Brahms & Schumann: Voices of the Night' (CDA66053)
Brahms & Schumann: Voices of the Night
'The Essential Hyperion, Vol. 1' (HYP12)
The Essential Hyperion, Vol. 1
This album is not yet available for download HYP12  Super-budget price sampler — Deleted  

Show: MP3 FLAC ALAC
   English   Français   Deutsch