'De expressieve finesse verslapt geen moment, terwijl timing en spanningsopbouw sterk bijdragen aan dit zonder reserves uitzonderlijk positieve beeld. Groots spel dat groots is opgenomen' (Opus Klassiek, Netherlands)» More

‘I greatly enjoyed Tiberghien’s first disc of Bartók piano works (review) so was very pleased to receive this second one. He is both a scrupulous and an imaginative pianist. He faithfully follows Bartόk’s sometimes very detailed directions for attack, phrasing and dynamics, but allows himself a degree of freedom in rubato and in shaping the music so that they all come out as coherent piano works’ (MusicWeb International)» More

‘This lovely disc reveals the cello as a kind of private sketch pad, or journal, capturing big emotions on a small scale, with a poetic concentration in sharp contrast to the larger, more furious musical gestures of the post-war moment’ (Gramophone)

‘In short, these performances offer more with each listening … a very handsome package’ (Gramophone)

‘Taneyev … is resourceful in tonal colouring, in contrapuntal knitting and pitting of parts and in the general sense of creative momentum and coherence. These are qualities that the Leonore harness to terrific effect, bringing to the fore the fact that Taneyev … had a passionate, romantic impulse, strong ideas and a true lyrical gift’ (Gramophone)

‘This is a recording notably pleasing to the ear’ (Classical Source)» More

‘We have moved beyond the realm of mere bourgeois amateur private music-making. In these quartets we see some of the early stirrings of the quartet as concert music in its own right … a fantastic addition to any chamber music fan’s collection, and an excellent introduction to the genre for those who’ve yet to explore it’ (Presto Classical)» More

«Le résultat nous enchante: niveau technique ébouriffant—intonation, précision rythmique—et avec cela une fantaisie qu’on ne connaissait pas forcément à notre violoncelliste. Très bien secondé par l’excellent Markus Becker, il amuse, charme, enthousiasme, émeut» (Diapason, France)» More

‘Needless to say Iestyn Davies presents all this stuff better than I can imagine any other countertenor doing, and it’s extremely well accompanied by the London based, original instruments orchestra, Arcangelo, under its founder/conductor Jonathan Cohen’ (Classic FM)» More

‘Liebeck plays very well, and what emerges is that Bruch should not be described as a one hit wonder. The 'In Memoriam' is a particularly powerful piece’ (Classic FM)» More

‘While Gerhardt's disc of Casal's encores glowed with old-fashioned refinement, this collection comes with an icy vodka shot of Prokofiev and Stravinsky: fabulous, high-kicking arrangements’ (BBC Music Magazine)» More

‘The Leonore Piano Trio evoke the rainbow colours and myriad shapes, moving quickly from dark and expansive to slivers of iridescence’ (BBC Music Magazine)» More