'Das klanglich heraustragende Spiel des LSO gehört zu Extraklasse' (Pizzicato, Luxembourg)» More

‘It’s hard to imagine this—or anything else in this collection—being more sensitively and authoritatively executed. The music’s micrometer-like changes of colour, dynamics and duration are just extraordinary’ (MusicWeb International)

‘Collectors of this Hyperion series should no doubt be acquiring this issue, and fans of Ian Bostridge will certainly not be disappointed either’ (MusicWeb International)

‘This is a thoroughly enjoyable disc, not only because of its well-conceived programme of dramatic, impassioned music but also owing to the excellent advocacy of Bartłomiej Nizioł’ (The Strad)» More

'Gardiner's Mendelssohn is as genial as it gets' (The Sunday Times)» More

‘The sonorous voices of De Profundis perfectly suit the beguilingly opulent textures and expressive lines’ (The Sunday Times)» More

‘The sonorous voices of De Profundis perfectly suit the beguilingly opulent textures and expressive lines’ (The Sunday Times)» More

‘Nicolas Altstaedt and the sinewy warmth of his 1760 Gigli are a great fit for this often rather wild music … Arcangelo under Cohen also breathe the music, capturing the frequent storminess but also bringing substantial dignity, their zing coming from their actual tone and lucid textural balance’ (Gramophone)

‘The sixth volume of Angela Hewitt’s Beethoven piano sonata cycle is a delight from beginning to end’ (Classical Ear)» More

‘There is much thoughtful and nuanced playing to savour in all five works here’ (The Observer)» More

‘Led by David Skinner and two-dozen strong, De Profundis sound robust and solemn rather than mournful, their all-male line-up a welcome change from today’s treble-dominated norm in larger ensembles … these solid, well-judged performances elevate Ribera from a mere footnote in music history to something more substantial’ (Gramophone)

‘Led by David Skinner and two-dozen strong, De Profundis sound robust and solemn rather than mournful, their all-male line-up a welcome change from today’s treble-dominated norm in larger ensembles … these solid, well-judged performances elevate Ribera from a mere footnote in music history to something more substantial’ (Gramophone)