‘Rose [is] a high bass, ideal for Benucci’s roles … his words are clear and his singing is full of character’ (The Sunday Times)» More

'Goerner gaf een uitgekiende selectie van de Etudes en zijn spel is enorm verfijnd. Ohlsson daarentegen is bont en krach' (Luister, Netherlands)» More

‘Superb collection of Czech masterpieces from premier ensemble’ (The New Zealand Herald)» More

'Voor mij is zijn vertolking meer dan sensationeel' (Luister, Netherlands)» More

‘Steven Isserlis makes no attempt to make his cello imitate the wispy resonance of the gamba, instead claiming the music for his instrument with vigorously articulated lines, robust technical athleticism and ravishing cantabile … wondrous singing quality’ (Gramophone)

‘It’s always a coup when two internationally renowned soloists come together to play chamber music, and Steven Isserlis and Stephen Hough undoubtedly make quite the pair … Isserlis’s sound is always palpable, balanced perfectly by Hough’s articulate pianism’ (Limelight, Australia)» More

'In this first recording the opera makes a delightful discovery telling its gentle tale of a love triangle in the ancient poet's garden with typical Enlightenment grace. Anne Dennis, Agustin Prunell-Friend and Matthew Brooks are the genial singers. Williams conducts the OAE and its choir with bright-eyed energy and finesse.' (Financial Times)» More

‘The shortlisted finalists for this year's Recital Award typify this trend, and best of the distinguished crop is Jeffrey Skidmore and Carolyn Sampson's exposition of the career of Marie Fel’ (Gramophone)

‘Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way’ (The Guardian)» More

‘Bostridge’s fans have no need to hesitate either, and the virtues of his distinctive Lieder-singing art are very much in evidence, even if the voice itself occasionally sounds a touch raw. There’s characteristic intelligence applied throughout, and a sense of every word having been mulled over and weighted accordingly’ (Gramophone)

'This beautifully prepared account of Bruckner’s Ninth Symphony was the Philharmonia’s contribution to a complete cycle of the composer’s symphonies performed by a variety of orchestras at the 2014 Salzburg Festiva … Dohnányi’s new recording is distinguished by the clarity with which it presents Bruckner’s score as well as the excellence of its sound' (Gramophone)

‘It's good that Loyset Compère is getting another chance as it were—especially with these fine secular songs … produced to Hyperion’s usual high standards, [this disc] includes texts and excellent translations as well as David Fallows' essay’ (MusicWeb International)» More