‘Selecting from 15 singers, The Cardinall’s Musick make a glorious sound, forthright and strong. They are aided by the acoustic of the (Catholic) Fitzalan Chapel in Arundal Castle. A particularly appropriate venue’ (AndrewBensonWilson.org)

‘Lane… joins the Goldner Quartet in the G minor Piano Quintet, conceived for musical friends during Bruch’s stint as music director of the Liverpool Philharmonic. It’s winningly done. Lane’s long partnership with the Goldners pays off in the call-and-response of the melancholy chorale theme with which the Quintet opens, and the balance he achieves between Bruch’s often brilliant (but never flashy) piano-writing and the strings’ lyricism’ (Gramophone)

«L'exécution se révèle … irréprochable les quatre archets témoignant d'une solide connivence» (Diapason, France)» More

‘I will happily make Stephen Hough my current choice. It is an impressive and enjoyable performance’ (MusicWeb International)

‘It isn’t just the ability to play Morton Feldman’s music that marks a virtuoso pianist as special it’s the desire to do so. Our luck in Buffalo in hearing Feldman’s slow, soft, visionary music for so long while he was the Varese Professor of Music at UB (his invention) doesn’t usually translate to the endeavors of a pianist like Steven Osborne, whose interest in the likes of Liszt and Alkan as well as Ravel and Beethoven Sonatas doesn’t promise affinity for a composer known to advise pianists to listen to the tone a single finger can make. But not only does Osborne prove to be devoted to Feldman he cleverly pairs him on a disc with George Crumb’ (The Buffalo News, USA)» More

'The best is Holst's version of 'I Love My Love', which develops from simplicity gradually into more elaboration that works' (Early Music Review)

'This is a disc which works because the singers combine fine musical quality with a sympathy and enthusiasm for their material, giving us a delightfully evocative 50 minutes' (Planet Hugill)

'The Choir of St John's tackles all with confidence and clarity' (The Observer)» More

‘[Hewitt] brings Scarlatti's music gloriously alive’ (International Piano)» More

'This is a safe, middle-of-the-road account of Schubert's masterpiece and all the better for it. The music is allowed to unfold seemingly without effort, but always with dramatic focus' (Classic FM)

„Trotz der genannten stilistischen Unterschiede reduziert Stephen Hough die Komponisten aber nicht simpel zu Antipoden einer vielstimmigen Epoche, sondern es gelingt ihm durch bis in Details aufmerksames Repertoireverständnis, deren exzentrische musikalische Intensität als Gemeinsamkeit zu reflektieren“ (Piano News, Germany)» More

'This is a lovely disc, one of those in which the different items seem to set each other off' (Planet Hugill)