‘Hewitt's detailed and helpful sleeve notes demonstrate her superb attention to the details of every moment of these four works, and the formidable intelligence with which she tackles them’ (Classic FM)» More

‘The Orlando Consort take the brave step of focusing almost exclusively on [Compère's] songs [which] are … very exposing of a singer’s technique: there really is nowhere to hide … this project is a confident affirmation that all-vocal recordings of 15th-century songs are well worth making’ (Gramophone)

‘Full-blooded, melodious, Romantic stuff, expertly and sensitively performed and definitely worth getting to know’ (Presto Classical)» More

‘Cinquecento, pure-toned but never over-polished, are willing to take risks, which gives this ethereal music energy and life’ (The Observer)» More

'A big, deeply reflective statement … Pappano, the baritone Markus Butter and the London Symphony Orchestra and Chorus perform it brilliantly' (The Sunday Times)» More

„Warum gerade ein englisches Label diese Konzerte mitgeschnitten hat, bleibt ein Rätsel, wichtig ist nur, DASS hyperion es getan hat, denn das Ergebnis ist grandios“ (Rondo, Germany)» More

«Les Four Motets de Copland sont la grande découverte d’un CD remarquable et précieux pour les amateurs, capté dans une vaste acoustique d’église» (Le Devoir)» More

‘It’s the slighter sets by Prokofiev and Bartók … that show off Garrick Ohlsson’s playing most convincingly. His powerful technique motors through Prokofiev’s four miniatures with tremendous confidence’ (The Guardian)» More

‘By prioritizing mood and texture over technical display Ohlsson releases the musical value of these fascinating pieces’ (Classical Ear)» More

‘Although this disc was released in early May I found myself listening to this music at Petertide, that is the period or weekend around the feast of St. Peter on 28 June … the music is fascinating in many ways and I shall return to it again and soon’ (MusicWeb International)

‘This latest release has been imaginatively put together, with two big romantic cello sonatas framing one of Stephen Hough’s own compositions … with each new recording this illustrious duo go from strength to strength’ (MusicWeb International)» More

‘Both [concertos] fall attractively within the rubric of Hyperion's successful Romantic Piano Concertos series, of which this is a remarkable 65th volume’ (The Sunday Times)» More