Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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from notes by Leslie Howard © 1996
extrait des notes rédigées par Leslie Howard © 1996
Français: Hypérion
aus dem Begleittext von Leslie Howard © 1996
Deutsch: Hypérion
![]() ‘I suggest you look in this particular disc for something of Lamond’s greatness’ (MusicWeb International)» More |
![]() ‘Listening to Joyce is strangely addictive. One cannot wait, as it were, to read the next chapter. She shares with Kreisler and Tauber the same unteac ... ‘The quality that comes across in these performances is the sheer joy of playing. Joyce possessed a formidable technique and an interpretative mind th ...» More |
![]() This double album draws together for the first time all the published 78-rpm recordings made by Brazilian Guiomar Novaes. She is better known today for her later recordings from the LP era, but these early miniatures, recorded between 1919 and 194 ...» More |
![]() Leslie Howard’s recordings of Liszt’s complete piano music, on 99 CDs, is one of the monumental achievements in the history of recorded music. Remarkable as much for its musicological research and scholarly rigour as for Howard’s Herculean piano p ...» More |
![]() 'The fifth and final volume of Simon Barere’s live Carnegie Hall performances includes a fascinating, typically vertiginous performance of Rachmaninov ...» More |
![]() Vassily Sapellnikoff (1868–1941) and Xaver Scharwenka (1850–1924) were among the earliest generation of pianists to record, and on this ground alone it is surprising that their complete recordings have never before been transferred for modern list ...» More |
![]() Anatole Kitain (1903–1980) was an exact contemporary and fellow pupil of Vladimir Horowitz in Kiev, where he studied, as did the slightly older Simon Barere, with Felix Blumenfeld. All three developed fabulous techniques and were romantic pianists ...» More |
![]() Egon Petri (1881-1962) studied with Busoni and was perhaps his greatest disciple. In his fusion of intellect with an astonishing virtuoso technique he echoed his master and gives us today the clearest idea of Busoni’s own legendary pianism.» More |
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![]() ‘If [Irene Scharrer]'s remembered from her recordings it’s really only the one, and that was ironically the last she made, Litolff’s Scherzo from the ...» More |
![]() ‘The virtuosity with which all this is despatched is exceptional’ (BBC Record Review) ‘There are few living pianists who can match him in dexterity, power and daring. For heart-thumping virtuosity Hamelin is in a class of his own’ (Clas ...» More |
![]() 'Excellently transferred from 78s dating from 1939-59, this selection ranges from Liszt’s early exuberance to the grim-faced austerity of his final ye ... ![]() |
![]() In his later years, Shura Cherkassky (1909-1995) was regarded as one of the last ‘Romantics’—a throwback to the so-called ‘golden age’ of pianism in the first decades of the 20th century. As a pupil of Josef Hofmann, he had an impeccable pedigree, ...» More |
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