'Like most judicious entertainment for children, Todd's opera is nimble on its feet (69 minutes) and relying on quick changes of mood, colour and content to stop young minds from wandering … every number is different, ranging from soprano coloratura fireworks for a singing bottle … to—by far the best—the Caterpillar's Wonderland Blues, which Keel Watson turns into a showpiece cameo' (Gramophone)

‘Alina Ibragimova is one of today's most unassuming virtuoso violinists, her approach to Ysaÿe's sonatas offering a perfect foil to those performances seeking to thrill with a show of outgoing brilliance’ (The Strad)» More

‘There have been a number of recommendable traversals of late and Alina Ibragimova’s disc certainly falls into that category. She is a technically adroit performer, interpretatively slightly watchful rather than resonant, but inclined to risk very daring dynamics, and architecturally wholly on top of the six sonatas’ (MusicWeb International)» More

‘For the Apollonian virtues of grace and clarity, though, she is an ideal guide … Hewitt’s intellectual grip never wavers’ (Financial Times)» More

'This work … is a fine achievement, and simply adds to Bob Chilcott’s profile as one of the most brilliant composers of vocal music around today. He is also a major ambassador for the simple undying joy of singing' (MusicWeb International)» More

‘Martin Roscoe captures every nuance with consummate virtuosity and a flair for negotiating the shifts in mood that characterise Dohnányi’s style. The interpretation is romantic but never overdone, painting in shades that one moment suggest drama, the next serenity. A fine performance of captivating music’ (Limelight, Australia)» More

‘The Orlando Consort perform these works with matchless purity of tone and clarity of diction’ (Limelight, Australia)» More

‘Mestre's playing is limpid and convincing, with Martyn Brabbins and the BBC Scottish Symphony Orchestra giving discreet support’ (BBC Music Magazine)» More

‘Here is a stimulatingly well-contrasted programme. Each sonata benefits from Angela Hewitt's beautifully clean-cut pianistic command, in which every score marking is placed within a precisely articulated interpretative overview’ (BBC Music Magazine)» More

‘With just one voice to a part, polyphonic lines are sharply etched and perfectly weighted throughout, rhythms are buoyant and full of momentum. Words cut easily through the texture, throwing into high relief the contrasts and colourful word painting that characterise Lassus's style’ (BBC Music Magazine)» More

‘This is a rare opportunity to judge for yourself if Tomášek is indeed unjustly neglected … his delightful, often salonesque, piano writing is palpably enjoyed by Roger Vignoles, and Renata Pokupić's winey mezzo whose slightly accented German and rolled 'r's has an apt flavour and timbre, especially for the six Bohemian songs’ (BBC Music Magazine)» More

„Barbara Haveman ist … eine der führenden Interpretinnen, wenn es um zeitgenössische Musik geht. Mit ihrem flexiblen, durch alle Extremlagen gleichmäßig geführten Sopran und dem aparten Timbre ist sie der Fixstern dieser Einspielung“ (Stuttgarter Zeitung, Germany)» More