'Når Ibragimova er på toppen, er hun sprudlende' (Jyllands-Posten, Denmark)

‘Recording quality … is excellent, and auditioned via the 24/96 high-resolution download, the stereo imaging is very well focused and realistic … the booklet, with its attractive cover illustration, has a thoroughly good essay by Nigel Simeone. Very highly recommended, especially, as the reader will guess, for Bernard Herrmann’s Souvenirs de voyage!’ (Audiophile Audition, USA)» More

«Le talent éprouvé du duo Isserlis/Hough n'a … qu'a sceller ce long dialogue entre le violoncelle et le piano dans le respect des accents de chaque compositeur» (L'Echo, Belgium)» More

‘They are sung by three excellent singers. Soprano Ruby Hughes and tenor Ben Johnson, both young and fresh-voiced—Johnson won the Audience Prize at the Cardiff Singer of the World in 2013 and is certainly one to watch … baritone Günter Haumer, Viennese born, is a deeply experienced singer and his expressive delivery of mainly the more dramatic songs sometimes makes them seem better than they are … technically it is up to the high expectations we have of each new issue from that company and the documentation is a model of its kind’ (Music, USA)» More

‘The four, bright-voiced, male singers are quick to draw on the contrasts in chansons like the folksy Ung franc archier and seductive Vous me faites morir d’envie’ (Financial Times)» More

„Martin Roscoe ist den Klavierwerken Ernö Dohnányis zwar technisch vollauf gewachsen, hätte aber vor allem im dynamischen Bereich noch mehr Wirkung erzielen können“ (Klassik.com, Germany)» More

‘Key to The Orlando Consort’s success is the keen vocal blend between all four voices, aided by the wonderfully pure and clean tone of countertenor Matthew Venner, whose voice is always fully integrated with, rather than sitting on top of, the voices of his colleagues’ (AndrewBensonWilson.org)

‘Dark textures loom in Stephen Hough's Sonata for Cello and Piano left hand’ (Classical MPR, USA)» More

‘We owe a debt of gratitude to The Orlando Consort for bringing us this pleasing, interesting and innovative music’ (BBC Music Magazine)» More

‘This latest offering from The Orlando Consort is very worthwhile for the gaps which it fills in the catalogue, but it’s much more than that … well worthwhile for lovers of Josquin who want to know what went immediately before’ (MusicWeb International)» More

‘Garrick Ohlsson is riding high, and he is positively equestrian in this studious release … everything here is fascinating and performed with masterly musicianship … and method’ (Classical Source)» More

‘Dazzling pianism, class-leading sound; another notch on Ohlsson’s bed post’ (MusicWeb International)» More